VOICES OF INFLUENCE

Poster introducing the "Voices of Influence: War and Propaganda Through the Ages" exhibit from Special Collections and University Archives at Virginia Tech University Libraries. It features a U.S. Navy recruiting poster showing a World War I era airplane.

During the summer of 2024, our outreach assistant, Sterling Bryant, curated an exhibit on propaganda before leaving to pursue his Master’s degree with Virginia Tech’s Department of history. He did a spectacular job and this has been one of our most popular exhibits. This blog post translates the exhibit into digital form so that we can share it more easily online.

This exhibit explores the powerful role of propaganda as it was used during the nineteenth and twentieth centuries. The items featured here include pamphlets, posters, books, and artifacts which illustrate how governments, political parties, social movements, and others employed propaganda to sway hearts and minds during some of the most tumultuous periods in history.

Curated By

Sterling Bryant, SCUA Outreach Assistant; Master’s Student, Department of History
Anthony Wright de Hernandez, Archivist


Sections


American Civil War

Union Recruitment Poster

Broadside poster recruiting for the Union Army
Date1861
CreatorUnited States Army
PublisherIngalls, Brockway & Beebee Printers
CollectionHomer E. Davis Papers (MS.2001.051)
DescriptionRecruitment posters like this one were used by the United States Army during the American Civil War. They were designed to recruit Americans to join the Union Army by stoking fears of a Confederate invasion of Washington D.C. This poster is a replica from the New York Historical Society.

George F. Doyle Scrapbook

A scrapbook page featuring some political cartoons, American flags, and the music and lyrics for "The Massachusetts Line"
Datecirca 1861
CreatorsGeorge F. Doyle
PublisherNone
CollectionGeorge Doyle Scrapbook (Ms.1989.096)
DescriptionScrapbooks like this were compiled during the American Civil War. Some contained information on the 1860 election or memorabilia on the Confederate States of America. This scrapbook was patriotic to the Union and contains music and images that can be recognized by Americans today. The full scrapbook can be viewed online.

World War I

Thrift and Economy

A poster showing a statement signed by the Council of National Defense and the Advisory Commission of the Council.
Datecirca 1917 or 1918
CreatorsCouncil of National Defense
The Advisory Commission of the Council of National Defense
PublisherUnited States Food Administration
CollectionWorld War I Food Posters (Acc.2021.094)
DescriptionPosters like this were common during the First and Second World Wars. They urged Americans to conserve resources so that they could be used by the military in the war effort. This poster depicts a signed statement by the Council of National Defense and the Advisory Commission of the Council of National Defense encouraging citizens to avoid all unnecessary expenditures to help the war effort.

Sugar Means Ships

Poster featuring a line drawing of a woman drinking from a straw in a cup. The bottom of the cup is pulling water with cargo ships labeled "Sugar" away from their path toward Europe. Rising above Europe is a black cloud labeled "War".
Datecirca 1917
CreatorFuhr, E. (Ernest), 1874-1933
PublisherUnited States Food Administration
CollectionWorld War I Food Posters (Acc.2021.094)
DescriptionSugar rationing for commercial uses began in fall 1917, reducing production of ice cream, sodas, and other treats which had become popular in part thanks to their promotion as alternatives for alcohol by the Temperance movement in the United States. Rationing for civilians did not begin until 1918; however, the United States was not capable of producing enough sugar domestically to meet demand. This led to calls for people to reduce sugar consumption so ships could be used for the war rather than to ship sugar.

Baker Recruitment Poster

Datecirca 1917
CreatorUnited States Army
PublisherNational Printing and Engraving Company, New York
CollectionWorld War I Baker Recruitment Poster (Ms.2021.029)
DescriptionRecruiting posters were a necessity during the World Wars. Conscription could only add so many specialties to the military, meanwhile specialists like bakers were greatly needed. This baker recruitment poster likely dates to New York City in 1917 and gives a quota on how many bakers are needed to support the United States Army.

Food Saving and Sharing

  • Yellow book cover with the title Food Saving and Sharing. In the center is a circular seal with the words "America's food pledge 20 million tons" above a stars and stripes shield. Wheat stalks wrap around the words and shield as a border.
  • A book's title page.
  • Line drawing in green ink showing a young woman and young man filling a picnic basket bearing a U.S. coat of arms with food.
Date1918
CreatorsTappan, Eva March, 1854-1930
United States Food Administration
United States Bureau of Education
United States Department of Agriculture
PublisherDoubleday, Page & Company, Garden City, New York
CollectionRare Books Collection (TX367.U6 1918)
DescriptionSubtitled “Telling how the older children of America may help save from famine their comrades in allied lands across the sea.” Toward the end of the First World War, famine began affecting families around the world. The United States Food Administration published literature urging families to conserve and share food with their neighbors so that comrades in allied lands across the sea could be saved from starvation.

