Amelia Verkerk University History

The Many Shapes and Names of the Drillfield

The Drillfield is probably the most iconic and storied site at Virginia Tech. The Drillfield has taken many names and shapes over the years and has witnessed almost every turning point in Virginia Tech’s history – protests, tragedies, and anniversaries as well as sleep-ins, pig-roasts, and icy (mis)adventures. The Drillfield has been a part of so many stories on campus that one single blog post cannot capture them all, but lets start at the beginning…

For the first few years of Virginia Tech, there was no drill field of any kind. In the late 1870s, cadets unofficially established a drill field behind the First and Second Academic Buildings (northeast of the current Henderson Hall). As more buildings were constructed and more students arrived, that drill field was extended north towards Upper Quad (behind Lane Hall) and later even further extended towards today’s Shanks Hall. During the 1880s and 1890s, Blacksburg residents would gather to watch the cadet’s drill exercises, parades, as well as all the new baseball and football games happening.

Dr. Edward Ernest Sheib, circa 1890s
Cadets on Sheib Field, circa 1899-1900
Baseball game on Sheib Field, circa 1895
1896 football team on Sheib Field

Until 1894, the area that is the present-day Drillfield was used mostly for the college farm and garden plots. In 1877, a faculty house was constructed at the northeast corner of the present-day Drillfield (later repurposed as the Administrative Building), and in 1888, the Agricultural Experiment Station was built roughly where the April 16th memorial is today. President John McLaren McBryde allocated a part of the college farm for the cadets’ drills and athletics in 1894 with the help of the newly formed Athletic Association. This field (i.e., the first rendition of the present day Drillfield) was originally called Sheib Field after Professor Edward Ernest Sheib who taught History, English, and Political Economy at Virginia Agricultural and Mechanical College (VAMC – Virginia Tech’s first name). Professor Sheib was also on the Board of Directors for VAMC’s Athletic Association and the main financial supporter of the football team.

Sheib Field quickly became the new favorite spot for watching the cadet drills and parades as well as cheering on the baseball and football teams. The first football game on Sheib Field happened on October 20, 1894 against Emery and Henry College (now Emery and Henry University). The final score was VAMC, 16 – Emery and Henry 0, a great first game and victory on their new athletic field. The previous drill field was still in use, mostly for interclass games and practices or new sports at VAMC like tennis. Sheib Field was often referred to as both the Athletic Field and the drill field to distinguish which parts of the field were used for what activities.

Sheib Field soon was used for major events and celebrations, such as commencement processions, Field Day, and George Washington’s birthday. At the end of each academic year, cadets would put on a “mimic battle” (also called a sham battle) at Sheib Field, where spectators could watch the cadets stage a pretend or recreation of a historical battle to practice their skills and maneuvers. By the turn of the century, much of the present-day Drillfield was still not developed and was being used for garden plots for the Horticultural Department. However, in 1900, the Athletic Association did construct a quarter-mile track around Sheib Field, though a varsity track team would not be established until 1906. Sheib Field still had a long way to go – half the field was six feet lower than the other half and there were no stands at the time for spectators. In 1901, the Horticulture Department moved some of its garden plots to behind the college orchard, which freed up space to expand Sheib Field west.

With the new expansion came a new name for the field. Sheib Field was renamed Gibboney Field in 1902 to honor James Haller Gibboney (class of 1901), who was the first Graduate Manager of Athletics at Virginia Agricultural and Mechanical College and Polytechnic Institute (VPI – Virginia Tech’s second name).

James Haller Gibboney, 1901
The Snow Battle of 1908 on Gibboney Field

In that same year, a wooden stand was built by the track to seat spectators, encircling the south side of the newly named Gibboney Field (still referred to colloquially as the Athletic Field for sports and the Drillfield for drills). More permanent stands were constructed the next year to try and keep up with the growing number of Hokie fans. Between 1902-1909, Gibboney Field underwent small repairs and maintenance, starting with moving the last of the Horticulture Department’s Garden plots to the north of present-day Derring Hall. In the fall of 1904, Gibboney Field held over 1,000 spectators for the NC State vs VPI football game. By the 1905 season, Gibboney Field had 3,000 spectators for the UVA vs VPI football game. Despite a $1,600 renovation in 1906, Gibboney Field needed even more work, including a new drainage system, grandstand, and re-grading.

Again, with these major renovations, a new name was given to the field – Miles Field. During its time as Miles Field, students also called it Miles Meadow, the Athletic Field, and the drill field depending on what part of the field they were referencing. Miles Field was named in honor of Clarence Paul “Sally” Miles, who served as the captain of the baseball team when he was a student, VPI’s head football coach, baseball coach, and later Athletic Director.  

On the newly renovated Miles Field, VPI held its first Pep Rally on October 30, 1909. That same year, the annual Engineering vs Agriculture faculty football game began. In addition to the new traditions, Field Day, the annual Snow Battle, and numerous Dress Parades continued at Miles Field, cementing itself as the center of campus life at VPI.

Field House, circa 1915
Track meet on Miles Field, circa 1923
“Sham Battle” on Miles Field, 1914
Miles Field, circa 1910

In November 1914, only 60 feet from the football field, the Field House was completed, the first building on campus used mainly as a gymnasium. Occasionally, the Field House was used for dances and briefly as an infirmary during the 1918-1920 flu pandemic, but mainly was meant for athletics. Miles Field was starting to take the iconic oval shape – with the track, Library, Administrative Building, Agriculture Experiment Station, and the Field House outlining the field.

During this time, Blacksburg High School athletes (both boys and girls) also played on Miles Field during the school year and borrowed the Field House during the winter. Miles Field even became the site of alum events, such as the Alumni Parade and reunion games.

World War I drastically changed how Miles Field was used. The 1917-1918 school year saw major changes to the curriculum that included almost daily drills and field maneuvers in anticipation for joining the war. The number of athletes was noticeably smaller that year; however, spectators still turned out to games in droves despite ticket sales being taxed to help fund the war effort (season tickets at the time cost $5.00). In the fall of 1918, Miles Field witnessed the new Students’ Army Training Corp implemented by the United States Army.

On November 11, 1918, with the pandemic under control in the Blacksburg area and the war over, VPI held a formal parade on Miles Field to celebrate.

General maintenance and upkeep of Miles Field continued over the next few years. By 1921, Miles Field was drastically regraded due to the Cadet Band having trouble marching over the uneven turf. Consequently, a master plan for Miles Field was underway in 1922 by architect Warren Manning. This plan decided to formally separate the athletic field and drill field, so a committee of the Athletic Council approved creating an athletic stadium 200 yards away from Miles Field. Built in sections and funded by class donations, Miles Stadium was built and housed football, baseball, and track events until 1926.

