As part of Virginia Techs annual observance of its Day of Remembrance, condolence items and artifacts received by the university in the days that followed April 16, 2007, will be displayed at several locations across campus. The displays are among several “Expressions of Remembrance” that will be located in Newman Library, Squires Student Center, Moss Arts Center, and Holtzman Alumni Center; they are free and open to the public.
The exhibit will include materials received from other colleges and universities, as well as some of the large white boards and signs created on the Drillfield the week of April 16, 2007. Additional items include flags, t-shirts, and condolence books, and a quilt from the Feminist Majority Leadership Alliance at State University of New York College at New Paltz. The exhibit title came from one of the quilt squares, each of which was made by a SUNY student.
This display can be seen April 8-16 in the Old Dominion Ball Room in Squires Student Center.
Remembering Those Lost
Artifacts include flags flown over the Statue of Liberty and at Tikrit Air Academy in Iraq by soldiers during Operation Iraqi Freedom; Farham Aboussalis painting Ceremonial Eternity; Carol Davis 32 hand-decorated eggs; Marilyn Rogges painting of a child releasing a red balloon; a KoKeshi Doll from the U.S. Navy Fleet Activities, Yokosuka, Japan; and some of the paper cranes received.
This display will be held April 8-16 at Newman Library Special Collections (first floor). Part of the exhibit is in the windows of Special Collections onto the cafe, open during library hours. A second portion of the exhibit is inside Special Collections, open Monday-Friday, 8am-5pm.
A Community of Learners, a Legacy of Achievement
A selection of books will be displayed to honor of the students and faculty lost on April 16, 2007.
This display will be held April 8-16 at Newman Library Learning Commons.
Communities of Caring
A digital exhibit featuring community expressions of support from the April 16 Condolence Archives.
Items include cards and letters written to police and first responders; a display of the badges of police units who came to help Virginia Tech; Cheryl Thompsons painting, Remember the 32; condolence books; quilted squares from Union Village United Methodist Church; black marble laserworks by David Cunningham, and April 17th Hokies United by Miss Prices second grade class from Riverlawn Elementary, Fairlawn, Virginia.
This display will be held April 12-May 3 at the Holtzman Alumni Center.
A quiet, contemplative space for remembrance and reflection, this display will include prayer flags from the Virginia Tech Graduate Arts Council, Hillel, Living Buddhism, and Unitarian Universalist Congregation of the New River Valley and photographs from the community.
This display will be held April 12-16 at the Miles C. Horton Jr. Gallery and Sherwood P. Quillen 71 Reception Gallery in Moss Arts Center.
Well, tomorrow is the inauguration of the 45th President of the United States, Donald Trump, so I decided to scour our collections for items pertaining to presidents. At Special Collections you can find all sorts of material related to presidents – presidents of the U.S., presidents of organizations and businesses, and, of course, presidents of Virginia Tech. If you search our blog and our finding aids, you’ll find all sorts of posts and collections referencing all these presidential types. But I’d like to highlight items related to the presidential inaugurations of the U.S. and VT presidents that we maintain.
United States Presidential Inaugurations
The Highty-Tighties, Virginia Tech’s very own Corps of Cadets band, has performed for numerous U.S. presidents, including Theodore Roosevelt at an exposition in 1902 and in the pre-inauguration celebrations for Barack Obama’s first term in 2009. They have also gained national recognition through their performances at twelve inaugural parades, starting with Woodrow Wilson’s second inauguration in 1917 and ending with George W. Bush’s second in 2005. The band was also invited to play at William Howard Taft’s inauguration in 1909, which they were unable to attend, according to letters in Pres. Paul B. Barringer’s records, RG 2/6. During the mid-20th century, these parades doubled as band competitions, and the Highty-Tighties won first prize three years consecutively in 1953, 1957, and 1961, the last year of the inaugural parade competition. Special Collections has photographs and other items related to the Highty-Tighties at a few of the parades in the Historical Photograph Collection.
Things have been busy in the University Archives of Special Collections this month, with two exhibits going up this and next week. The first is the memorial exhibit honoring the memory of the victims and survivors of the tragic day of April 16, 2007. Every year we commemorate that day with an exhibit of items from the April 16th Condolence Archives. Please read the press release below to find out more about this year’s event.
