Seeds of the Past

This week Virginia Tech marked the 100th anniversary of Virginia’s Cooperative Extension program. In addition to events on campus and in the library, special collections created an exhibit of original materials related to Virginia Tech’s role in Cooperative Extension. But the story of state outreach to Virginia’s farmers goes back even further.

At the end of the nineteenth century, the General Education Board (sponsored by John D. Rockefeller) led a nationwide agricultural extension and demonstration movement. In Virginia, the board designated Hollis B. Frissell, head of the Hampton Institute, to organize demonstration work for African American farmers, and Joseph D. Eggleston Jr., the state superintendent of public instruction, to bring the demonstration program to white farmers. The genesis of this statewide effort came at a Richmond meeting in 1906, with a number of influential politicians, university presidents, businessmen, and agricultural experts in attendance. At this meeting T.O. Sandy accepted the offer to be the state’s first extension agent for white farmers.

Sandy copy

In early 1907, Sandy opened an extension office in Burkeville to serve farmers in adjoining counties. In February, the General Education Board awarded Virginia $4,500 for demonstration work and appointed Sandy as state agent. Sandy hired agents to begin the outreach efforts and recruited farmers to participate in extension programs. The farmers agreed to tend a small plot, typically of less than five acres, and worked with agents to develop husbandry plans and follow budgets.

In 1914 the Smith-Lever Act assigned oversight of nationwide extension and demonstration programs to the Department of Agriculture. At that time, Virginia Tech became the designated institution to coordinate the state’s Cooperative Extension service. In 1916, Sandy moved the extension office to Blacksburg. Despite all of the changes and advances of the past 100 years, Cooperative Extension continues its mission of outreach, sharing information, and improving the lives of farmers.

Before the Cooperative Extension program, Americans received information about what to grow and how to grow it in a variety of ways. Many farmers relied on past traditions and resisted new practices, while others bought more modern equipment and cultivated new crops. One important source of information on new agricultural advances came from seed companies. Mail order seed businesses thrived at the turn of the twentieth century. The heavily illustrated and information rich trade catalogs appealed to both farmers and Americans who wanted a backyard vegetable garden or fruit orchard. Receiving seeds through the mail, rather than by traveling dozens of miles to a town, was an important convenience for farmers.

Special collections has a number of early twentieth century seed catalogs, featuring descriptions and colorful images of fruits, vegetables, and other crops. It is fitting that the same week Virginia Tech celebrated 100 years of Cooperative Extension, the department acquired a new seed catalog from 1903. The catalog comes from the Harry N. Hammond Seed Company, based in Bay City, Michigan, which was self-described as “The Most Progressive and Extensive Mail Order Concern of It’s Kind in the World!”

seeds001
The first page of the catalog explained that between 1901 and 1902, sales increased 98 percent, which may account for why the company doubled its floor space and built a new warehouse. Robust sales may be attributed to the claim that direct mail order of seeds saved the customer 100-200 percent than if they purchased through a retailer. As for their subscribers, the company expected to mail out 500,000 (yes, half-a-million) catalogs to interested buyers. Oddly enough, according to OCLC Worldcat, just two libraries hold the 1903 catalog. Of course many libraries with collections of trade catalogs may not catalog the titles individually or catalog them at all.

seeds003

Anyway, back to the seeds. The catalog begins with several varieties of potatoes, with “Hammond’s New Extra Early Admiral Dewey Potato” as perhaps the best choice for patriotic Americans who want to remember victory at Manila Bay, just five year prior, while baking, frying, or boiling their tubers. The catalog offered customers an enormous selection of garden staples such as beans, celery, beets, carrots, sweet corn, onions, cabbage, and melons.

seeds002
For farmers, the catalog listed a wide selection of grains (oats, barley, wheat, corn, and millet) and grass seeds for hay and pasture. Like other such companies, Hammond’s featured page-after-page of flower seeds. Finally, the last page of the catalog advertised the company’s health food (malted grains and nuts treated with Pepsin) which came in packets and could be served cold with milk or cream, or mixed with hot water. The healthful product promoted good nutrition and digestion, but the advertisement said nothing about the taste. The company encouraged buyers to add an extra $0.15 to their seed order and try a packet for “Breakfast, Dinner, or Supper.”