Japanese Coronation Prints: Emperor Taishō

These lithograph prints were created to commemorate the enthronement of Yoshihito, later known as Emperor Taishō, to Japan’s Chrysanthemum Throne. The ceremony, held in November 1915 while Japan fought alongside the Allied forces in World War I, was the first of its type held as a public event and with foreign leaders in attendance.

Emperor Seated Upon the Throne in Shinshinden Palace

Lithograph depicting Emperor Taishō seated on a throne inside a blue-curtained structure with many embellishments that is atop a raised platform.
Date1915 (Taishô 4), Nov. 5 (printed)
1915 (Taishô 4), Nov. 8 (published)
CreatorRyôzô, Tanaka
PublisherShôbidô Tanaka
CollectionJapanese Coronation Prints, Emperor Taishō
DescriptionHis Majesty the Emperor Seated upon the Throne in the Shinshinden Palace at the Enthronement Ceremony. The ‘Takamikura’ H.i.M. The Present Emperor’s coronation ceremony at ‘Shinshinden.’ From the series commemorating the Imperial Ceremonies.

Emperor Passed Through the Royal Gate

Lithograph showing a red horse-drawn carriage passing through a large gate as part of a procession while soldiers stand in formation along the sides of the roadway watching it pass.
Date1915 (Taishô 4), Nov. 18 (printed)
1915 (Taishô 4), Nov. 20 (published)
CreatorRyôzô, Tanaka
PublisherShôbidô Tanaka
CollectionJapanese Coronation Prints, Emperor Taishō
DescriptionHis Majesty the Emperor passed through the royal gate to perform the official ceremony. From the series commemorating the Imperial Ceremonies.

Red Scare: Communism in America

These pamphlets published between the 1930s and the 1950s vary in support or opposition to the working class in the United States who may be identified as “communist” or “socialist” by the United States Government. In the late 1940s and early 1950s, the United States was experiencing something called the “Red Scare” and there were federal investigations to determine if individuals were spies for Soviet Russia.

The Un-American Dies Committee

  • Cover for a pamphlet titled "The Un-American Dies Committee"
  • Pages 16 and 17 of a pamphlet titled "The Un-American Dies Committee" which describe the actions and reason for the existence of the Dies Committee.
Date1939
CreatorsLapin, Adam
PublisherWorkers Library Publishers, Inc.
CollectionBlack History Pamphlet Collection (Ms.2012.066)
DescriptionOn May 26, 1938, the House Committee on Un-American Activities was established to investigate alleged disloyalty and subversive activities of private citizens, public employees, and organizations suspected of communist or fascist ties. It was chaired by Martin Dies Jr. (D-Tex.). This pamphlet describes the activities of the committee and its apparent willingness to believe any accusation of communist tendencies.

The Plot to Gag America

Date1950
CreatorsGurley-Flynn, Elizabeth
PublisherNew Century Publishers
CollectionBlack History Pamphlet Collection (Ms.2012.066)
DescriptionWritten by a member of the National Committee of the Communist Party and a leader in the American labor movement, this pamphlet argues against the Mundt-Nixon Bill, formally called the Subversive Activities Control Act of 1948 that would have required all members of the Communist Party of the United States to register with the Attorney General.

Let the People Know

  • Cover for a pamphlet titled "Let the People Know: The Truth About the Communists Which the Un-American Committee Tried to Suppress"
  • Pages 10 and 11 of a pamphlet titled "Let the People Know" which describe the Rankin Bill (H.R. 1884) and the Sheppard Bill (H.R. 2122) from the perspective of the American Communist Party.
Date1947
CreatorsDennis, Eugene, 1905-1961
PublisherNew Century Publishers
CollectionBlack History Pamphlet Collection (Ms.2012.066)
DescriptionThis pamphlet subtitled “The Truth About the Communists Which the Un-American Committee Tried to Suppress” was written by the General Secretary of the American Communist Party and lays out arguments against the Rankin Bill (H.R. 1884) and the Sheppard Bill (H.R. 2122) which were both intended to curb or outlaw the Communist Party in the United States.

World War II

War Bond Poster

Date1944
CreatorsUnited States Treasury
PublisherUnited States Government Printing Office
CollectionRalph Minthorne Brown Papers (Ms.1970.002)
DescriptionWar Bonds were integral to funding the United States military during World War II. Posters like these went up to urge Americans to buy bonds that would later be paid back to the purchaser at value plus interest after the war.

Make America Strong Posters

Date1941
CreatorsExtension Service, United States Department of Agriculture
PublisherUnited States Government Printing Office
CollectionMake America Strong Poster Collection (Ms.2008.012)
DescriptionBefore World War II, the science of nutrition was not well understood. Scientists knew that protein, energy, and minerals made for a healthy diet, but they did not know the specifics. With the approach of World War II, the government was very concerned about malnourishment among the citizenry following the Great Depression. The “Make America Strong” poster campaign was created by the United States Department of Agriculture Extension Service and included thirteen posters promoting the importance of dietary needs, healthy eating habits, and ways to fight food insecurity. Three of the thirteen posters were featured in the exhibit.