The second is an update to the Virginia Tech Alumni Association’s (VTAA) Alumni Museum, with whom Special Collections has worked for over a decade to provide university memorabilia for display. Several archivists and students have been selecting items to update the current display, which will be installed next week. There is no end date for the display of these items, as we plan to continue working with the VTAA for years to come. Also, if you are attending next weekend’s Black Alumni Reunion, you will get to see several additional photographs from the university archives of many pioneering Black female students and alumnae at Virginia Tech, in honor of the 50th anniversary of the first six Black women to attend the university in 1966: Linda (Adams) Hoyle, Jackie (Butler) Blackwell, Linda (Edmonds) Turner, Freddie Hairston, Marguerite Laurette (Harper) Scott, and Chiquita Hudson. You can learn more about them at The Black Women at Virginia Tech History Project.
Day of Remembrance display in Newman Library shares words of comfort and hope
FollowingApril 16, 2007, schools, fellow universities, children, community and religious groups, businesses, and other individuals from around the world sent words of comfort and hope to Virginia Tech. These cards, letters, signs, and other handwritten items expressed the world’s condolences and gave Virginia Tech a global community of support.
This week, on April 15-16, many of these items will be on display in the Multipurpose Room on the first floor of Newman Library at 560 Drillfield Drive in Blacksburg. The exhibit, “Words of Comfort: An exhibit of letters from around the world in the April 16th Condolence Archives,” is free and open to the public, and will be on display from 9 a.m. to 4 p.m. each day.
These items represent over 40 countries and every continent, showing the outpouring of support from around the globe. Selected items on display include:
Campus visitors also left symbols of comfort and signs of support at memorials around Virginia Tech, which were displayed on campus for several months before being gathered and inventoried under the direction of the University Archivist. Together, the collection consists of more than 89,000 materials available through Special Collections in Newman Library.
In the summer of 2007, many items were digitally photographed for preservation and to share with the world. A large portion of the Condolence Archives of the University Libraries is nowpublicly available online.
The upcoming exhibit is organized and curated by LM Rozema, processing and special projects archivist for the University Libraries Special Collections, and Robin Boucher, arts program director for Student Engagement and Campus Life.
Free parking is available on weekends at the Squires Student Center and Architecture Annex lots along Otey Street. Before 5 p.m. on weekdays, a valid Virginia Tech parking pass is required to park in these lots.Find more parking information online, or call 540-231-3200.
If you are an individual with a disability and desire an accommodation, please contact LM Rozema at 540-231-9215 during regular business hours prior to the event.
For more information and other expressions of remembrance, please visit theWe Remember site.
Recently, we were relocating some large paintings for an exhibit in Special Collections, and as I researched the artist, I felt he deserved a spotlight here. The artist is G. Preston Frazer (1908-2003), an Associate Professor of Art at Virginia Tech from 1939 until 1974. Frazer graduated from Virginia Military Institute with a B.A. in Liberal Arts in 1929, before earning a B.S. in Engineering from the University of Hawaii in 1935. Two years later, Frazer received a master’s degree in Architecture from Harvard University.
Frazer began focusing his career on art, following work at the University of Chicago’s Oriental Institute and the Megiddo Expedition in Palestine. In 1939, he published Sixteen Pencil Impressions of Honolulu, Hawaii, U.S.A., inspired by his time in the then-territory. That year, he also began teaching in the architectural engineering department at Virginia Tech, but left to serve with the Second Armored Division of the U.S. Army during World War II, participating in the Normandy landings on D-Day. Upon leaving the military in 1946, Frazer had reached Major in the General Staff Corps and earned the Belgium Fourragere (twice), the French Medal of Liberty, and a Bronze Star with Oak Leaf Cluster. He served in the Army Reserves until retiring at the rank of Lieutenant Colonel in 1968.
Returning to Virginia Tech in 1946, Frazer taught art in today’s College of Architecture and Urban Studies until his retirement in 1974. The university established the G. Preston Frazer Prize, awarded annually to art graduates, and the College continues to award students for their work in the G. Preston Frazer Architecture Fund/Architecture 2nd Year Competition.
One of the paintings by Frazer that Special Collections displayed is Hercules Shooting the Stymphalian Birds (photograph from exhibit below). A letter in the G. Preston Frazer Collection (Ms2009-098) explains where the idea came from: “One of my favorite sculptures is an archer shooting a bow – The large life size one by Bourdelle is in the Metropolitan, NY. I went to see it every time I was in NY, and I named it ‘Hercules Shooting the Stymphalian Birds.'” (You can see this sculpture online on the museum’s website, also below.) He continues, “I painted (oil on canvas) a figure (life size [-] Mike Sr, was the model) – of ‘Hercules Shooting the Stymphalian Birds’ (a canvas about 5 ft. by 8 ft.)”