To avoid confusion with the new stadium complete, a new name was needed for the old Miles Field – the Drillfield. Miles Field was no longer used as an athletic field, so the track and grandstand were ripped up, and all parts of the field were combined into one large expanse.

VPI development plan, 1927
Proposed plan for VPI campus, 1925

However, to the dismay of the drill-weary cadets, President Burruss wanted to name the Drillfield the “Recreation Field.” On maps of campus at that time, the Drillfield was labeled as the Recreation Field, but students continued to call the area the Drillfield as seen in student publications.  

One downside to expanding the Drillfield was heavy rain caused the field to become so muddy, the laundry services on campus could not keep up with the demand. The mud-filled Drillfield quickly earned the name “Begg’s Lake” after the civil engineering professor, Robert B.H. Begg, who oversaw the re-grading of the Drillfield. Nevertheless, VPI continued to work on the Drillfield for the next few years and throughout the 1930s. Struble’s Creeks, which ran by the War Memorial Hall, was diverted using a concrete culvert in 1934. By the end of the 1930s, the moniker “Begg’s Lake” was no more thanks to all the excavation, drainage, and grading done.

One proposed plan for the Drillfield was to add a pool or lake at the lower end of the Drillfield fit for “boating and swimming in the summer and skating in the winter”. This plan was nixed when an engineering professor pointed out that the water would quickly become polluted and muddied. This proposed plan eventually morphed into what is the Duck Pond today.

For the next few decades, the Drillfield remained what President Burruss had envisioned, the heart and soul of modern-day campus of Virginia Tech. Hokie-stone buildings were erected surrounding the field, such as Burruss Hall, Patton Hall, and Williams Hall. Parking spaces were added all around to compliment the new roadway. In 1960, the War Memorial Chapel was completed on the north side of the Drillfield. It was not until the summer of 1971 that two asphalt walkways were laid across the Drillfield. After the tragedy on April 16, 2007, the Drillfield became a permanent site of mourning and remembrance for the university with the construction of the April 16 Memorial and Memorial Benches. In 2015, more walkways were added, using 14 different materials as part of a project to develop a new master plan for the Drillfield. While still ongoing as of 2024, the plan’s focus is on preserving the field while making it as usable and accessible for everyone.

Virginia Tech campus map, 1952
Virginia Tech campus map, 1958
Drillfield, 1963
Virginia Tech campus map, 2024

 

References:

Cox, Clara B. (2008). The Drillfield: at the heart of campus. Virginia Tech Magazine, 30(2). Retrieved from https://www.archive.vtmag.vt.edu/winter08/feature1.html.

Kinnear, D. L. (1972). The First 100 Years: A History of Virginia Polytechnic Institute and State University. Virginia Polytechnic Institute Educational Foundation, Inc.

Robertson, Jenkins M. (1972). Historical Data Book: Centennial Edition. Virginia Polytechnic Institute and State University.

Temple, Harry D. (1996). The Bugle’s Echo: A Chronology of Cadet Life at the Military College at Blacks, Virginia, The Virginia Polytechnic Institute. The Virginia Tech Corp of Cadets, Inc. vol. I-V

Wallenstein, Peter. (2021). Virginia Tech Land-Grant University 1872-1997: History of a School, a State, a Nation. 2nd ed. Virginia Tech Publishing.

All images included in this blog post can be found in our Historic Photograph Collection or at Special Collections and University Archives Online. 

LM Rozema African American History, Music, University History

A Mystery Banjo and the Racism in Our Past

Recently, I’ve been working on identifying artifacts and university memorabilia in our collections, and I came across a beautiful, four-stringed tenor banjo and its case. I did not anticipate that an item so innocuous as a musical instrument would lead down a path into learning about the university’s racist past, including minstrelsy and blackface.

To start, I could find no information about the banjo’s former owner, so I investigated the banjo and case themselves for clues. Handwritten on the banjo head is “The Collegians, VPI, Blacksburg, VA.”, and the peghead identifies it as a Bruno banjo. Handwritten on the banjo’s case are the initials, “L.A.H.”

Collegians banjo, c1924
“The Collegians, VPI, Blacksburg, VA”, banjo head, c1924
Banjo peghead, c1924
Banjo case, c1924
L.A.H. initials on banjo case, c1924

Searching through names related to our collections, I found the Lewis A. Hall Papers, Ms1983-009, very promising given his initials and his connection to Virginia Tech. Looking thru the collection, my excitement rose almost immediately when I found a reference to the Collegians – the band the banjo is advertising – in the printed items. Then I opened the folders of photographs and found a beautiful picture of the Collegians themselves, with one man holding this very banjo! A portrait in the collection is of Hall, and it’s clear he’s the same man holding the banjo.

The Collegians letterhead, c1924, Lewis A. Hall Papers, Ms1983-009
Photo of the Collegians, 1923-1924, Lewis A. Hall Papers, Ms1983-009 – from left: Robert B. Skinner (drummer); J.B. Cole (trombone); Arthur Scrivenor Jr. (piano); Lewis A. Hall (banjo, manager, and director); H. Gaines Goodwin (saxophone); Bill Harmon (saxophone); and S.C. Wilson (trumpet, not pictured)
Portrait of Lewis A. Hall, Lewis A. Hall Papers, Ms1983-009

Interested in finding out who else is in the photo, I pulled the Collegians folder in the Historical Photographs Collection. I found a copy of the same photo, dated 1923-1924, identifying the musicians from left: Robert B. Skinner (drummer); J.B. “Yash” Cole (trombone); Arthur Scrivenor Jr. (piano); Lewis A. Hall (banjo, manager, and director); H. Gaines Goodwin (saxophone); Bill Harmon (saxophone); and S.C. Wilson (trumpet, not pictured). This picture is also used in the 1924 Bugle yearbook.

There were two other pictures in the folder of Hall and the Collegians, dated 1922-1923, from left: L.A. “Lukie” Hall (tenor banjo); J.B. Cole (trumbone); R.S. “Bob” Skinner (traps); W. “Bass” Perkins (clarinet, violin, leader); Tom S. Rice (piano); W.D. “Willie” Harmon (saxophone); F.R. “Piggy” Hogg (saxophone, traps, manager); and S.C. “Stanley” Wilson (trumpet, not pictured).

