Who’s who in the cast

Over the past few months, I’ve been processing a collection of performing arts programs, advertisements, and clippings gathered by Virginia English teacher John Barnes (1905-1979). Barnes held both a Bachelor of Philosophy and a Master of Education and taught English at Lane High School in Charlottesville, VA from 1949-1958 when he became Guidance Director.

Over the years, Mr. Barnes collected numerous newspaper clippings and articles focused on the theatre and entertainment industries beginning in the late 1800s. He also gathered an impressive collection of playbills and programs from around the world for various mediums including plays, musicals, movies, orchestral performance, opera, ice skating, circus, and more. The playbills and programs are from the 1900s through the 1980s with the majority from 1940-1960. There are bills from small local theatres and from national playhouses. Given my interest in the theatrical arts, I had a blast working with this collection!

There are simply too many amazing things in this collection for me to show them all to you – Broadway and West End playbills, early film programs, circus programs from the Soviet Union, a kabuki program from Japan, cabaret programs from France, and more. Since I can’t show everything in one blog post, I’m going to focus on some playbills that feature American celebrities.

The playbills from the National Theatre (Washington, D.C.)inthe 1940s & 1950s caught my eye because they feature prominent images of the performers and downplay what show they are performing in. Some of the shows don’t even have their title on the cover – and it’s surprising what shows that happens to. I found this interesting since the trend in recent years on Broadway is to focus on the show rather than who the performers are.

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A great example is this playbill from the November 9, 1942 National Theatre opening performance of Thornton Wilder’sThe Skin of Our Teeth. The title of the show appears nowhere on the cover. Instead, there are pictures of Tallulah Bankhead– star of stage and film and well known for the play Little Foxes and the Hitchcock film Lifeboat, Fredric March – Oscar winner for the 1931 film Dr. Jekyll and Mr. Hyde, Florence Eldridge – known for the playLong Day’s Journey into Night, and Florence Reed – a well known stage and screen actress who appeared in silent film and a few talkies, including the role of Miss Havisham in the 1934filmGreat Expectations.

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Even when the show title is included, the trend is to feature the performer. This example is the cover of the playbill for the October 31, 1955 performance of the musical The Vamp which starred Carol Channing – wildly well know for her roles in Gentlemen Prefer Blondes and Hello, Dolly!.

I would speculate that featuring the performers was done to increase ticket sales – a typically effective strategy. These performances were also occurring during World War II and the period immediately following. I imagine celebrity was as much a distraction then as it often is today.

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This playbill again only mentions the performers on the front. For me, this is the crown jewel of the National Theatre playbills in this collection. Despite misspelling her last name on the cover, this playbill jumped out at me because of the familial resemblance Diana Barrymore bears to her niece Drew Barrymore. That made me pick this up … then I saw what it was and I was even more excited.

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This playbill is from the November 27, 1944 performance of Daphne du Maurier’s Rebecca. The cast and show both are amazing! The show is based on the classic novel of the same name by the same author. It includes one of the “Best opening lines in literature, ever” according to Marie Claire UK(“Last night I dreamt I went toManderley again.”). It also has one of the creepiest and most menacing female antagonists: Mrs. Danvers.

This production mixed celebrity with the play’s compelling story and this playbill hints at the cultural drama embodied in the production. Diana Barrymore was acting royalty, coming from a family well-known in the industry. She was married to Bramwell Fletcher (known for The Mummy with Boris Karloff) – who was significantly older (18 years) – and in this show, they play husband and wife.

In addition topairing this celebrity couple on stage to entice the audience, Florence Reed portrayed Mrs. Danvers! As I mentioned before, Reed was well known for her role as Miss Havisham in Great Expectations. Given the celebrity involved in this production, I’d be interested to see what the tabloids were printing about it.I also think it would have been an effective diversion for Washington theatregoers looking to escape the realities of World War II America.

These few glimpses merely scratch the surface of what John Barnes collected. The finding aid is not yet online, so I can’t share it here, but the collection has been organized and is available for use. Just visit the Special Collections reading room and ask for the John Barnes Performing Arts Collection, Ms2016-005. If you have any interest in the performing arts or historic print advertising, you’ll be glad you did.

The Not-So-Fleeting (aka “Ephemeral”) Broadside

Over on the History of Food & Drink blog this month, I’ve been sharing some culinary-related ephemera. Since I’m writing for both blogs this week, I’m working on a theme and to that end, located some local history pieces to share. Not sure what ephemera is? That’s okay–we can help!