The first poster in the series shows an idealized depiction of masculine strength and sets the tone for the campaign.

In the middle of the series is a poster encouraging meals that are ample, well prepared, and rich in “protective foods.” Included under the label “protective foods” were milk, leafy vegetables, eggs, fish, and organ meats.

The final poster serves as a rallying cry for Americans to get to work making a positive change.

More Production

Ad from General Cable Corporation urging more production and showing smokestacks from numerous factories.
DateMay 1942
CreatorsGeneral Cable Corporation
PublisherArmy & Navy Journal (John Callan O’Laughlin)
CollectionRare Books Collection (D769.U55 1942)
DescriptionThis special issue of the Army and Navy Journal, titled “United States at War December 7, 1941 – December 7, 1942,” was sponsored by General Cable Corporation. The advertisement from that company on the inside front cover supports the “More Production” war effort. The rest of the journal contains letters and reports by government employees and military commanders detailing the first year of the war effort.

England and Normandy in Seabee Roads to Victory

  • Cover of the book "Seabee Roads to Victory" featuring battalion badges from U.S. Naval Construction Batallions.
  • Map of England and Normandy from "Seabee Roads to Victory"
  • Descriptive text and image captions for the England and Normandy map in "Seabee Roads to Victory"
Date1944
CreatorsMetzl, Ervine, 1899-1963 (maps)
Huie, William Bradford, 1910-1986 (text)
PublisherE.P. Dutton & Co.
CollectionRare Books Collection (D769.U55 M4)
DescriptionThe Seabee Roads to Victory serves as recruitment propaganda for the United States Navy. The Seabees, still around today, are the construction wing of the Navy. During the Second World War, the Seabees constructed bases, staging areas, and training facilities in the Mediterranean and Northern Africa. Featured here is the book’s account of Seabee involvement in landing operations in Normandy during World War II.

Paper Bullets: Great Propaganda Posters, Axis & Allied Countries WWII

Cover of "Paper Bullets: Great Propaganda Posters, Axis & Allied Countries WWII" featuring a poster of a woman holding a baby with shadowy, clawed, hands bearing Japanese and Nazi symbols reaching toward them. It is a propaganda poster promoting Victory Bonds.
Date1977
CreatorsLerner, Daniel, 1917-1980
PublisherChelsea House Publishers, Distributed by Whirlwind Books
CollectionRare Books Collection (D743.25 P36)
DescriptionThis book contains various propaganda posters from the World War II era. Seven were featured as part of the exhibit.

Ecco I “Liberatori”!

A poster showing a skeletal Statue of Liberty removing a mask to reveal her skull while standing over a burning city.
Date1944
CreatorsArtist Unknown
OriginItaly
DescriptionThis poster comes from Italy in 1944 and suggests that the Allied forces coming through Italy were leaving a trail of destruction behind them. The text reads “Here are the ‘liberators’!”

Соревнуйтесь На Лучшую Помощь Фронту!

Poster with Cyrillic writing that shows a young man proudly holding a red flag bearing the faces of Stalin and Lenin. In the background is an industrial plant and an airfield launching many planes.
Date1942
CreatorsKorkorekin, Alexei Alekseevich (Кокорекин, Алексей Алексеевич)
OriginUnion of Soviet Socialist Republics
DescriptionUnion of Soviet Socialist Republics World War II propaganda poster. The text reads “Follow this worker’s example. Produce more for the front!”

這個美國空軍把日本人趕出了中國的天空ー援助他!

Leaflet with Chinese writing that depicts a heavily armed American airman stamping on a cowering Japanese soldier.
Datecirca 1945
CreatorsUnited States, Office of War Information
OriginUnited States of America
DescriptionA Pro-American leaflet in Chinese showing a heavily armed American airman stamping on a cowering Japanese soldier. The text reads “This American airman drives the Jap from China’s Skies –Give him your help!”

人人敌忾,步不设防,坚强壁垒,制敌死命

A poster divided into four sections each with its own line drawing in red ink. One shows soldiers marching. Two shows stone walls with guns sticking from the top. Three shows multiple gun barrels. Four shows Japanese Emperor Hirohito on the ground.
Datecirca 1937
CreatorsJunshi weiyuanhui zhengxunchu (军事委员会政训处)
OriginChina
DescriptionA Chinese woodcut poster. The text reads “Everybody must hate the enemy, defenses must be constructed step-by-step, fortifications must be strengthened, the enemy must be exterminated!”

der Fuehrer’s Face

Date1942
CreatorsWalt Disney Studios
OriginUnited States of America
DescriptionPromotional poster for the animated anti-Nazi propaganda short film “der Fuehrer’s Face.” The film was originally titled “Donald Duck in Nutziland” or “A Nightmare in Nutziland.” It was released in 1943 and attempted to lift the spirits of Americans experiencing rationing as the country shifted toward a war footing.