After discovering the owner’s name, I wanted to know a bit more about both Hall and the Collegians. To the latter first – A dance orchestra at VPI formed in 1918 as the Southern Syncopating Saxophone Six. They were later renamed Virginia Tech Jazz Orchestra and known as the College Six. In 1922, they became the Collegians, and in 1931, they finally became the Southern Colonels. Today, the jazz band continues to perform, as part of the Corps of Cadets Regimental Band, the Highty-Tighties.

Second, Lewis Augustus Hall was born Lewis Augustus Hall in 1903 in Norfolk, Virginia. He attended VPI from 1920 to 1924. In addition to playing for the Collegians (also called the Tech Orchestra), he was a member of the Norfolk Club, Cotillion Club, Tennis Squad, the American Society of Mechanical Engineering, and the Virginia Tech Minstrels (more on this below). He also served as athletic editor for The Virginia Tech, the predecessor of the Collegiate Times, assistant manager of basketball, and manager of the freshman basketball team. Finally, he rose thru the ranks of the Corps of Cadets, graduating as Lieutenant of Company F. In 1924, he graduated with a degree in mechanical engineering. Upon graduation, Hall joined the Chesapeake and Potomac Telephone Company, retiring as assistant vice-president in 1968. He married and with his wife Virginia had two sons. Hall maintained a connection to Virginia Tech, serving on the board of directors for the Virginia Tech Alumni Association for 15 years and earning the Alumni Distinguished Service Award in 1977. He died in 1982.

As mentioned above, Hall performed in the student club, the Virginia Tech Minstrels. I’ve heard of minstrel shows before and knew that students at Virginia Tech had held them. But this was my first time coming across them inadvertently, so it was a shock to learn that the owner of this banjo was a member of a minstrelsy.

If you aren’t aware, minstrel shows in the United States were a performance typically including skits, jokes, and music – predominantly performed by white people in blackface as a spoof, full of stereotypes and racist depictions, of Black people and their cultures. The 1924 Bugle (pp. 346-347) discusses the group and even depicts members in blackface. The Collegians are also listed as the group’s orchestra and a photo of the group includes Hall holding the banjo.

Hall’s and the Collegian’s involvement in minstrelsy shows that even an item as seemingly innocuous as a musical instrument can shed light on a part of our history that we – especially those of us in positions of privilege – do not always acknowledge. Yet, minstrel shows at Virginia Tech continued well into the 1960s, and this form of racism (and others) continues in America into the present day.

After Hollins College recently addressed controversy of blackface depictions in their yearbooks, Virginia Tech released the University Statement on Offensive Photographs to address the racist imagery in our past. Also, the University Libraries prepared a statement for our digital yearbook repositories to affirm our commitment to the Principles of Community and providing historical documentation to researchers.

My research about a mystery banjo took me down a path I could not imagine. I was at first excited to discover the owner’s identity, then horrified to learn about his and the instrument’s connection to racist entertainment. But in the end, the journey led me to learn more about this form of racism and how its legacy continues to impact American society. As the University statement says, “The history of our nation and the Commonwealth of Virginia has a common storyline starting with slavery and segregation, and moving toward our ultimate goal of treating everyone with respect and cherishing the strength that comes from diversity of identities and lived experiences. We, as a society, are somewhere in the middle of this process.”

For more information about blackface and minstrelsy, please read “Blackface: The Birth of an American Stereotype” from the Smithsonian’s National Museum of African American History & Culture blog, A People’s Journey, A Nation’s Story, as well as Vox’s interview with author John Strausbaugh, “The complicated, always racist history of blackface” by Sean Illing.

(This post was edited May 22, 2019, with additional information about blackface and minstrelsy, the statements on offensive imagery in the Bugle yearbooks, and a revised title.)

LM Rozema Local/Regional History, University History

Presidential Inaugurations and Virginia Tech

Well, tomorrow is the inauguration of the 45th President of the United States, Donald Trump, so I decided to scour our collections for items pertaining to presidents. At Special Collections you can find all sorts of material related to presidents – presidents of the U.S., presidents of organizations and businesses, and, of course, presidents of Virginia Tech. If you search our blog and our finding aids, you’ll find all sorts of posts and collections referencing all these presidential types. But I’d like to highlight items related to the presidential inaugurations of the U.S. and VT presidents that we maintain.

United States Presidential Inaugurations

The Highty-Tighties, Virginia Tech’s very own Corps of Cadets band, has performed for numerous U.S. presidents, including Theodore Roosevelt at an exposition in 1902 and in the pre-inauguration celebrations for Barack Obama’s first term in 2009. They have also gained national recognition through their performances at twelve inaugural parades, starting with Woodrow Wilson’s second inauguration in 1917 and ending with George W. Bush’s second in 2005. The band was also invited to play at William Howard Taft’s inauguration in 1909, which they were unable to attend, according to letters in Pres. Paul B. Barringer’s records, RG 2/6. During the mid-20th century, these parades doubled as band competitions, and the Highty-Tighties won first prize three years consecutively in 1953, 1957, and 1961, the last year of the inaugural parade competition. Special Collections has photographs and other items related to the Highty-Tighties at a few of the parades in the Historical Photograph Collection.

Highty-Tighties at Pres. Woodrow Wilson’s 1917 inauguration
Highty-Tighties in front of Pres. John F. Kennedy and First Lady Jacqueline Kennedy at the 1961 inauguration
Highty-Tighties at Pres. Richard Nixon’s 1969 inauguration
Letter regarding Highty-Tighties’ first prize win in Pres. Dwight D. Eisenhower’s 1957 inauguration parade

Special Collections also holds invitations to several U.S. presidential inaugurations in our manuscript collections. We also have materials related to the 100th anniversary of Abraham Lincoln’s 1861 inauguration and a tintype from Abraham Lincoln’s 1864 re-election campaign. Below are inaugural invitations and programs for Zachary Taylor in 1849 from the Robert Taylor Preston Papers, Ms1992-003; Franklin D. Roosevelt in 1941 in the John Henry Johnson Scrapbook, Ms2009-053; and Richard M. Nixon in 1969 in the Earl D. Gregory Collection, Ms1972-004.