Ephemera:pl. n. (ephemeron, sing.) ~ Materials, usually printed documents, created for a specific, limited purpose, and generally designed to be discarded after use. (Thanks, Society of American Archivists for that helpful definition!) So, in other words, things like advertisements, flyers, tickets, or receipts. More specifically, this post is about broadsides. Not sure about that word either (we archivists sometimes like our fancy words!)?

Broadside:(also broadsheet), n. ~ A single sheet with information printed on one side that is intended to be posted, publicly distributed, or sold. Often times, broadsides take the form of flyers or advertisements for events…like these:

Floyd County Land Auction Broadside, 1859.
Floyd County Land Auction Broadside, 1859.
Crockett Mineral Springs Land and Equipment Auction Broadside, 1931.
Crockett Mineral Springs Land and Equipment Auction Broadside, 1931.

Okay, you’ve got me. The next one, since it has two sides, isn’t technically a broadside, but it is ephemeral and it is still a local auction advertisement!

Nelson R. Wilson Auction Notice, 1932. (Front)
Nelson R. Wilson Auction Notice, 1932. (Front)
Nelson R. Wilson Auction Notice, 1932. (Back)
Nelson R. Wilson Auction Notice, 1932. (Back)
Yellow Sulphur Springs Sale Broadside, 1943.
Yellow Sulphur Springs Sale Broadside, 1943.

As you may have noticed, some of these aren’t in the best of condition. Oddly enough (or perhaps not?), the oldest one, from 1859, is in the best shape. Paper-making processes in 1859 resulted in a product that was better designed towithstand time, more so than paper being made in the 1930s and 1940s. But remember, the reason we call these items ephemera is because of their expected short life span and transitory nature. Once they have fulfilled their purpose, on the surface, they may not seem to have enduring value. And to be honest, even in 1943, who would be thinking “Hey, I should really keep this flyer from that land and building sale that’s coming up this weekend in Yellow Sulphur Springs.” Lucky for us, someone did, because even ephemeral documents have research value!

Depending on the kind of information they contain, broadsides and other pieces of ephemeracan be useful for a variety of reasons. Doing research on the history of a piece of land? Auction flyers might tell you about different sales over time. They’re also a great way to learn about local government officials, the closure of a business (and resulting disposition of property), and like the one from Crockett Mineral Springs, may even include handwritten notations. Broadsides don’t have all the answers, but they can often add another piece of the puzzle that is primary source research. Saved receipts can offer insight in the domestic and business purchases of an individual, family, or corporation. Tickets kept after decades can help show the change in prices or popularity of events. There are all kinds of great reasons you’ll find ephemera in special collections and archives, and it’s important to remember that your research can both take you in unexpected directions and benefit from unexpected discoveries.

So, next time you see a flyer on a building, in a community space, or on a campus, give it abrief glance. It might just be a future piece of history.

Words of Comfort: An exhibit of letters from around the world in the April 16th Condolence Archives

Things have been busy in the University Archives of Special Collections this month, with two exhibits going up this and next week. The first is the memorial exhibit honoring the memory of the victims and survivors of the tragic day of April 16, 2007. Every year we commemorate that day with an exhibit of items from the April 16th Condolence Archives. Please read the press release below to find out more about this year’s event.

The second is an update to the Virginia Tech Alumni Association’s (VTAA) Alumni Museum, with whom Special Collections has worked for over a decade to provide university memorabilia for display. Several archivists and students have been selecting items to update the current display, which will be installed next week. There is no end date for the display of these items, as we plan to continue working with the VTAA for years to come. Also, if you are attending next weekend’s Black Alumni Reunion, you will get to see several additional photographs from the university archives of many pioneering Black female students and alumnae at Virginia Tech, in honor of the 50th anniversary of the first six Black women to attend the university in 1966: Linda (Adams) Hoyle, Jackie (Butler) Blackwell, Linda (Edmonds) Turner, Freddie Hairston, Marguerite Laurette (Harper) Scott, and Chiquita Hudson. You can learn more about them at The Black Women at Virginia Tech History Project.

Words of Comfort: An exhibit of letters from around the world in the April 16th Condolence Archives

Day of Remembrance display in Newman Library shares words of comfort and hope

Following April 16, 2007, schools, fellow universities, children, community and religious groups, businesses, and other individuals from around the world sent words of comfort and hope to Virginia Tech. These cards, letters, signs, and other handwritten items expressed the world’s condolences and gave Virginia Tech a global community of support.