Holding The Line

Datecirca 1942
CreatorsGuigmon, Henri
OriginUnited States of America
DescriptionThis United States poster caricatures Winston Churchill as a British bulldog to highlight the tenacity of the British people holding the line on the European front in World War II.

Anti-German Postcard

Date1944
CreatorsUnknown
OriginBelgium
DescriptionThis Belgian postcard from 1944 features the allied forces represented by a winged depiction of the Roman goddess Libertas or “Liberty” who is holding the flags of the allied nations as she defeats Germany.

China’s Great Proletarian Cultural Revolution

Mao Quotation on Study Classes

Datecirca 1969
CreatorsArtist Unknown
PublisherUnknown
CollectionAlice Langley Hsieh Papers (Ms.1979.004)
DescriptionEnglish translation: Holding study classes is a good method; many problems can be solved in study classes. During China’s Cultural Revolution, posters containing “Chairman Mao’s Latest Instructions” were published regularly and were celebrated by the people.

Mao Quotation on Revolutionary Committees

Datecirca 1969
CreatorsArtist Unknown
PublisherUnknown
CollectionAlice Langley Hsieh Papers (Ms.1979.004)
DescriptionEnglish translation: Erect revolutionary committees of three unions, do great criticisms, clean up the revolutionary ranks, consolidate the Party organization, simplify the structures, reform irrational regulation systems, send the administrative staff to the countryside, struggle, criticize, correct in the factories, in the main go through this process a few times.

Union of Soviet Socialist Republics During the Cold War

Pamphlets published by Russia’s state-owned domestic news agency. Sovinformburo (Совинформбюро) was founded in June 1941 and operated under that name until 1961 when it became the Novosti Press Agency (APN). It underwent a series of name changes and reorganizations from 1990 to 2013 and was absorbed into the Federal Service for Supervision of Communications, Information Technology and Mass Media, known as Roskomnadzor (RKN).

Towards Freedom and Progress

Cover of a pamphlet titled "Towards Freedom and Progress"
Date1970
CreatorsKhamid Sharapovich Inoi︠a︡tov
PublisherNovosti Press Agency Publishing House, Moscow
CollectionSoviet Propaganda Literature (Acc.2011.040)
DescriptionThe Soviet Union experienced ups and downs within its tenure as a world power. This pamphlet lays out a plan to continue their rise and grasp over world affairs.

Anti-Sovietism – Profession of Zionists

Cover of a pamphlet titled "Anti-Sovietism - Profession of Zionists"
Date1971
CreatorsVladimir Viktorovich Bolʹshakov
PublisherNovosti Press Agency Publishing House, Moscow
CollectionSoviet Propaganda Literature (Acc.2011.040)
DescriptionThis propaganda piece discusses how Zionism is anti-Soviet.

Soviet Sport: The Way to Medals

Two page spread from a book. One page has a photograph of a stadium with many people outside it. The other has photos of a man supervising a young child climbing a rope ladder and a group of men practicing water polo in a small section of open water cut into some ice while two skiiers watch.
Date1988
CreatorsAleksandr Rostislavovich Lavrov
PublisherNovosti Press Agency Publishing House, Moscow
CollectionSoviet Propaganda Literature (Acc.2011.040)
DescriptionThis pamphlet showcases the athletic talent of Soviet athletes in the 1980s. The Soviet Union also published propaganda for events like the Olympics, to display their legitimacy on the world stage.

We Are Building A Long-Term Policy Speech

Cover of a printed English language copy of Gorbachev's 1988 speech "We Are Building a Long-Term Policy"
Date1988
CreatorsMikhail Sergeevich Gorbachev
PublisherNovosti Press Agency Publishing House, Moscow
CollectionSoviet Propaganda Literature (Acc.2011.040)
DescriptionSubtitled “speech on the occasion of the meeting in Moscow of the US-USSR Trade and Economic Council, April 13, 1988.” Pamphlets like these were common in the Soviet Union throughout their time as a world power. Gorbachev was very notorious for pushing them out in the late 1980s as their empire looked as if it were ready to crumble.

Viet Nam

South Viet Nam in Struggle

Cover page of a newspaper
Date1971 Nov 29
CreatorsNational Liberation Front of South Vietnam (Mặt Trận Dân Tộc Giải Phóng Miền Nam Việt Nam)
PublisherNational Liberation Front of South Vietnam Information Commission
CollectionBlack History Pamphlet Collection (Ms.2012.066)
DescriptionThis paper was written for an English-speaking audience to demonstrate to the world that the United States was not dampening the spirit of the National Liberation Front of South Vietnam (also known as the Viet Cong).