Zachary Taylor 1849 inauguration invitation from Robert Preston Papers, Ms1992-003
Invitation to Pres. Franklin D. Roosevelt’s 1941 inauguration, p. 1, in the John Henry Johnson Scrapbook, Ms2009-053
Invitation to Pres. Franklin D. Roosevelt’s 1941 inauguration, p. 2, in the John Henry Johnson Scrapbook, Ms2009-053
Program of Pres. Richard M. Nixon’s 1969 presidential inauguration, specifically for Congressional Medal of Honor winners, from the Earl D. Gregory Collection, Ms1972-004
Insert from program of Pres. Richard M. Nixon’s 1969 presidential inauguration, specifically for Congressional Medal of Honor winners, from the Earl D. Gregory Collection, Ms1972-004

Here are items from the press packet for the inauguration of Harry S Truman in 1949 in the Evert B. Clark Papers, Ms1989-022:

Virginia Tech Presidential Installations

Being the repository for the University Archives, Special Collections, of course, maintains items related to the inaugurations or installations of the university presidents. For example, we have a video of James D. McComas’ inauguration in 1988 as 13th president of Virginia Tech. Several of the records of the presidents have files related to their inauguration ceremonies, including Walter Newman in RG 2/10, Boxes 2-3; T. Marshall Hahn in RG 2/11, Box 97; and William E. Lavery in RG 2/12, Boxes 1-2. Additionally, items related to the installation ceremonies are located in the Record Group Vertical Files and the University Libraries library catalog.

Program for Pres. Walter S. Newman’s 1949 presidential inauguration at Virginia Tech
Program for Pres. T. Marshall Hahn’s 1963 presidential inauguration at Virginia Tech
Program for Pres. William E. Lavery’s 1975 presidential inauguration at Virginia Tech
Program for Pres. Charles W. Steger’s 2000 presidential installation at Virginia Tech
Announcement for Pres. Timothy Sands’ 2014 installation at Virginia Tech, page 1
Announcement for Pres. Timothy Sands’ 2014 installation at Virginia Tech, page 2
LM Rozema African American History, University History

The Man, the Myth, the Mascot: Floyd H. Meade, Virginia Tech’s First Mascot Performer

Floyd "Hardtimes" Meade, 1921
Floyd “Hardtimes” Meade with his trained turkey at a 1921 football game

Floyd “Hardtimes” Meade. Many of you Hokie fans may know that name. We’ve mentioned him on this blog before in “Thanksgiving traditions at Virginia Tech” and “When Orange Became The New Black (and Maroon the New Gray)”. He’s best remembered as the university’s first mascot performer, who dressed up as a clown in orange and maroon, and as the man who introduced the turkey to football games, influencing the HokieBird mascot.

But of course, Floyd Meade was more than that. People who knew the man recalled his activities at Virginia Tech to Col. Harry Temple, who wrote the epic history of Virginia Tech, The Bugle’s Echo (see also Harry Downing Temple Papers, Ms1988-039). But little about Meade’s family life has been discussed until now, thanks to the proliferation of genealogy websites, a search through digitized census, military, and vital records online reveals some important details about him and his family.

Floyd Hobson Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade. His father may have been either William Meade (on his marriage certificate) or Joe Dill (on his death certificate). Floyd also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.

According to Temple, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. The students loved him, and after that, Meade started advertising the school’s athletic games. By 1896, he traveled with the football team on their trips as a mascot in the orange and maroon clown costume. (Temple, pp. 254-255) At this time, he also began working at the college in the Mess Hall (Temple, p. 448).

The 1899 Bugle shows a collage of College Characters
Floyd Hard Times Meade, from the 1899 Bugle.

In 1913, Floyd started bringing live turkeys to football games, inspired by the team’s informal nickname the Gobblers. He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! Meade also played music for himself and for the cadets – Temple states he was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).

Floyd Meade, 1921
Floyd Meade, 1921. Notice carefully the two-toned color of his outfit – probably maroon on the left and orange on the right!

On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. We have the Blacksburg Odd Fellows Records, Ms1988-009, which includes a membership book with an entry for Meade. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade’s service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows. (Floyd’s membership entry and other Odd Fellows items are on display through the end of February in our exhibit on the first floor of Newman!)

Odd Fellows Membership Book Entry for Floyd Meade, c. 1905
Odd Fellows and Household of Ruth dues book, includes Lucy Meade, 1919

Floyd’s life wasn’t always good though, and on April 24, 1929, Meade’s mother Denie died at around the age of 72. In December, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family’s living expenses, and alumni wrote letters to try and change administrators’ minds – to no avail. (Temple, p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.

Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.

Floyd Meade (seated) and unidentified man (possibly nephew Emmett Meade, Jr.)
Floyd Meade (seated) and unidentified man (possibly nephew Emmett Meade, Jr.)

In 2003, Meade’s life provided the inspiration for Lucy Sweeney’s musical Hard Times Blues, which was performed in Roanoke and at the Lyric Theatre in Blacksburg. After researching him myself, I hope hope HOPE there’s a revival one day soon!

Update, Aug. 31, 2020: In 2019, Lucy Sweeney donated a copy of her play Hard Times Blues and files related to her research and the 2003 production. These are available in the Hard Times Blues Collection, Ms2019-038.

Sources:

LM Rozema Faculty, University History

The Life and Art of G. Preston Frazer

G. Preston Frazer in 1969
G. Preston Frazer, 1969 (Walter Gropius/G. Preston Frazer Papers, Ms1992-052)

Recently, we were relocating some large paintings for an exhibit in Special Collections, and as I researched the artist, I felt he deserved a spotlight here. The artist is G. Preston Frazer (1908-2003), an Associate Professor of Art at Virginia Tech from 1939 until 1974. Frazer graduated from Virginia Military Institute with a B.A. in Liberal Arts in 1929, before earning a B.S. in Engineering from the University of Hawaii in 1935. Two years later, Frazer received a master’s degree in Architecture from Harvard University.

Cover of Frazer's Six Pencil Drawings of Honolulu, Hawaii, U.S.A.
Cover of Frazer’s Six Pencil Drawings of Honolulu, Hawaii, U.S.A.,1939 (G. Preston Frazer Collection, Ms2009-098)

Frazer began focusing his career on art, following work at the University of Chicago’s Oriental Institute and the Megiddo Expedition in Palestine. In 1939, he published Sixteen Pencil Impressions of Honolulu, Hawaii, U.S.A., inspired by his time in the then-territory. That year, he also began teaching in the architectural engineering department at Virginia Tech, but left to serve with the Second Armored Division of the U.S. Army during World War II, participating in the Normandy landings on D-Day. Upon leaving the military in 1946, Frazer had reached Major in the General Staff Corps and earned the Belgium Fourragere (twice), the French Medal of Liberty, and a Bronze Star with Oak Leaf Cluster. He served in the Army Reserves until retiring at the rank of Lieutenant Colonel in 1968.