This week, on April 15-16, many of these items will be on display in the Multipurpose Room on the first floor of Newman Library at 560 Drillfield Drive in Blacksburg. The exhibit, “Words of Comfort: An exhibit of letters from around the world in the April 16th Condolence Archives,” is free and open to the public, and will be on display from 9 a.m. to 4 p.m. each day.

These items represent over 40 countries and every continent, showing the outpouring of support from around the globe. Selected items on display include:

The materials are part of the Virginia Tech April 16, 2007 Condolence Archives of the University Libraries.

Campus visitors also left symbols of comfort and signs of support at memorials around Virginia Tech, which were displayed on campus for several months before being gathered and inventoried under the direction of the University Archivist. Together, the collection consists of more than 89,000 materials available through Special Collections in Newman Library.

In the summer of 2007, many items were digitally photographed for preservation and to share with the world. A large portion of the Condolence Archives of the University Libraries is now publicly available online.

The upcoming exhibit is organized and curated by LM Rozema, processing and special projects archivist for the University Libraries Special Collections, and Robin Boucher, arts program director for Student Engagement and Campus Life.

Free parking is available on weekends at the Squires Student Center and Architecture Annex lots along Otey Street. Before 5 p.m. on weekdays, a valid Virginia Tech parking pass is required to park in these lots. Find more parking information online, or call 540-231-3200.

If you are an individual with a disability and desire an accommodation, please contact LM Rozema at 540-231-9215 during regular business hours prior to the event.

For more information and other expressions of remembrance, please visit the We Remember site.

The Agitator

Charles Taylor Adams Played the Provocateur as Both Student and Alumnus

The title of the Herman Bruce Hawkins Papers (Ms1974-014) is a little misleading. While the materials in the one-box collection do relate to Hawkins (who graduated from Virginia Polytechnic Institute in 1910, had a successful 50-year career in the power industry, remained actively involved in Virginia Techs alumni association, and was awarded Virginia Techs Distinguished Alumni Citation in 1961), the overwhelming focus is on Hawkins VPI classmate, Charles Taylor Adams.

A native of Richmond, Adams entered VPI as a sophomore in the schools horticultural program in 1908. Adams became known on campus for his verbose and iconoclastic nature and his relative lack of interest in the discipline and protocol of a military school. The blurb below his picture in the 1910 Bugle sums up Adams (known more familiarly by his middle name) in this way: Taylor has the hot-air supply of Montgomery County cornered, trussed up and stored away. And that isnt the worst of it. If hed keep it where hes got it, we would not object so strenuously. But he always has it on tap and you never can tell what is and what isnt true. Taylor also seems to have had a reputation for excessive idealisism and was sometimes known to friends as Quix, short for Quixote.

In 1909, Adams was named editor-in-chief of The Virginia Tech, forerunner of todays Collegiate Times. Taylor presented a number of tongue-in-cheek editorials and soon began running a regular feature, Asbestographs, so-called because the column was intended to cover red-hot matter, too incendiary to print on paper. Not quite living up to its stated purpose, the column usually featured gripes about mundane aspects of campus life: the stench from campus incinerators, the inefficient laundry service, and the lack of heat in the dorms being among the many grievances aired. Adams’ diatribes were often directed against his classmates, whom he castigated for their lack of enthusiasm and involvement.

The papers editorials took on a more weighty subject on January 26, 1910, when Adams addressed a local issue. Some students had taken a dislike to a local Italian immigrant who had been peddling peanuts and popcorn (and, according to some, anarchism) and had pelted him with firecrackers. According to Adams (in language not politically correct), the Blacksburg mayor had paid an African-American Blacksburg resident to act as witness against two innocent cadets against whom the mayor held a grudge. The case was ultimately thrown out by the grand jury, but it came at a time when other issues were straining town-gown relations, and Adams editorial apparently received some negative attention from school authorities. In protest, Adams published the following week a Spotless Edition of The Virginia Tech. The issue contained only advertising. The sections that would have held news stories and editorials were intentionally left blank.

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The front page of the Virginia Tech’s “Spotless Edition,” February 2, 1910

Adams remained editor-in-chief and seems to have completed the school year, but records indicate that he never graduated from VPI. He did, however, go on to a successful career, working for several prestigious New York advertising firms.