Peacetime in America

Our Most Important Unit

Newspaper page featuring a recruiting ad for the U.S. Army
Date1996 Apr 8
CreatorsThe Army Times
PublisherThe Army Times
CollectionJohn A. Coulter Collection on Richard T. Shae, Jr. Newspaper Articles (Ms.2000.090)
DescriptionIn The Army Times, this picture advertises how the family unit is the most important unit in the United States military. Its purpose is to recruit people who may have a spouse and children. It details benefits available to Army spouses and children such as spousal employment assistance and assistance locating childcare.

Additional Content

Following the creation of the exhibit, Sterling began work on a related project during his first year of graduate school. This project will conclude with three live presentations on his Twitch channel and content about the exhibit materials on his website.

Twitch schedule

Join Sterling’s live presentations about this material in late November 2024 at https://twitch.tv/Strlang.

Part ITuesday, November 26 at 9:00 pm
Part IIWednesday, November 27 at 7:00 pm
Part IIIFriday, November 29 at 7:00 pm

Illustrations from a Magnificent Character

6449374-mRecently added online are a collection of illustrations by Lucy Herndon Crockett, a successful author and illustrator from Southwest Virginias Smyth county. Lucy authored nine books during her lifetime, the most well-known being The Magnificent Bastards in 1954, about her experiences with the U.S. Marine Corps in the South Pacific during World War II. In 1956, it was adapted by Paramount Pictures into an Oscar-nominated film The Proud and the Profane, starring Deborah Kerr and William Holden. In addition to her writing career, Lucy lead a very interesting life.

Ms2011-032
Movie Poster from Paramount Pictures’ ‘The Proud and the Profane,’ 1956, adapted from Crockett’s book ‘The Magnificent Bastards’

Born in Honolulu, Hawaii in 1914, Lucy spent most of her childhood on various military bases around the world, including Venezuela and Switzerland. After high school, she accompanied her father while he served as advisor to Governor General Theodore Roosevelt, Jr., who was overseeing both Puerto Rico and the Philippine Islands. During World War II, she served a five year tour of duty with the Red Cross in New Caledonia, Guadalcanal, the Philippines, Japan and Korea.

It was this time period that inspired much of the material for her books, including Teru: A Tale of Yokohama, for which we have the original illustrations. Her passionate personality and strong sense of duty comes through in many of her characters. Interviewers described Lucy as a lady who seemed too gentle for the ugliness she described in her writings. In her book The Magnificent Bastards, she said The theme of my book actually is how each person has a breaking point, and if you are lucky in life you are not put to it. In my book I say it is frightening how we can never anticipate how we will react under strain, and my book is about strain. When asked why she got into the war, she said that war, horrible as it is, is an experience that some people cannot resist participating in if they possibly can. With me, I am sure a sense of duty is wrapped up in it.

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Illustration from Terru: A Tale of Yokohama

In 1947, Lucy retired from the Red Cross and settled in Southwest Virginia. Her creative pursuits, many travels and strong opinions made Lucy a well-known eccentric character in Seven Mile Ford, where she lived most of her adult life in a historic 22-room house called The Ford. Alongside her mother Nell, Lucy ran a gift shop out of the house called The Wilderness Road Trading Post. The shop featured her books, illustrations, paintings, decoupage and hand-hooked rugs. She designed the rug patterns which were then executed by local craftsmen.

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Illustration from Terru: A Tale of Yokohama

Over the years, Lucy became increasingly eccentric and paranoid of those around her; at one point, threatening behavior toward then President John Kennedy led to a period of house arrest. She was known to write many letters to local newspaper editors. One of Lucys most interesting letters detailed her objection to a landfill being built just north of Seven Mile Ford, near the Middle Fork of the Holston River. She described county officials as displaying an ape-like display of leadership genius in proposing to turn this heavenly segment of landscape into a dump. She argued that the site instead be turned into a resort that would attract tourists. She even suggested a name the project-Cayetana, after a friend of hers, Cayetana Alba, the Duchess of Alba, grandee of Spain. According to Lucy, the Duchess and her friends were enthusiastically prepared to sponsor this project.

Lucy Herndon Crockett died in 2002. The closing paragraph of her obituary best describes her character. She always had people who were willing to try to help her. Perhaps they were drawn to her complex personality, her prominent possessions or her seeming helplessness. A caregiver who may have known her best at the end of her life described her as kind, loving, generous, selfish, fearful, distrusting and confused. Ironically, these are the same universal emotions which she so skillfully wove into her characters in her best known book, The Magnificent Bastards.