Returning to Virginia Tech in 1946, Frazer taught art in today’s College of Architecture and Urban Studies until his retirement in 1974. The university established the G. Preston Frazer Prize, awarded annually to art graduates, and the College continues to award students for their work in the G. Preston Frazer Architecture Fund/Architecture 2nd Year Competition.

One of the paintings by Frazer that Special Collections displayed is Hercules Shooting the Stymphalian Birds (photograph from exhibit below). A letter in the G. Preston Frazer Collection (Ms2009-098) explains where the idea came from: “One of my favorite sculptures is an archer shooting a bow – The large life size one by Bourdelle is in the Metropolitan, NY. I went to see it every time I was in NY, and I named it ‘Hercules Shooting the Stymphalian Birds.'” (You can see this sculpture online on the museum’s website, also below.) He continues, “I painted (oil on canvas) a figure (life size [-] Mike Sr, was the model) – of ‘Hercules Shooting the Stymphalian Birds’ (a canvas about 5 ft. by 8 ft.)”

Herakles the Archer by Antoine-mile Bourdelle from The Metropolitan Museum of Art
Hercules Shooting the Stymphalian Birds by G. Preston Frazer

Frazer worked on the painting from his studio overlooking Virginia Tech, where students would visit to see his projects. He recounts a funny incident during his painting, “One of the students who came in saw the buildings and said ‘Oh, that is Burress Hall, V.P.I. I hope Hercules shoots it & burns it down! (said jokingly of course.) It was in the Joan [sic] Fonda anti-establishment, anti-war period, etc. I explained that Hercules was shooting the Stymphalian Birds. Hercules’s labors were good deeds. Hence instead of just shooting the Bow, he was destroying Birds which were enemies of Humans!!”

In addition to Hercules and the aforementioned G. Preston Frazer Collection (Ms2009-098), Special Collections has a painting Frazer made of Icarus and the Walter Gropius/G. Preston Frazer Papers (Ms1992-052), with photographs and correspondence between Frazer and Walter Gropius, founder of the Bauhaus School. The G. Preston Frazer Artwork (Ms1992-055) contains a beautiful sketchbook of scenes in Spain in 1953 and several artworks. For your viewing pleasure, I end this post with a few of those pieces, including scenes from Blacksburg and the Virginia Tech campus. More can be seen on online at ImageBase.

Sketch of Main Street in Blacksburg, Virginia by G. Preston Frazer
Sketch of Virginia Tech by G. Preston Frazer
Church in Blacksburg, Virginia (sketch) by G. Preston Frazer
McBryde Hall (sketch) by G. Preston Frazer
jojacks2 Uncategorized, University History

When Orange Became The New Black (and Maroon the New Gray)

1896, a Formative Year for Virginia Tech Football

With a new school year about to start, and Lane Stadium soon to be filled with cheering fans, we cant resist offering a little lesson from Hokie History 101. Well, this piece may belong in a 200-level course, since weve included a few obscure facts that the average fan isnt likely to know.

In recognition of its broadening curriculum in science and technology, the Virginia Agricultural and Mechanical College in 1896 became the Virginia Agricultural and Mechanical College and Polytechnic Institute. The new name being more than a mouthful, it was shortened in popular usage to Virginia Polytechnic Institute, or VPI.

The schools fledgling football program underwent changes of its own that year. Early on, the college had adopted school colors of black and cadet gray, but when worn on a striped football jersey, the colors resembled a prison convicts uniforma similarity that undoubtedly became a source of ridicule from opposing teams.

Norbon R. Patrick, a guard on the 1893 team, poses in the jersey that necessitated a change of school colors.
Norbon R. Patrick, a guard on the 1893 team, poses in the jersey
that necessitated a change of school colors.

A committee reviewed the colors used by other colleges and decided that burnt orange and Chicago maroon would provide a unique color combination (as indeed it did and continues to do). The new colors debuted not in the opening game of 1896, but in the second game, at home against Roanoke College, on October 20.

The black jersey sported by the 1895 team, just prior to the schools name change, featured the letters AMC encircled by a large C in white.
The black jersey sported by the 1895 team, just prior to the schools name change,
featured the letters AMC encircled by a large C in white.
The first orange-and-maroon jersey featured an oversized V under a smaller P, reflecting a de-emphasis of the word Institute in popular usage of the schools name.
The first orange-and-maroon jersey featured an oversized V under a smaller P, reflecting
a de-emphasis of the word Institute in popular usage of the schools name.

Changes came to fan support, as well. By the 1890s, the college cheer, or yell, had become a popular means of boosting enthusiasm at campus athletic events. As long as they incorporated the name of the college and / or team, the words in these yells werent as important as the rhythm and tone. Cheers relied on creative, invented words–words that were easy and fun to yell–as is evident in the first yell adopted by VAMC:

Rip, Rah, Ree,
Vah, Vah, Vee,
Vir-gin-i-a
A. M. C.
Vir-gin-i-a
Virg-gin-i-a
Ree, Ree,
A. M. C.

An abridged, peppier version of the longer yell seems to have been used more frequently by fans at games:

Rip, Rah, Ree!
Va, Va, Vee!
Virginia, Virginia!
A-M-C!

By the 1895 season, the students had adopted a new, somewhat more complex college yell, published in the 1896 Bugle:

Hicki! Hicki! Hicki!
Sis! Bom! Bar!
A. and M. College,
Wah! Who! Wah!
Vivla! Vivla! Vivla! Vee!
Virginia! Virginia! A. M. C.!

The “Wah! Who! Wah!” bit may have been a little too reminiscent of the “Wah-hoo-wah!” yell of University of Virginia fans, and the 1896 Bugle records a separate yell that was used to cheer the 1895 football squad :

Do! Do! Ha! Ha! Dom-i-di-i-dee;
Wah! Wah!
A. M. C.
Hip Hip, Hip, Hurrah!
Virgin-u-a!, Virgini-u-ah,
Wee! Wee!
A. M. C.-c-c-c-c-c-boom!!!! Football

The schools new name rendered these yells obsolete, but rather than simply incorporate the new name into existing yells, the Athletic Association sponsored a contest for a new yell (which, as things turned out, is fortunate, or we might otherwise all be cheering Lets go, Hickies! or be members of the Do Do Nation today). The composer of the winning entry would receive a five-dollar prize.

Oscar Meade Stull (1874-1964), a senior majoring in applied chemistry and serving as cadet first lieutenant and adjutant, put his imagination to work in composing a cheer that used fun, invented words and incorporated the schools new name:

Hoki, Hoki, Hoki, Hy!
Techs, Techs, VPI!
Sola-Rex, Sola-Rah.
Polytechs Vir-gin-i-a!
Rae, Ri, VPI!