In 1959, classmates Adams and Hawkins reconnected through correspondence. The letters between the two served as an outlet for Adams views, and he wrote of his great regret for having spent his years in advertising, rather than being a communist activist:

Did I ever tell you that I once met John Reed [the American journalist who chronicled Russias Bolshevik Revolution] and talked with him? (and how shamed I am now that his words moved me not, and I put him down as a wild eyed young radical). It was in 1914, I think, in some smoke-filled bistro in Greenwich Village, and I was down there with some of my friends, and Reed came over to greet one of them … and not long thereafter he went over and was in the October Revolution When I think that I might have done that, or something like it, I am shamed and deeply sick in spirit. For what have I done, in the seventy years I have had? Advertising to make people buy things they do not need, at prices far beyond their true worth

Remembering with fondness their time as classmates, Hawkins saw Adams as a frustrated idealist:

Your unhappiness though is, I suspect, that of so many intellectuals who expect too much of people. And with the people being what they are throughout the world, I wonder just where you might go to find happiness. In thinking back over the years I can recall now that you were a revolutionary from the start during our early years when we roamed the campus together at Blacksburg … You are though my favorite revolutionary and though it would have been thrilling to say, I knew him well he was one of my dearest friends Im really glad that you didnt distinguish yourself in the same way that John Reed and Lenin and Castro did.

Taylor Adams (left) and Herman Hawkins are pictured as classmates in the 1910 Bugle.

During the next few years, the two men occasionally exchanged letters that present in microcosm the contrast of opinions on the overarching issues of the daycivil rights, nuclear arms, and the Vietnam WarAdams espousing views that at the time were considered fairly radical and often sharing printed materials from such organizations as the NAACP and the Congress for Racial Equality, while Hawkins held on to prevailing conservative opinions, such as his take on Adams activities as a speech-writer for the NAACP:

I do believe that you are being unrealistic for the highest hurdle the Negro has to clear is that of prejudice[,] and what you are doing through the N.A.A.C.P. the writing of speeches for the traveling educators being sent through the plague ridden Southern States will do nothing more than harden and heighten this barrier of prejudice.

Hawkins abruptly cut off correspondence in 1962, though Adams apparently made at least one more attempt at contact. Adams, having retired from advertising, continued to use much of his free time in sharing his opinions with whomever would listen. The Hawkins collection contains several opinion pieces that Adams contributed to publications both large and small.

In 1969, perhaps recalling the reaction that hed been able to provoke as editor of the student newspaper 60 years earlier, Adams placed three advertisements in The Virginia Tech. In the first, he exhorted students and their parents to protest a raise in the schools room and board rates. In another ad, Adams offered a five-dollar reward to the first person answering two questions: How many Negroes are on the academic (not sports, dance, or Home Ec.) faculty of VPI? and Give name and brief description of all academic courses in Negro History, Culture and related specifically Negro subjects. It was Adams third ad, however, that caused a stir.

Learning that U.S. Army Chief of Staff General William Westmoreland would be delivering an address at Virginia Techs ROTC commissioning ceremony on June 7, Adams place an ad in the Tech calling for recruits for a guerilla battalion to protest the event. The ad generated a brief firestorm of controversy, and the Hawkins collection contains a number of opinion pieces against Adams specifically and school protests generally. In the end, Adams claimed that the ad was a joke. According to a May 22 article in the Richmond Times-Dispatch: He said he ran it because he wanted to stick a pin in the people at VPI, a school which he contends is behind the times. Citing poor health, the 80-year-old Adams did not leave his home in New York to attend the event. A small, peaceful protest was, however, staged at the ceremony. (You can see footage of it in this Youtube video.)

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Taylor Adams’ ad in a 1969 issue of The Virginia Tech

Adams continued writing about issues of the day into his 90s and died in 1981; Hawkins died that same year.

The Hawkins papers would of course be of interest to anybody researching Hawkins, and especially his involvement in the alumni association, but much more importantly, the papers provide a small glimpse into the private, conflicting opinions of two Virginia Tech alumni on some of the bigger questions confronting the United States during the 1950s and 1960s.

Upcoming Events: Montgomery County Memory Project: People, Places, and Things of Montgomery County

The Montgomery County Memory Project: People, Places, and Things of Montgomery County, Virginia seeks to uncover local treasures hidden in corners of family homes, making connections within and among people in thecommunity.

With the support of the Montgomery Museum and Lewis Miller Regional Art Center, the University Libraries at Virginia Tech, and the Christiansburg Library, along with a Common Heritage grant from the National Endowment for the Humanities, Samantha Parish Riggin organized a series of events for the Montgomery County community.