 

Buttresses to Broadway: When Lilia Skala Came to Blacksburg

On July 30, 2015, the Lyric Theatre presejtedLiLiA!, a one-woman show performed by actress/playwright Libby Skala from the Groundlings Theatre in Los Angeles and the Arclight Theatre Off-Broadway to festivals in Seattle, London, Toronto, Vancouver, Edinburgh, Berlin, Dresden, and beyond. Reviewers have called it absolutely dazzling magical and alchemical, a unique and spellbinding production at once appealing and a privilege to view, and a thoughtful piece of history – political, theatrical and personal. Although the Lyric is no stranger to great performances, you might find yourself wondering how such a prestigious production came to tread the Blacksburg boards.

In 2003, Special Collections added a portfolio of architectural drawings by a woman named Lilia Skala to the International Archives of Women in Architecture. The collection (Ms2003-015) primarily comprises her work as a student of architecture at the University of Dresden from 1915 to 1920. Her student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also includes copies of her academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Lilia, and press material forLiLiA!

[Learn more about the Lila Sofer Skala Student Portfolio in Special Collections]

[Learn more about the donation, from Skalas sons Peter and Martin]

Special Collectionsjoined the cast in 2003, but thereal story – Lilias story – begins much earlier.

In 1896, Lilia Sofer Skala was born in Vienna, Austria. Although she had an early passion for the performing arts, Lilias family wanted her to have a more respectable career. Having graduated Summa cum Laude with a degree in architecture from the University of Dresden, Lilia became the first woman member of the Austrian Association of Engineers and Architects. She practiced professionally in Vienna for a time and, with the encouragement of her husband, began performing with the Max Reinhardt Repertory Theatre. Lilia gained wide acclaim in Europe for her stage and screen roles, but continued to claim her title, Frau-Diplom Ingenieur.

When her Jewish husband was arrested in the wake of the Anschluss – the annexation of Austria by Nazi Germany – Lilia secured his release from a Viennese prison and fled with her family to the United States. Her portfolio of student work was among the personal belongings with which she escaped. As a political refugee in New York, Lilia attended night school to learn English and worked in a Queens zipper factory for her first two years in America.

Lilia returned to the stage as a housekeeper in the 1941 Broadway production Letters to Lucerne. She continued to work steadily on and off Broadway, with occasional television roles. In 1963, Lilia earned an Oscar nomination for Best Supporting Actress as Mother Maria opposite Sidney Poitier in Lilies of the Field. She later received a Golden Globe nomination for her role in 1977s Roseland. An industrious performer, Lilia continued to work in film, television, and theatre throughout the 1980s. Among her many accolades was the Western Heritage Wrangler Award from the National Cowboy Hall of Fame, which she received in 1981 for her role in Heartlands. Lilias final stage appearance was in Lorraine Hansberry’s Broadway showLes Blancs (1989), at the age of 94.

In December 1994, Lilia passed away from natural causes in her New York home. Her granddaughter, Elizabeth Libby Skala, is also an accomplished actress and playwright. She began developing LiLiA!, a one-woman show based on her grandmothers phenomenal life, in 1995. Libby Skala was invited to perform this show during the 18th Congress of the International Union of Women Architects (UIFA), which was jointly hosted by the IAWA in July 2015. Her audience included Blacksburg locals and women architects from Argentina, Eastern Europe, Germany, Israel, Japan, Mongolia, Spain, and beyond. Many of the architects recounted that the performance was a highlight of the conference.

Special Collections currently has an exhibit on display featuring selections from Lilias portfolio and materials advertising the LiLiA! play.

Lilia Skala Portfolio Exhibit, July 2015
Lilia Skala Portfolio Exhibit, July 2015

More selections from the SkalaPortfolio,Special Collections:

I. J. (Jack) Good: Virginia Tech’s Own Bletchley Park Connection


Enigma, Ultra, Alan Turing, Bletchley Park, the British efforts to break German codes in World War II. Maybe you’ve seen or are waiting to see the 2014 movie, The Imitation Game, which tells part of this story with Turing, quite rightly, as its central character. Perhaps you became aware of this highly classified historical episode when the secrecy surrounding it gave way to public sensation in the early 1970s, almost thirty years after the end of the war . . . or in the many books and movies that have followed. An interest in wartime history, cryptography, or the early development of computers provide only a few of the possible avenues into the story. But did you know that one of the primary characters in that story, a mathematician who earned a Ph.D from Cambridge in 1941 with a paper on topological dimension, was a professor of statistics at Virginia Tech from 1967 until his retirement in 1994, and lived in Blacksburg until his death just a few years ago at the age of 92? Maybe you did, but I didn’t. His name was I. J. Good, known as Jack.

He was born Isidore Jacob Gudak in London in 1916, the son of Polish and Russian Jewish immigrants. Later changing his name to Irving John Good, he was a mathematical prodigy and a chess player of note. In a interview published in the January 1979 issue of Omni, Good says of the claim that he rediscovered irrational numbers at age 9 and mathematical induction and integration at 13, “I cannot prove either of these statements, but they are true.”