Oscar Meade Stull, '96, the first person to ever hear the What is a Hokie? question.
Oscar Meade Stull, ’96, the first person to ever hear
the What is a Hokie? question.

Stulls submission became the winning entry and is said to have made its debut when the cadets traveled to Richmond and participated in the laying of the cornerstone for the citys Jefferson Davis monument on July 2, 1896. As Stull recalled some 60 years later, I was surprised when my yell was accepted, but I needed the five spot. In addition to the fiver, Stull earned a lasting place in Virginia Tech history. The legacy was an unexpected one. In a 1956 letter to Virginia Tech library director Seymour Robb, Stull wrote, I am more surprised in recent years that [the Hokie yell] has endured for 60 years!

According to various histories, 1896 also marked the year in which Floyd Hard Times Meade (1882-1941) came to be associated with the football team. Just 14 years old at the time, Meade worked part-time in the campus mess hall and was adopted as an unofficial mascot by the team. As mascot, Meade frequently performed at games dressed as a clown in orange and maroon, his antics probably not so dissimilar to mascots of later years. Meade would later figure prominently in the evolution of the teams mascot and traditions. But his is a story for a future blog post.

Floyd Hard Times Meade, from the 1899 Bugle.
Floyd Hard Times Meade, from the 1899 Bugle.

The traditions begun in 1896 served the team well. The VPI gridders won that first orange-and-maroon game over Roanoke College 12-0, and the team eventually went 5-2-1, ending the season with a 24-0 rout of then-archrival VMI. The eight-game season was the longest played since the teams founding, and though it would be nearly a decade before VPI regularly played that many games a year, the success of that season proved the feasibility of scheduling more games.

It would take some time for an e to be added to Stulls hoki, and though his cheer incorporated the names Techs and Polytechs, the school seems to have made little effort in promoting the use of these names. The Cohee, an 1897-1898 publication of the Athletic Association, makes no mention of the names; the press most often referred to the team simply as V.P.I. or by generic terms such as the Blacksburg eleven. It would be several years before VPI teams came to be known more commonly as Techs, Polytechs, or Techmen; more than a decade to be known as The Gobblers; and still longer to be called The Hokies, but the seeds for all that has followed were sown in 1896.

LM Rozema African American History, Faculty, University History

Climbing the Water Tower: How Women Went from Intruders to Leaders at Virginia Tech

In the early 1920s, the first female students at Virginia Tech were not quite welcome. They had special rules to follow, there were no dormitories for women, and male students would throw water on them as they passed by the dorms. But one day, Ruth Terrett, a civil engineering student, decided to show the men she could do just as well as them. She donned a cadet uniform and climbed the university’s water tower, a tradition the male cadets undertook to prove their strength and ability. That day, Ruth proved that women, when given the chance, could do what men could.

Women throughout Virginia Tech’s history have encountered many obstacles, and have consistently overcome them. Sam Winn and I recently searched through Special Collections’ holdings to document these women and their achievements in the university’s history. Our work culminated in an exhibit at the Alumni Associations Women’s Weekend and a slideshow, entitled “Climbing the Water Tower: How Women Went from Intruders to Leaders at Virginia Tech.” Let me share with you a few of those milestones now, or you can view the PDF of our slideshow here.

Women join the student population

Many people know the story of the first female students: twelve women, including five full-time students, enrolled in 1921. Two years later, transfer student Mary Brumfield received a bachelor’s in applied biology, earning her master’s from VPI in 1925, the first woman to achieve either degree. But, did you know women began attending VPI several years earlier? They were allowed to sit in courses during the fall and spring for no credit and were admitted to summer classes, starting in 1916. 1921 was still a milestone year as it was the first all courses were open to women seeking a college degree, because there was “no good reason for not doing so,” as the university bulletin states.

First female graduates: Mary Ella Carr Brumfield (23; 25); Ruth Louise Terrett (25); Lucy Lee Lancaster (25); Lousie Jacobs (25); Carrie Taylor Sibold (25)
First female graduates: Mary Ella Carr Brumfield (’23; ’25); Ruth Louise Terrett (’25); Lucy Lee Lancaster (’25); Lousie Jacobs (’25); Carrie Taylor Sibold (’25)

The first coeds, it must be admitted, were more than likely all white, given that segregation was legal due to Jim Crow laws and the Supreme Court decision in Plessy v. Ferguson (1896) upholding separate but equal racial segregation in the public sphere. It’s not clear when women of color were first admitted to the university, but international students from Mexico, China, Puerto Rico, and other places were already attending VPI by the 1920s. However, it wasn’t until 1966 that the first six African American women matriculated, thirteen years after the first African American man and 55 years after the first women. In 1968, Linda Adams became the first African American woman to graduate from Virginia Tech. (Read more about her on our previously blog post.)

There wasn’t much for women to do athletically in the early years, so Ruth Terrett, mentioned above, started an informal women’s basketball team before graduating in 1925. Women joined the cheerleading team in 1941, but were not officially recognized as members until the 1955-1956 school year. The first intramural women’s sport was basketball in 1967. Three years later, swimming became the first intercollegiate sport for women, and women were allowed to compete on the gymnastics team.

Because the Corps of Cadets did not admit women, Patricia Ann Miller was denied permission to enroll in Corps classes. Despite this, in 1959, she became the first woman commissioned during graduation when she successfully applied for a commission from the Army Women’s Medical Specialist Corps. Finally, in 1973, the Corps formed the L Squadron, exclusively for female cadets. Deborah J. Noss became the first female squadron commander and Cheryl A. Butler the first Black female cadet (and first Black female squadron leader the next year). In 1975, women were admitted to join the cadet band, and four years later, the L Squadron was disbanded to order to integrate women into the formerly all-male companies. In 1987, Denise Shuster became the first female regimental commander and in 2005, Christina Royal the first African American female regimental commander.

Female students who were not athletes or cadets had other ways of breaking the glass ceiling. In 1953, Betty Delores Stough became the first woman to receive a doctorate, in parasitology. Jean Harshbarger was the first woman elected class president for the Class of 1974. In 1968, Jaqueline D. Dandridge was the first woman of color in the homecoming court, and Marva L. Felder became the first Black homecoming queen in 1983.

Women join the workforce

What about the women working at VPI? Ella Agnew is often remembered as the first female home demonstration agent in the nation in 1910. When VPI became the headquarters for the Virginia Cooperative Extension in 1914, Agnew and the other agents became staff of the university. Agnew was also the first woman to receive VPI’s Certificate of Merit in 1926, and Agnew Hall was the first campus building named after a woman, in 1949. However, few realize she was not the first woman to work at Tech. In 1902, Frances Brockenbrough became Superintendent of the Infirmary, and the next year Mary G. Lacy became the first female Librarian and Margaret Spencer the President’s Secretary.