These events will educate the public about preservation and identification of artifacts, documents, manuscripts, and photographs while offering the opportunity to digitize them. Creating digital versions of family items will give visitors the opportunity to preserve items that may not withstand time so their families can have permanent digital keepsakes. The Memory Project events may also lead to discoveries that enrich Montgomery County history as well as visitors own family histories.

There are several events associated with the project:

  • A talk bySamantha Parish Riggin, “Antique Speak,” on April 10th from 2-4pm at the Christiansburg branch of theMontgomery-Floyd Public Library
  • Digitization day, April 23rd from 10am-2pm, Community Roomat the Christiansburg branch of theMontgomery-Floyd Public Library
  • Digitization day, April 30th from 10am-2pm,Multipurpose Room on the ground floor of Newman Library at Virginia Tech
  • A talk by by Spencer Slough later in the summer, based on some of the items digitized at events in April. More information will be forthcoming in the future.

 

WVTF ran a story over the weekend that includes an interview with the project’s director, Samantha Parish Riggin. as well as some additional information. You can read the article and listen to the story online.Questions may be directed to the Samantha Parish Riggin, Program Director for The Montgomery Country Memory Project at 724-493-0750.

The Art and Travels of Sigrid Rupp

When she wasn’t designing offices for Silicon Valley giants like Apple and IBM, Sigrid Rupp was busy traveling around the world, writing and sketching the scenes that caught her eye. From 1966 to 2003, she visitedover 30 countries, traveling extensively throughout North America, Europe, and East Asia. With an eye for design inenvironments both natural and built, shemeticulously documented her many travels in photographs, diaries and sketchbooks. Maybe alittle different fromthe typical contents inour many collections that formthe International Archive of Women in Architecture, but I think they help show who Sigrid Rupp was- always curious, always creating.

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Sigrid Rupp sketching the view from an overlook in Guanjuato, Mexico.

Rupp developed herfascination with architecture and the built environment as a child growing up in post-war Germany in the late 1940s and early 1950s. Much of Europe was in the process of rebuilding from the devastation of World War II, and Rupp got to witness first-hand how modern architecture and urban planning could transform communities. At age 10 she moved with her family to California, and at 17 she enrolled at UC Berkeley to study architecture. In 1976, 5years after receiving her architectural license, she founded her own firm, SLR Architects, in the San Francisco bay area,whereshe served as president until she closed the office in 1998.

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An excerpt from one of Rupp’s travel diaries, complete with a view out her tent on a lake in Alaska in 2002.

Rupptraveled and sketched extensively throughout her career, butafter her retirement, shedevoted more time to travels and to watercolor painting. Her watercolors of bay area landscapes were featured in several juried shows of the Pacific Art League of Palo Alto. She also beganhosting a rotating art show at the Ravenswood Medical Clinic in East Palo Alto, where she had previously worked as project architect.

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Architectural details of La Paroquia in San Miguel Allende, Mexico
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Rupp’s sketch of a yurt during her visit to Mongolia in 2000

Rupp kept traveling and sketching until late 2003, when she was diagnosed with gastric cancer. After a six month battle, she passed away on May 27th, 2004, at age 61. In her obituary, her family writes that she was “was the life of the party at family functions where she told stories from her extensive travels and loved her champagne.” Though her adventures were cut short, her passion for seeing the world lives on in her travel diaries and sketchbooks, which can be seen in full in our reading room. The finding aid for the Sigrid Rupp Collectioncontains an extensive list of all the sketches, photographs and recollectionsfrom her travels. You can see a small sampling of items from her collection, including some of these drawings, onour IAWA digital collections site. Happy travels!

St. Patrick’s Day Dinner

Dia dhaoibh! When I found out I’d be posting on March 17th, I knew I had to do something for St. Patrick’s Day. You see, I love the Irish! I love the annual celebration of Ireland that happens this time every year! I love the shamrocks, the parades, and the green decor everywhere! I DO NOT, however, love the ever present corned beef and cabbage or the green beer.

Since I have been assaulted by corned beef and cabbage one too many times in my life, I decided to explore our History of Food &Drink Collection in search of more palatable Irish fare. During my search, I found various recipes for Irish potato dishes, a few roasts, and even one recipe for the dreaded corned beef. While I was searching, I came across a little Irish cookbook. No, literally! the book’s title is A Little Irish Cookbook (TX717.5 .M877x 1986).