Frazer worked on the painting from his studio overlooking Virginia Tech, where students would visit to see his projects. He recounts a funny incident during his painting, “One of the students who came in saw the buildings and said ‘Oh, that is Burress Hall, V.P.I. I hope Hercules shoots it & burns it down! (said jokingly of course.) It was in the Joan [sic] Fonda anti-establishment, anti-war period, etc. I explained that Hercules was shooting the Stymphalian Birds. Hercules’s labors were good deeds. Hence instead of just shooting the Bow, he was destroying Birds which were enemies of Humans!!”
With a new school year about to start, and Lane Stadium soon to be filled with cheering fans, we cant resist offering a little lesson from Hokie History 101. Well, this piece may belong in a 200-level course, since weve included a few obscure facts that the average fan isnt likely to know.
In recognition of its broadening curriculum in science and technology, the Virginia Agricultural and Mechanical College in 1896 became the Virginia Agricultural and Mechanical College and Polytechnic Institute. The new name being more than a mouthful, it was shortened in popular usage to Virginia Polytechnic Institute, or VPI.
The schools fledgling football program underwent changes of its own that year. Early on, the college had adopted school colors of black and cadet gray, but when worn on a striped football jersey, the colors resembled a prison convicts uniforma similarity that undoubtedly became a source of ridicule from opposing teams.
A committee reviewed the colors used by other colleges and decided that burnt orange and Chicago maroon would provide a unique color combination (as indeed it did and continues to do). The new colors debuted not in the opening game of 1896, but in the second game, at home against Roanoke College, on October 20.
Changes came to fan support, as well. By the 1890s, the college cheer, or yell, had become a popular means of boosting enthusiasm at campus athletic events. As long as they incorporated the name of the college and / or team, the words in these yells werent as important as the rhythm and tone. Cheers relied on creative, invented words–words that were easy and fun to yell–as is evident in the first yell adopted by VAMC:
Rip, Rah, Ree,
Vah, Vah, Vee,
A. M. C.
A. M. C.
An abridged, peppier version of the longer yell seems to have been used more frequently by fans at games:
Rip, Rah, Ree!
Va, Va, Vee!
By the 1895 season, the students had adopted a new, somewhat more complex college yell, published in the 1896 Bugle:
Hicki! Hicki! Hicki!
Sis! Bom! Bar!
A. and M. College,
Wah! Who! Wah!
Vivla! Vivla! Vivla! Vee!
Virginia! Virginia! A. M. C.!
The “Wah! Who! Wah!” bit may have been a little too reminiscent of the “Wah-hoo-wah!” yell of University of Virginia fans, and the 1896 Bugle records a separate yell that was used to cheer the 1895 football squad :
Do! Do! Ha! Ha! Dom-i-di-i-dee;
A. M. C.
Hip Hip, Hip, Hurrah!
A. M. C.-c-c-c-c-c-boom!!!! Football
The schools new name rendered these yells obsolete, but rather than simply incorporate the new name into existing yells, the Athletic Association sponsored a contest for a new yell (which, as things turned out, is fortunate, or we might otherwise all be cheering Lets go, Hickies! or be members of the Do Do Nation today). The composer of the winning entry would receive a five-dollar prize.
Oscar Meade Stull (1874-1964), a senior majoring in applied chemistry and serving as cadet first lieutenant and adjutant, put his imagination to work in composing a cheer that used fun, invented words and incorporated the schools new name:
Stulls submission became the winning entry and is said to have made its debut when the cadets traveled to Richmond and participated in the laying of the cornerstone for the citys Jefferson Davis monument on July 2, 1896. As Stull recalled some 60 years later, I was surprised when my yell was accepted, but I needed the five spot. In addition to the fiver, Stull earned a lasting place in Virginia Tech history. The legacy was an unexpected one. In a 1956 letter to Virginia Tech library director Seymour Robb, Stull wrote, I am more surprised in recent years that [the Hokie yell] has endured for 60 years!