Other female agents worked for Extension during its early years at the university. In fact, although the African American division was headquartered at Hampton Institute, the agents were considered non-resident staff of VPI, first listed in the 1917 university catalog. One of these women was Lizzie Jenkins, who became the first Black female home demonstration agent in Virginia in 1913.

Women faculty members are first listed in the university catalog for 1921-1922. Mary Moore Davis ranked as a professor and worked as a state home demonstration agent in the Extension Division. She also established the home economics degree program at VPI. The first Dean of Women was Mildred Tate, who served from 1937 to 1947, and the first female academic dean was Laura Jean Harper, who in 1960 became the first Dean of the School of Home Economics. (Read more about her on our previously blog post.) Heidi Ford in 1970, Ella L. Bates in 1974, and Johnnie Miles in 1974 became the first female African American faculty members at Virginia Tech.

Women began achieving executive positions in the 1980s and 1990s. Sandra Sullivan was named Vice President for Student Affairs in 1982, and Peggy S. Meszaros served as the first (and currently only) female Provost from 1995 to 2000. Women started serving on the Board of Visitors in 1944, when VPI and Radford College merged. However in 2014, Deborah L. Petrine became the first female Rector in the university’s then 142-year history.

Women by the numbers

Virginia Tech has gone through enormous changes since its founding in 1872, especially in the growth of opportunities for women. Women on the staff have grown from one female administrative officer in 1902 to five women faculty members (only 4.7% of the faculty) in 1921 to 1,525 or 39.5% of the faculty in 2014. The student population has grown from 12 women or 1.3% of the students in 1921 to 13,241 women or 42.4% of the student population in 2014.

According to the Digest of Education Statistics, in Fall 2013, women accounted for 54.6% of enrolled students, 48.8% of faculty, and 54.5% of total employees (including faculty) in degree-granting public institutions in the U.S. However, the Digest also shows that women received only 30.8% of the degrees conferred by STEM schools in 2012-2013. So, as far as women have come, there’s still more to do.

 

Updated 10/28/2021: A reference to Kamini Mohan Patwary (M.S., 1955) was removed, as the information could not be confirmed.

LM Rozema University History

Ringing in the Junior Year

As a relatively new employee at Virginia Tech, I’ve been learning about the university by working occasionally on records in the University Archives. Currently, I am working on memorabilia and documents regarding the Ring Design Committee and the annual Ring Dance in the Virginia Tech Ring and Class Collections, RG 31/13/3. You may already be aware of the tradition of the Virginia Tech class rings, but if not, then let me share what I’ve learned from our materials!

Class of 2005 Example Ring Mold
One of several ring molds for the Class of 2005

Each class at Virginia Tech designs their own class ring, rather than having one school ring for multiple classes. The tradition began in 1911, when the classes of 1911 through 1914 designed the first class rings at Virginia Tech. Each class since then designs and premieres their rings in the fall of their Junior year. A committee of class officers and student body appointees works with the Virginia Tech Alumni Association and a vendor to design a ring unique for that class but with traditional elements, such as eagles, the American flag, campus buildings, and a chain symbolizing class unity surrounding the school name and stone. Each ring collection since 1991 is named in honor of a distinguished alum or important associate of the university. (On a related note, the Class of 2011’s class gift to the university is a statue of a class ring merging the designs from the 1911 and 2011 class rings, in honor of the 100th anniversary of the tradition.)

In addition to ring proposals and committee planning documents, the University Archives has many wax molds like in the picture above and ring brochures, exemplified below.

Class of 1965 Ring Brochure
Class of 1977 Ring Brochure
Class of 1984 Ring Brochure
Class of 1990 Ring Brochure
Class of 2015 Ring Brochure

One of the ring brochures discusses a a new tradition started in 2012 by alums of the Class of 1964. The Hokie Gold Legacy Program allows alumni to donate or bequeath their class rings to be either displayed or melted down for reuse in new class rings. The Class of 2014 received the first class rings made with the donations. This is a really neat initiative to bring together the past, present, and future students at Virginia Tech and to promote sustainability through reuse.

Another part of the Virginia Tech class ring tradition started in 1934. Each class holds a Ring Dance in the spring of the Junior year to symbolize the transition from junior to senior. At the dance, each student wears their date’s ring on a ribbon of one of the class colors. The Corps of Cadets form the shape of the class year and perform a sabre arch. Then, couples exchange their rings, during the song Moonlight and VPI, written by Fred Waring and Charles Gaynor for Virginia Tech. Over 30 years ago, one company of the Corps of Cadets released a small pig onto the dance floor after the ring exchange as a prank, and the Virginia Tech Swine Club continues the tradition to this today! At the end of the night, attendees go to the Drillfield to watch fireworks, hear the playing of Silver Taps, and witness the firing of the Corps cannon, Skipper. The students also receive gifts with the class logo and ring dance theme, such as t-shirts, drink glasses, and koozies.

The University Archives receives some memorabilia as well as invitations and tickets to the Ring Dance and Ring Week:

Class of 2014 Ring Week List of Events and Ring Dance Ticket and Invitation
T-Shirts for the Classes of 2013 and 2014
Various items given out to Classes from 1991 to 2015
Drink glasses for various classes

If you want to see some of the class rings, check out the Virginia Tech Alumni Associations website. Also, visit the History of Virginia Tech (2010) website to learn more about university traditions.

(This post was updated on Jan. 12, 2021, with a link to the finding aid for the Virginia Tech Ring and Class Collections, RG 31/13/3.)

LM Rozema Faculty, New Acquisitions, University History

John Redd Hutcheson, 9th President of Virginia Tech

Dr. John Redd Hutcheson
Portrait of Dr. John Redd Hutcheson, circa 1940s, from the John R. Hutcheson Family Collection, Ms2015-001

Recently, Special Collections received a new collection, the John R. Hutcheson Family Collection, containing letters, newspaper clippings, photographs, and more documenting the life of Virginia Tech president John R. Hutcheson.

Although only president of Virginia Polytechnic Institute (VPI, as Virginia Tech was then known) for two years from 1945 to 1947, John Redd Hutcheson (1886-1962) devoted himself to serving his alma mater and the people of Virginia. He enrolled at VPI in 1903 at the behest of his brother Tom. In order to pay for college, the brothers lived in the dairy barn on the college farm, where they milked 17 cows a night for 8 cents an hour each (roughly $2.15 an hour in 2015!) After saving his earnings, Hutcheson moved into the barracks and then waited tables in the school dining hall. He received a bachelor’s degree in 1907 and master’s in 1909.