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A Little Irish Cookbook includes 28 recipes representing everything from breakfast to dessert. The book was originally published by The Appletree Press Ltd. in Ireland in 1986. The copy held by Special Collections was published the same year by Chronicle Books in the United States but was printed in Ireland. The author, John Murphy, states in his introduction that the book is not intended to represent all of Irish cuisine. It is merely a collection of recipes that “…if a visitor to Ireland were to encounter only what is in this book … he would be satisfied that he had eaten well in the Irish style.” That makes me think it’s perfect for a St. Patrick’s Day repast.

In celebration of Ireland and St. Patrick’s Day, I’ve created a five course menu from Mr. Murphy’s book. The menu is below accompanied by the appetizing illustrations from the book.

But first … Since March is Women’s History Month, I want to spend a moment talking not about the author of the book but about its amazing illustrator, Karen Bailey. Karen Bailey is a working artist with a studio in Ottawa, Canada. Her first art exhibition was in 1981. Since then, she has had both solo and joint exhibitions across Canada and the United Kingdom. She has provided illustrations for a number of Appletree Press books, including “Irish Toasts”, “A Little Scottish Cookbook”, “A Little American Cookbook”, and “A Little Canadian Cookbook”. More examples of her work can be seen on her website: www.karenbailey.ca.

Now for our menu:

MENU

Gar Goile(appetizer)

Boxty

Introduced in the book as “… a traditional potato dish, celebrated in the rhyme:Boxty on the griddle, boxty in the pan,If you can’t make boxty, you’ll never get your man.”

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Anraith (soup)

Irish Stew

This is a classic that everyone should expect when looking into an Irish cookbook. Murphy describes his recipe as “… hearty, nourishing, and traditional enough.”

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Crsa isc (fish course)

Dublin Lawyer

Ireland is an island, so I had to include some seafood! Plus, I love seafood and this is my menu. 🙂 While I wasn’t able to find the origin of this dish’s amusing name, many sites on the Iternet claim it has to do with the wealthy status of lawyers in Dublin. Regardless, I firmly believe Murphy when he says “This dish is delicious and traditional…”

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Promhchrsa (main course)

Spiced Beef with Champ

First, the Spiced Beef. With this dish, I’m slipping into Christmas fare a little but I couldn’t pass up this delicious image from Karen Bailey. The Spiced Beef “… can be made at home, but it does take time.” according to Murphy.

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As for Champ, it “… is a simple, warming dish which is cheap, easy to produce and very filling. I’ve actually tried Champ and it was wonderful!

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Milseog (dessert)

Gooseberry Crumble

OK. I’m partial to gooseberries but there’s another great reason to highlight this dish in my menu. It’s apparently so good the publishers not only included it in the 28 recipes but they also printed the recipe a second time on the included bookmark!

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I hope you enjoy whatever you decide to make for St. Patrick’s Day! And remember: Women’s History Month is only half over! If you haven’t already, be sure to check out our online exhibit for Women’s History Month 2016.

Slinte!

 

The Man, the Myth, the Mascot: Floyd H. Meade, Virginia Tech’s First Mascot Performer

Floyd "Hardtimes" Meade, 1921
Floyd “Hardtimes” Meade with his trained turkey at a 1921 football game

Floyd “Hardtimes” Meade. Many of you Hokie fans may know that name. We’ve mentioned him on this blog before in “Thanksgiving traditions at Virginia Tech” and “When Orange Became The New Black (and Maroon the New Gray)”. He’s best remembered as the university’s first mascot performer, who dressed up as a clown in orange and maroon, and as the man who introduced the turkey to football games, influencing the HokieBird mascot.

But of course, Floyd Meade was more than that. People who knew the man recalled his activities at Virginia Tech to Col. Harry Temple, who wrote the epic history of Virginia Tech, The Bugle’s Echo (see also Harry Downing Temple Papers, Ms1988-039). But little about Meade’s family life has been discussed until now, thanks to the proliferation of genealogy websites, a search through digitized census, military, and vital records online reveals some important details about him and his family.

Floyd Hobson Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade. His father may have been either William Meade (on his marriage certificate) or Joe Dill (on his death certificate). Floyd also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.

According to Temple, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. The students loved him, and after that, Meade started advertising the school’s athletic games. By 1896, he traveled with the football team on their trips as a mascot in the orange and maroon clown costume. (Temple, pp. 254-255) At this time, he also began working at the college in the Mess Hall (Temple, p. 448).

In 1913, Floyd started bringing live turkeys to football games, inspired by the team’s informal nickname the Gobblers. He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! Meade also played music for himself and for the cadets – Temple states he was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).