According to various histories, 1896 also marked the year in which Floyd Hard Times Meade (1882-1941) came to be associated with the football team. Just 14 years old at the time, Meade worked part-time in the campus mess hall and was adopted as an unofficial mascot by the team. As mascot, Meade frequently performed at games dressed as a clown in orange and maroon, his antics probably not so dissimilar to mascots of later years. Meade would later figure prominently in the evolution of the teams mascot and traditions. But his is a story for a future blog post.
The traditions begun in 1896 served the team well. The VPI gridders won that first orange-and-maroon game over Roanoke College 12-0, and the team eventually went 5-2-1, ending the season with a 24-0 rout of then-archrival VMI. The eight-game season was the longest played since the teams founding, and though it would be nearly a decade before VPI regularly played that many games a year, the success of that season proved the feasibility of scheduling more games.
It would take some time for an e to be added to Stulls hoki, and though his cheer incorporated the names Techs and Polytechs, the school seems to have made little effort in promoting the use of these names. The Cohee, an 1897-1898 publication of the Athletic Association, makes no mention of the names; the press most often referred to the team simply as V.P.I. or by generic terms such as the Blacksburg eleven. It would be several years before VPI teams came to be known more commonly as Techs, Polytechs, or Techmen; more than a decade to be known as The Gobblers; and still longer to be called The Hokies, but the seeds for all that has followed were sown in 1896.
In the early 1920s, the first female students at Virginia Tech were not quite welcome. They had special rules to follow, there were no dormitories for women, and male students would throw water on them as they passed by the dorms. But one day, Ruth Terrett, a civil engineering student, decided to show the men she could do just as well as them. She donned a cadet uniform and climbed the university’s water tower, a tradition the male cadets undertook to prove their strength and ability. That day, Ruth proved that women, when given the chance, could do what men could.
Women throughout Virginia Tech’s history have encountered many obstacles, and have consistently overcome them. Sam Winn and I recently searched through Special Collections’ holdings to document these women and their achievements in the university’s history. Our work culminated in an exhibit at the Alumni Associations Women’s Weekend and a slideshow, entitled “Climbing the Water Tower: How Women Went from Intruders to Leaders at Virginia Tech.” Let me share with you a few of those milestones now, or you can view the PDF of our slideshow here.
Women join the student population
Many people know the story of the first female students: twelve women, including five full-time students, enrolled in 1921. Two years later, transfer student Mary Brumfield received a bachelor’s in applied biology, earning her master’s from VPI in 1925, the first woman to achieve either degree. But, did you know women began attending VPI several years earlier? They were allowed to sit in courses during the fall and spring for no credit and were admitted to summer classes, starting in 1916. 1921 was still a milestone year as it was the first all courses were open to women seeking a college degree, because there was “no good reason for not doing so,” as the university bulletin states.
The first coeds, it must be admitted, were more than likely all white, given that segregation was legal due to Jim Crow laws and the Supreme Court decision in Plessy v. Ferguson (1896) upholding separate but equal racial segregation in the public sphere. It’s not clear when women of color were first admitted to the university, but international students from Mexico, China, Puerto Rico, and other places were already attending VPI by the 1920s. We believe the first woman from India to attend VPI was Kamini Mohan Patwary, who earned a master’s in statistics in 1955. However, it wasn’t until 1966 that the first six African American women matriculated, thirteen years after the first African American man and 55 years after the first women. In 1968, Linda Adams became the first African American woman to graduate from Virginia Tech. (Read more about her on our previously blog post.)
There wasn’t much for women to do athletically in the early years, so Ruth Terrett, mentioned above, started an informal women’s basketball team before graduating in 1925. Women joined the cheerleading team in 1941, but were not officially recognized as members until the 1955-1956 school year. The first intramural women’s sport was basketball in 1967. Three years later, swimming became the first intercollegiate sport for women, and women were allowed to compete on the gymnastics team.
Because the Corps of Cadets did not admit women, Patricia Ann Miller was denied permission to enroll in Corps classes. Despite this, in 1959, she became the first woman commissioned during graduation when she successfully applied for a commission from the Army Women’s Medical Specialist Corps. Finally, in 1973, the Corps formed the L Squadron, exclusively for female cadets. Deborah J. Noss became the first female squadron commander and Cheryl A. Butler the first Black female cadet (and first Black female squadron leader the next year). In 1975, women were admitted to join the cadet band, and four years later, the L Squadron was disbanded to order to integrate women into the formerly all-male companies. In 1987, Denise Shuster became the first female regimental commander and in 2005, Christina Royal the first African American female regimental commander.