Following several years teaching high school in Virginia and Mississippi, Hutcheson received a letter from Joseph D. Eggleston, VPI president and director of the Virginia Agricultural Extension Service (now Virginia Cooperative Extension), urging Hutcheson to join his staff. He accepted, becoming an animal husbandry specialist in 1914. In 1917, Hutcheson was appointed assistant director and two years later succeeded Eggleston as director of the Extension. Over the next 25 years, Hutcheson helped to organize the Virginia Farm Bureau and Virginia Agricultural Conference Board, to reestablish the Virginia State Grange, and to develop a long-range program for developing the state’s agriculture. All of his work developing the farm and home demonstration program in Virginia earned Hutcheson an honorary doctorate from Clemson University in 1937, along with his brother Tom, VPI professor T.B. Hutcheson.

"Clemson's First Honorary Degrees Go to Hutcheson Brothers of V.P.I."
Article entitled “Clemson’s First Honorary Degrees Go to Hutcheson Brothers of V.P.I.”, about John R. and T.B. Hutcheson, May 12, 1937, from the John R. Hutcheson Family Collection, Ms2015-001

In 1944, the Board of Visitors appointed Dr. Jack (as Hutcheson was affectionately known) acting president of VPI, and the next year he succeeded Dr. Julian A. Burruss as the ninth president. During his tenure, the student population swelled following the end of World War II, and he was responsible for making accommodations for the new civilian population (made up almost entirely of veterans), who outnumbered the cadet students for the first time in VPI’s history. Temporary trailer courts were established on campus to house the veterans, and Dr. Jack would personally visit them to ensure they had fuel for their homes.

"Dr. John R. Hutcheson Named President of Virginia [Polytechnic Institute]"
Article discusses the nomination of John R. Hutcheson as V.P.I. president, Roanoke Times, August 15, 1945, from the John R. Hutcheson Family Collection, Ms2015-001

The enormity of his duties necessitated the creation new executive positions during Dr. Hutcheson’s presidency. He created the office of admissions, director of student affairs, director of buildings and grounds, and a university business manager position. The Board of Visitors, at Dr. Jack’s suggestion, appointed Walter S. Newman as the university’s first vice president – all within two years!

Page 2 of obituary for John R. Hutcheson, [January 1962], from the John R. Hutcheson Family Collection, Ms2015-001
Page 2 of obituary for John R. Hutcheson, [January 1962], from the John R. Hutcheson Family Collection, Ms2015-001

"Former VPI President Diest at 76"
Page 1 of obituary for John R. Hutcheson, [January 1962], from the John R. Hutcheson Family Collection, Ms2015-001
Unfortunately, just 16 months into his presidency, Hutcheson entered the hospital and had to take sick leave. Newman became acting president until Sept. 1947, when he succeeded Hutcheson. Simultaneously, the Board of Visitors elected Dr. Jack as the first chancellor of Virginia Polytechnic Institute and the next year named him the first president of the newly formed VPI Educational Foundation, Inc. (now the Virginia Tech Foundation, Inc.) Dr. Jack remained chancellor until 1956 and president of the foundation until his death in 1962.

The legacy of Dr. Hutcheson’s tenure at Virginia Tech is still visible today from the continuing work of the Virginia Cooperative Extension to the numerous offices he created still operating. And of course, you can visit Hutcheson Hall on the Blacksburg Campus, dedicated to John R. and T. B. Hutcheson in 1956.

Look for the completed finding aid in the next week for the John R. Hutcheson Family Collection, Ms2015-001. In the meantime, you can find out more about Dr. Jack in the John Redd Hutcheson Papers, RG 2/9 and Edgemont Farm Papers, Ms2003-022, documenting the administration of the Hutcheson family farm.

(This post was updated Jan. 12, 2021, with a link to John R. Hutcheson Family Collection, Ms2015-001.)

archivistkira Local/Regional History, University History

A Moment of “Solitude”

Last week, I was over at Solitude for a meeting, so I have the building on my mind. In the four and a half years since I came to Virginia Tech, it’s found little ways to pop up every once in a while through reference questions, outreach opportunities, and occasional visits. And every time, I learn something new.

Solitude, 1890s, then a private residence.
Solitude, 1890s, then a private residence.
Solitude, 1931
Solitude, 1931
Solitude, 1967
Solitude, 1967

You can see many more pictures of the building online, as well as interiors from when the building was a private residence. The original house, part of which is still part of the modern structure, was built in the early 19th century by the Preston family of Smithfield. The first known expansion was in 1851, when the house belonged to Robert Taylor Preston, son of Virginia Governor and Colonel James P. Preston. Robert, who lived in the house until his death, wrote a locally famous call to arms from the house in 1863.

Robert Taylor Preston "Call to Arms," 1863, pg. 1
Robert Taylor Preston “Call to Arms,” 1863, pg. 1
Robert Taylor Preston "Call to Arms," 1863, pg.
Robert Taylor Preston “Call to Arms,” 1863, pg. 2. His note finishes with “Come therefore men of Roanoke & join us of the mountain & drive back the invader of our homes & firesides or die in the attempt…Shall we march without our neighbours I trust not”

Following the Civil War, the property remained in Robert’s hand. However, in 1871, he sold it to the state to be the basis for the new land grant institution, Virginia Agricultural and Mechanical College, with the condition that he and his wife could remain in the house. Preston died in 1880 and his wife. Mary, in 1882.

After Mary’s death, Solitude was the campus infirmary. By the 1890s, the house was private residence for faculty and it continued to be so well into the 20th century. After World War II, when the need for married student housing was on the rise, there were trailers on the surrounding land. The house itself was used as a club for students. It later reverted to a private residence and then, in the 1970s, was used by various departments on campus. In the 1990s, the building was closed while funds were raised for renovations. And in 2011, Solitude was reopened and is currently used by the Appalachian Studies Program.

This, by the way, is the VERY short history of the house. We have many, many resources in Special Collections on everything from renovations to photographs, newspapers stories to documents created in the house, and the complex history of the Preston family. If you’re curious, you should pay us a visit, But the real treat is visiting Solitude. Renovations may have hidden much of the older building, but it is still there underneath, overlooking the Duck Pond. The oldest building on campus is still with us today, as a gentle reminder of Virginia Tech’s long history.