Floyd Meade, 1921
Floyd Meade, 1921. Notice carefully the two-toned color of his outfit – probably maroon on the left and orange on the right!

On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. We have the Blacksburg Odd Fellows Records, Ms1988-009, which includes a membership book with an entry for Meade. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade’s service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows. (Floyd’s membership entry and other Odd Fellows items are on display through the end of February in our exhibit on the first floor of Newman!)

Floyd’s life wasn’t always good though, and on April 24, 1929, Meade’s mother Denie died at around the age of 72. In December, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family’s living expenses, and alumni wrote letters to try and change administrators’ minds – to no avail. (Temple, p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.

Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.

Floyd Meade (seated) and unidentified man (possibly nephew Emmett Meade, Jr.)
Floyd Meade (seated) and unidentified man (possibly nephew Emmett Meade, Jr.)

In 2003, Meade’s life provided the inspiration for Lucy Sweeney’s musical Hard Times Blues, which was performed in Roanoke and at the Lyric Theatre in Blacksburg. After researching him myself, I hope hope HOPE there’s a revival one day soon!

Update, Aug. 31, 2020: In 2019, Lucy Sweeney donated a copy of her play Hard Times Blues and files related to her research and the 2003 production. These are available in the Hard Times Blues Collection, Ms2019-038.

Sources:

Virginia Agricultural and Mechanical College and Polytechnic Institute: 1915

Virginia Polytechnic Institute and State University is, geographically speaking, a large entity. We have campuses in multiple locations, research centers throughout the state, and Virginia Cooperative Extension (which includes107 county and city offices, 11 agricultural research and Extension centers, and six 4-H educational centers). Here in Blacksburg, there are more than 135 buildings, an airport, acres of land, and a LOT of people. But, of course, it didn’t always used to be this way. In 1872, Virginia Agricultural and Mechanical College started with one building (the former Preston and Olin Institute) and around 250 acres of land purchased from “Solitude” owner, Robert Taylor Preston. By March of 1915, a little over 100 years ago, Virginia Agricultural and Mechanical College and Polytechnic Institute had grown…

Map of Virginia Polytechnic Institute, 1915
Map of Main Campus of the Virginia Polytechnic Institute, March 5, 1915 (click on the image for a larger version)

By then, it had 5 dormitories, 2 generic “academic” buildings and several identified academic buildings (Mining Hall, Science Hall, and Agricultural Hall), a library, a mess hall, machine and wood shops, a hot house, an administration building, a field house/track, and several utility buildings. This map, however, is also dotted with 19 private residences of faculty members, employees, and administrators. [Joseph Eggleston, then president of the university, lived in the Grove, which was completed in 1902, but it doesn’t appear on this map. It would be just off the south/south-east edge.] Most of these houses were on either side of thecurrent Drillfield and this area was called “faculty row.”

If you look at this map in the modern age, some things may seem a little familiar: the old dormitory buildings are pretty much in the same location as the current Upper Quad (which has some neat history of its own); the current library building is on the site of the old one (#35 on the map); and the Agricultural Hall is the approximate site of the current Ag Quad.At the same time, there have certainly been some major changes: “Faculty row” houses have been replaced by academic buildings on one side of the Drillfield and dorms on the other; Miles Field is gone, replaced by a much larger athletics region a little further out; and the old Infirmary (#34) would be somewhere under Squires today. It’s all a matter of give and take over time, as our campus has continued to make way for what’s new.

Given the change of the last 100 years (and in the 43 years before that),it’s hard not to ask: What will happen in the next 100 years at Virginia Tech? Whatever happens, it’s bound to be exciting!

“Amanda: Colored Daughter of Virginia”

Hidden History at Special Collections III

(In this on-again, off-again (mostly off-again) series, we look at interesting pieces found in unexpected placesnoteworthy items that, because they represent only a tiny part of a larger collection thats devoted to unrelated topicsremain concealed to all but the most thorough of researchers.)

Despite an increased interest in the past couple of decades, Blacksburgs early African-American experience remains an underrepresented piece of the towns history. Such projects as the restoration of St. Luke and Odd Fellows Hall as a museum of black history have done much to preserve a long-ignored history, but still African-American contributions to Blacksburgs early development remain greatly undocumented. With a dearth of primary sources, every scrap of information that comes to hand is a precious discovery. One such discovery is a brief, off-the-cuff essay found in the James Robbins Randolph Papers (Ms1971-001).