Female students who were not athletes or cadets had other ways of breaking the glass ceiling. In 1953, Betty Delores Stough became the first woman to receive a doctorate, in parasitology. Jean Harshbarger was the first woman elected class president for the Class of 1974. In 1968, Jaqueline D. Dandridge was the first woman of color in the homecoming court, and Marva L. Felder became the first Black homecoming queen in 1983.
Women join the workforce
What about the women working at VPI? Ella Agnew is often remembered as the first female home demonstration agent in the nation in 1910. When VPI became the headquarters for the Virginia Cooperative Extension in 1914, Agnew and the other agents became staff of the university. Agnew was also the first woman to receive VPI’s Certificate of Merit in 1926, and Agnew Hall was the first campus building named after a woman, in 1949. However, few realize she was not the first woman to work at Tech. In 1902, Frances Brockenbrough became Superintendent of the Infirmary, and the next year Mary G. Lacy became the first female Librarian and Margaret Spencer the President’s Secretary.
Other female agents worked for Extension during its early years at the university. In fact, although the African American division was headquartered at Hampton Institute, the agents were considered non-resident staff of VPI, first listed in the 1917 university catalog. One of these women was Lizzie Jenkins, who became the first Black female home demonstration agent in Virginia in 1913.
Women faculty members are first listed in the university catalog for 1921-1922. Mary Moore Davis ranked as a professor and worked as a state home demonstration agent in the Extension Division. She also established the home economics degree program at VPI. The first Dean of Women was Mildred Tate, who served from 1937 to 1947, and the first female academic dean was Laura Jean Harper, who in 1960 became the first Dean of the School of Home Economics. (Read more about her on our previously blog post.) Heidi Ford in 1970, Ella L. Bates in 1974, and Johnnie Miles in 1974 became the first female African American faculty members at Virginia Tech.
Women began achieving executive positions in the 1980s and 1990s. Sandra Sullivan was named Vice President for Student Affairs in 1982, and Peggy S. Meszaros served as the first (and currently only) female Provost from 1995 to 2000. Women started serving on the Board of Visitors in 1944, when VPI and Radford College merged. However in 2014, Deborah L. Petrine became the first female Rector in the university’s then 142-year history.
Women by the numbers
Virginia Tech has gone through enormous changes since its founding in 1872, especially in the growth of opportunities for women. Women on the staff have grown from one female administrative officer in 1902 to five women faculty members (only 4.7% of the faculty) in 1921 to 1,525 or 39.5% of the faculty in 2014. The student population has grown from 12 women or 1.3% of the students in 1921 to 13,241 women or 42.4% of the student population in 2014.
According to the Digest of Education Statistics, in Fall 2013, women accounted for 54.6% of enrolled students, 48.8% of faculty, and 54.5% of total employees (including faculty) in degree-granting public institutions in the U.S. However, the Digest also shows that women received only 30.8% of the degrees conferred by STEM schools in 2012-2013. So, as far as women have come, there’s still more to do.
As a relatively new employee at Virginia Tech, I’ve been learning about the university by working occasionally on records in the University Archives. Currently, I am working on memorabilia and documents regarding the Ring Design Committee and the annual Ring Dance in the Virginia Tech Ring and Class Collections, RG 31/13/3. You may already be aware of the tradition of the Virginia Tech class rings, but if not, then let me share what I’ve learned from our materials!
Each class at Virginia Tech designs their own class ring, rather than having one school ring for multiple classes. The tradition began in 1911, when the classes of 1911 through 1914 designed the first class rings at Virginia Tech. Each class since then designs and premieres their rings in the fall of their Junior year. A committee of class officers and student body appointees works with the Virginia Tech Alumni Association and a vendor to design a ring unique for that class but with traditional elements, such as eagles, the American flag, campus buildings, and a chain symbolizing class unity surrounding the school name and stone. Each ring collection since 1991 is named in honor of a distinguished alum or important associate of the university. (On a related note, the Class of 2011’s class gift to the university is a statue of a class ring merging the designs from the 1911 and 2011 class rings, in honor of the 100th anniversary of the tradition.)
In addition to ring proposals and committee planning documents, the University Archives has many wax molds like in the picture above and ring brochures, exemplified below.