In 1941, Good joined the code-breakers at Bletchley Park, specifically, to work on the German Naval Enigma code in Hut 8 under the direction of Alan Turing and Hugh Alexander, the mathematician and chess champion who had recruited him. This is the story that is told in The Imitation Game, in which Jack Good is played by actor James Northcote. Along with Turing’s story, it is the story of the development of the machines that would break the German Enigma codes. The Enigma machine was an electromechanical device that would allow the substitution of letters–and thus production of a coded message–through the use of three (later four) rotors that would accomplish the substitutions. If you knew which rotors were being used and their settings, (changed every day or every second day), one could decode a message sent from another Enigma. If you didn’t know the rotors and the settings, as James Barrat writes in Our Final Invention: Artificial Intelligence and the End of the Human Era, “For an alphabet of twenty-six letters, 403,291,461,126,605,635,584,000,000 such substitutions were possible.”

This is the world Jack Good entered on 27 May 1941, that and the world of war and the urgent need to defeat the Axis. Turing had already built some of the first Bombes, electromechanical machines–among the earliest computers, really–and had achieved initial and significant success. Good belonged to a team that would make improvements to the process from an approach based in a Bayesian statistical method that Good described in 1998 speech as “invented mainly by Turing.” He also called it “the first example of sequential analysis, at least the first notable example.” For the duration of the war, Good would work to further the British code-breaking technologies, adding his knowledge and understanding of statistics to the development of machines known as the “Robinsons” and “Colossus.” The program was remarkably successful. In its early days, it is credited with helping in the effort to sink the German battleship Bismarck; then helping to win the Battle of the Atlantic, directing the disruption of German supply lines to North Africa, and having an impact on the invasion of Europe in June 1944. What came to be known as “Ultra,” the intelligence obtained by the work of the Bletchley Park code-breakers, is, generally, thought to have shortened the war by two to four years. Jack Good, who worked with Alan Turing both during and after the war, said, “I won’t say that what Turing did made us win the war, but I daresay we might have lost it without him.”

After the war, Good was asked by Max Newman, a mathematician and another Bletchley Park alum, to join him at Manchester University, where they, later joined by Turing, worked to create the first computer to run on an internally stored program. A few years later, he returned to Government Communications Headquarters (GCHQ) for another decade of classified work for the British government. A three-year stint teaching at Oxford led to a decision in 1967 to move to the United States, but not before he served as a consultant to Stanley Kubrick, who was then making 2001: A Space Odyssey. The HAL (Heuristically-programmed ALgorithmic computer) 9000–the computer with a mind of its own–presumably owed much to the mind of Jack Good.

The camera eye of the HAL 9000 from Stanley Kubrick's 2001 : A Space Odyssey
The camera eye of the HAL 9000 from Stanley Kubrick’s 2001 : A Space Odyssey

Jack Good (right) at Hawk Films Ltd., 1966, as adviser on Stanley Kubrick's 2001: A Space Odyssey
Jack Good (right) at Hawk Films Ltd., 1966, as adviser on Stanley Kubrick’s 2001: A Space Odyssey

At Virginia Tech, Good arrived as a professor of statistics. Always a fellow for numbers, he noted:

I arrived in Blacksburg in the seventh hour of the seventh day of the seventh month of year seven of the seventh decade, and I was put in apartment seven of block seven of Terrace View Apartments, all by chance.

Later, he would be University Distinguished Professor and, in 1994, Professor Emeritus. In 1998, he received the Computer Pioneer Award given by the Institute of Electrical and Electronics Engineers (IEEE) Computer Society, one of a long list of honors. Good’s published work spanned statistics, computation, number theory, physics, mathematics and philosophy. A 1979 Omni article and interview reports that two years earlier a list of his published papers, articles, books, and reviews numbered over 1000. In June 2003, his list of “shorter publications” alone included 2278 items. He published influential books on probability and Bayesian method.

In that Omni interview, the conversation ranges over such topics as scientific speculation, precognition, human psychology, chess-playing computers, climate control, extraterrestrials, and more before settling in on the consequence of intelligent and ultraintelligent machines. On the latter topic, in 1965, Good wrote:

Let an ultraintelligent machine be defined as a machine that can far surpass all the intellectual activities of any man however clever. Since the design of machines is one of these intellectual activities, an ultraintelligent machine could design even better machines; there would then unquestionably be an “intelligence explosion,” and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make, provided that the machine is docile enough to tell us how to keep it under control.”

Special Collections at Virginia Tech has a collection of the papers of Irving J. Good that includes 36 volumes of bound articles, reviews, etc. along with a videotape of him and Donald Michie that commemorates the fiftieth anniversary of the work they both did at Bletchley Park. Among the rest of the material is some correspondence and a group of papers described as “PBIs,” which I now know to be “partly baked ideas,” some his own, many sent to him by others, but for which he appears to have had a fondness.