Born in 1891, James Randolph was the son of Lingan Randolph, a professor of mechanical engineering at Virginia Polytechnic Institute. The younger Randolph grew up in Blacksburg and obtained his own degree in mechanical engineering at VPI in 1912. After earning a masters degree at Harvard in 1921, Randolph taught physics and mechanical engineering at a succession of colleges and served in the U. S. Army Reserve Ordnance Department from 1931 to 1943.

Nearly all of Randolphs surviving papers consist of his notes and writings on various subjects. Not surprisingly, most of these writingsboth fiction and non-fictionfocus on science and technology, particularly rocketry. But within a collection of essays gathered under the title Maybe We Are Not Wanted on Mars is a brief, seemingly incongruous piece Randolph called Amanda: Colored Daughter of Virginia.

In his five-page essay, the professor offers his views of race relations in the South, focusing primarily on the Blacksburg of his youth. His viewpoints might today be considered at best nave, but they do offer some insights into race relations in Blacksburg a century ago. For example, Randolph attributes the necessity for the founding of New Town, a one-time historically black neighborhood near the present intersection of Main Street and Prices Fork Road, to an influx of new residents:

Before the Civil War in the South, Negroes and whites lived side by side because they belonged to each other, and seldom had occasion to move separately. After the war both found it expedient to stay where they were As the older people of both races died, or moved and were replaced by strangers, living side by side became less pleasant. So a group of Negroes bought a farm on the edge of town, divided it into lots, and called it Newtown.

Elsewhere in the essay, Randolph repeats his assertion that problems between the races resulted from disruptions by outsiders. Despite presenting a somewhat skewed look at the issue, Randolph recalls becoming aware at an early age that local relations between the races were not always easy, and that crises could erupt at any time:

Some of our students were from the mountains, where strange Negroes were apt to get shot, so we always feared a race riot, but it never came. As soon as we boys were big enough, Father told us how he planned to meet such an emergency. His plan was to round up as many as possible of our colored friends and get them into our house. Then he would take the front door, while we boys and the colored men took the back and sides. We were all good shots, and he explained that a man with peaceful intentions would come to the front door, whereas an enemy would try to sneak in somewhere else, so there was no harm in being trigger happy there.

It was around 1900, Randolph recalls, that two colored girls, Amanda and Ella began coming to us once a week to give the house a real cleaning. Thus began the familys lifelong friendship with Amanda, who eventually became the Randolphs cook. Later, when Amanda married, she and her husband John would live in the Randolph house while saving for a home of their own. Throughout the essay, Randolph writes of the couple with fondness and respect:

She and John were a thrifty industrious couple. He had his job. She worked part time for a white family, and she took in washing. She and John picked and canned fruits and vegetables on shares. They had fruit trees and a garden of their own. They had pigs and chickens. Their house was small and plain, but always neat. Their three daughters did well at school.

The Randolphs eventually left Blacksburg (James Randolph in 1914, his parents in 1918) but frequently corresponded with Amanda, and she visited the Randolphs in New Jersey on several occasions. James Randolph concludes his essay by remembering his last meeting with Amanda:

The last time I saw Amanda was when my fathers portrait was unveiled at the college where he had taught for so long Amanda and her three daughters were among the invited guests. Her oldest daughter, Clio [sic], took Mother there Amanda and I were talking when the meeting was called to order, and we sat down, side by side.

Randolph never provides Amandas last name, but a quick search of the census reveals the missing information. Among the inhabitants of the Randolph household in 1910, the census lists two servants named John B. and Amanda D. Rollins, aged 38 and 29, respectively. By 1920, John and Amanda owned a home of their own, which they shared with three daughters: Cleo, 10; Theriffee, 8; and Cuetta, 4. The census notes that the Rollins home was on a cross alley between Prices Fork Road and Main Street, placing it within the bounds of what was at that time New Town. The family continues to appear in Blacksburg through the 1940 census, which shows Amanda Rollins, a 61-year-old, widowed cook, living on New Town Alley with daughters Cleo Price, 30; and Quella Rollins, 23. Cemetery readings on findagrave.com reveal that Amanda Rollins died in 1950 and is buried in Blacksburg. John B. Rollins (1878-1931) is also buried there, as are the couples daughters, Cleo Rollins Price (1910-1974), Theriffa Rollins Christian (1911-1956), and Cuetta Virginia Rollins Webb (1916-1987).

For more on Blacksburg’s African-American history and Special Collections’ role in helping to preserve it, see Sam Winn’s post of October 19, 2015, “Uncovering Hidden Histories: African Americans in Appalachia.”