One of the ring brochures discusses a a new tradition started in 2012 by alums of the Class of 1964. The Hokie Gold Legacy Program allows alumni to donate or bequeath their class rings to be either displayed or melted down for reuse in new class rings. The Class of 2014 received the first class rings made with the donations. This is a really neat initiative to bring together the past, present, and future students at Virginia Tech and to promote sustainability through reuse.
Another part of the Virginia Tech class ring tradition started in 1934. Each class holds a Ring Dance in the spring of the Junior year to symbolize the transition from junior to senior. At the dance, each student wears their date’s ring on a ribbon of one of the class colors. The Corps of Cadets form the shape of the class year and perform a sabre arch. Then, couples exchange their rings, during the song Moonlight and VPI, written by Fred Waring and Charles Gaynor for Virginia Tech. Over 30 years ago, one company of the Corps of Cadets released a small pig onto the dance floor after the ring exchange as a prank, and the Virginia Tech Swine Club continues the tradition to this today! At the end of the night, attendees go to the Drillfield to watch fireworks, hear the playing of Silver Taps, and witness the firing of the Corps cannon, Skipper. The students also receive gifts with the class logo and ring dance theme, such as t-shirts, drink glasses, and koozies.
The University Archives receives some memorabilia as well as invitations and tickets to the Ring Dance and Ring Week:
Recently, Special Collections received a new collection, the John R. Hutcheson Family Collection, containing letters, newspaper clippings, photographs, and more documenting the life of Virginia Tech president John R. Hutcheson.
Although only president of Virginia Polytechnic Institute (VPI, as Virginia Tech was then known) for two years from 1945 to 1947, John Redd Hutcheson (1886-1962) devoted himself to serving his alma mater and the people of Virginia. He enrolled at VPI in 1903 at the behest of his brother Tom. In order to pay for college, the brothers lived in the dairy barn on the college farm, where they milked 17 cows a night for 8 cents an hour each (roughly $2.15 an hour in 2015!) After saving his earnings, Hutcheson moved into the barracks and then waited tables in the school dining hall. He received a bachelor’s degree in 1907 and master’s in 1909.
Following several years teaching high school in Virginia and Mississippi, Hutcheson received a letter from Joseph D. Eggleston, VPI president and director of the Virginia Agricultural Extension Service (now Virginia Cooperative Extension), urging Hutcheson to join his staff. He accepted, becoming an animal husbandry specialist in 1914. In 1917, Hutcheson was appointed assistant director and two years later succeeded Eggleston as director of the Extension. Over the next 25 years, Hutcheson helped to organize the Virginia Farm Bureau and Virginia Agricultural Conference Board, to reestablish the Virginia State Grange, and to develop a long-range program for developing the state’s agriculture. All of his work developing the farm and home demonstration program in Virginia earned Hutcheson an honorary doctorate from Clemson University in 1937, along with his brother Tom, VPI professor T.B. Hutcheson.
In 1944, the Board of Visitors appointed Dr. Jack (as Hutcheson was affectionately known) acting president of VPI, and the next year he succeeded Dr. Julian A. Burruss as the ninth president. During his tenure, the student population swelled following the end of World War II, and he was responsible for making accommodations for the new civilian population (made up almost entirely of veterans), who outnumbered the cadet students for the first time in VPI’s history. Temporary trailer courts were established on campus to house the veterans, and Dr. Jack would personally visit them to ensure they had fuel for their homes.
The enormity of his duties necessitated the creation new executive positions during Dr. Hutcheson’s presidency. He created the office of admissions, director of student affairs, director of buildings and grounds, and a university business manager position. The Board of Visitors, at Dr. Jack’s suggestion, appointed Walter S. Newman as the university’s first vice president – all within two years!
Unfortunately, just 16 months into his presidency, Hutcheson entered the hospital and had to take sick leave. Newman became acting president until Sept. 1947, when he succeeded Hutcheson. Simultaneously, the Board of Visitors elected Dr. Jack as the first chancellor of Virginia Polytechnic Institute and the next year named him the first president of the newly formed VPI Educational Foundation, Inc. (now the Virginia Tech Foundation, Inc.) Dr. Jack remained chancellor until 1956 and president of the foundation until his death in 1962.
The legacy of Dr. Hutcheson’s tenure at Virginia Tech is still visible today from the continuing work of the Virginia Cooperative Extension to the numerous offices he created still operating. And of course, you can visit Hutcheson Hall on the Blacksburg Campus, dedicated to John R. and T. B. Hutcheson in 1956.