In the end, however, and as his 2009 obituaries suggest, it will be his code-breaking and other intelligence work, particularly from the days at Bletchley Park that I. J. Good will be most remembered. Even though he and all the participants were prevented from talking about that work for years, one guesses that Jack Good wanted to leave others with a sense of it, particularly once in Virginia, as he drove away, with his customized license plate:

Photograph of Jack Good's Virginia license plate (from Collegiate Times, 10 Feb. 1989)
Photograph of Jack Good’s Virginia license plate (from Collegiate Times, 10 Feb. 1989)

On the 70th Anniversary of D-Day

Jimmie W. Monteith, Jr.

Grave marker of Jimmie Monteith, died Normandy, 6 June 1944
Grave marker of Jimmie Monteith, died Normandy, 6 June 1944

. . . it would not be unusual, on this campus, to focus on the story of Jimmy W. Monteith Jr. He came to Virginia Tech in 1937 from Richmond to study Mechanical Engineering. In October 1941, before completing his studies, Monteith, like many of his contemporaries, joined the armed forces, and by 6 June 1944 had already seen combat in North Africa and Sicily, and was among the thousands of soldiers who had trained for the invasion of France. On that day, as a lieutenant in the 16th Regiment of the 1st Infantry Division, Monteith was among the first to land in Normandy on Omaha Beach. What happened next is summed up in the Citation that accompanied the Medal of Honor awarded to him for the action of that day:

For conspicuous gallantry and intrepidity above and beyond the call of duty on 6 June 1944, near Colleville-sur-Mer, France. 1st Lt. Monteith landed with the initial assault waves on the coast of France under heavy enemy fire. Without regard to his own personal safety he continually moved up and down the beach reorganizing men for further assault. He then led the assault over a narrow protective ledge and across the flat, exposed terrain to the comparative safety of a cliff. Retracing his steps across the field to the beach, he moved over to where 2 tanks were buttoned up and blind under violent enemy artillery and machinegun fire. Completely exposed to the intense fire, 1st Lt. Monteith led the tanks on foot through a minefield and into firing positions. Under his direction several enemy positions were destroyed. He then rejoined his company and under his leadership his men captured an advantageous position on the hill. Supervising the defense of his newly won position against repeated vicious counterattacks, he continued to ignore his own personal safety, repeatedly crossing the 200 or 300 yards of open terrain under heavy fire to strengthen links in his defensive chain. When the enemy succeeded in completely surrounding 1st Lt. Monteith and his unit and while leading the fight out of the situation, 1st Lt. Monteith was killed by enemy fire. The courage, gallantry, and intrepid leadership displayed by 1st Lt. Monteith is worthy of emulation.

Monteith is one of seven Virginia Tech alumni who have received this nation’s highest award for valor. But if you want to get beyond the descriptions of war, seek out the manuscript collection that bears his name, the Jimmie W. Monteith Collection, Ms1990-062, in Special Collections and read the letters he wrote home before dying in France, or the letters of condolence and sorrow sent to his mother afterwards.

Letter from Jimmy Monteith to his mother, 14 May 1944, first page

Letter from Jimmy Monteith to his mother, 14 May 1944, first page

In this letter, written home on 14 May 1944, just a little more than two weeks before the invasion, Monteith explains that he can’t always write as often as he might like: “Old Uncle Sam has a way of taking up a fellows time. However we are old soldiers now and we can stand a few hardships without too much grief.” He’s 25 years old at the time and he ends the letter by trying to set his mother’s mind at ease by understanding the difficulty of her situation and downplaying his own:

By the way Mother I know that these are hard times for you. The nerve strain must be afull. Please don’t pay too much attention to the papers and the radio, those people always try go get a scoop or something sensational (or something) and most of the time they don’t know too much what they are talking about. I am sure nerve strain is cracking up more people than this old war is. Please don’t let it happen to you. Love Jimmie

But as I mentioned earlier, it would not be surprising to talk about Monteith on this anniversary. But we would do well to remember the others.

On two occasions in January and September 1945, The Techgram, a publication of the university, presented photographs with brief captions of those alumni who had died in service during the war. Without claiming to be complete, The Techgram shows eight others who died on 6 June or shortly thereafter, the result of wounds received during the invasion:

Fourteen others died in France before the end of August 1944:

I’m guessing it doesn’t matter if you first learned about the Normandy invasion from contemporary newsreels, or from watching The Longest Day (1962) or Band of Brothers (2001) or from reading Clayton Knight’s book for kids, We Were There at the Normandy Invasion (1956), or any of the fine books of scholarly history written since. It might not matter whether your experience is burdened by the brutality of war or enraged by the politics of it, it is hard—in simple human terms—to look at these faces and read a simple sentence or two for each one and not get a bit choked up . . . on this 70th anniversary.