For today’s readers this seed catalog is comical at times and sometimes disconnected from the present. In 1903, this type of trade publication provided Americans with a great deal of information about new crops and growing methods. Even though we take Cooperative Extension for granted, its services provide farmers and backyard gardenerd with reliable information about planting, growing, and cultivating just about anything.

More importantly seeds have modern day significance. Across the country, farmers markets are full of heirloom fruits and vegetables, farmers operate active seed exchanges, and growing numbers of Americans demand that their plates contain no genetically modified foods. It seems that the seeds of the past have enormous value in the present.

Cooking for the President: Cora Bolton McBryde’s Cookbook

 

Cora Bolton McBryde's Cookbook
Cora Bolton McBryde’s Cookbook

Cora Bolton McBrydes cookbook is a new treasure of the University Libraries Special Collections Department. The cookbook was a gift of Janet Watson Barnhill, great great granddaughter of President John McLaren McBryde and Cora Bolton McBryde. Known as the Father of the Modern VPI, McBryde served as president of Virginia Tech from 1891, when the institution was called Virginia Agricultural and Mechanical College (V.A.M.C.), until 1907.

President John McLaren McBryde ("Papa"), Cora Bolton McBryde ("Mamma"), and family before they moved to Blacksburg.
President John McLaren McBryde (“Papa”), Cora Bolton McBryde (“Mamma”), and family before they moved to Blacksburg. Anna is Janet Watson Barnhill’s grandmother.

 

Born in Richmond, Virginia on August 4, 1839, Cora Bolton, was the daughter of Dr. James Bolton and Anna Maria Harrison. Dr. Bolton was one of the physicians for Robert E. Lee and worked tirelessly in hospital in Richmond during the Civil War. Janet Watson Barnhill wrote, I gather the family took care of many injured patients at home, so I believe she was well suited for the job of being the First Lady” of VPI. I think women are much overlooked in history! Cora Bolton married John McLaren McBryde on November 18, 1863, and they had eight children: Janet McLaren; James Bolton; Anna Marie; John McLaren, Jr.; Charles Neil; Susan McLaren; Meade Bolton; and Waid.

The cookbook consists of recipes in Coral Bolton McBrydes own hand as well as pasted in recipes. Some of the recipes included are:

Apple Scones

Salad dressing

Preserved plums

Grape preserve

Sponge cake

Johnnie Cake

Coffee cake

Salmon croquettes

Donuts

Browned onions

Walnut brown bread

Floras brown bread (a daughter-in-law)

Fish Croquettes

Hamburger roast

Apples with cornstarch

Feather coconut cake

Whole wheat pudding

Aunt Selinas pudding

Belmar Sauce

Because the cookbook was in fragile condition, Special Collections sent it to Etherington Conservation Services in North Carolina for repairs. The treatment included disbinding, deacidification, repair and mending of fragile leaves with Japanese paper, repair of the binding, and reattaching Japanese paper/linen to the text block.

 

Cora Bolton McBryde (second from left), President McBryde (second from the right), and family enjoy a snack
Cora Bolton McBryde (second from left), President McBryde (second from the right), and family enjoy a snack

Plans are afoot to scan the entire cookbook and make it digitally available so everyone can enjoy the recipes. Stay tuned!

 

Too Much Warm Potato Salad on July 4th? You Need “The Best Dyspepsia Water In Virginia”

Let’s face it, most American holidays center around food and lots of it. Too much of a good thing is never enough, and celebrating American Independence often means a good excuse to overeat. I already had lunch today, so hunger pangs are not the focus of this post. This week’s post on the What’s Cookin’ blog focused on frozen desserts for the steamy outdoor July 4th celebrations. So as a counterpart, let’s briefly re-visit how Americans in the late nineteenth century recovered from their indigestion and where they went to escape the summer heat.

As is often the case of working in special collections, it is very easy to get distracted by original material, rare books, or other items in the stacks. While searching for another book, I ran across a wonderful advertising piece for the Roanoke Red Sulpher Springs in Salem, Virginia. Printed in 1898, the booklet contains dozens of first-hand testimonials about those who found comfort from their ailments by visiting this largely forgotten summer resort. Yes, there are plenty of other nearby resorts (Eggleston Springs and Montgomery White Sulpher Springs) to talk about, but this forty-something page pamphlet caught my eye.

coverLike today, there is fierce competition for tourist dollars and J. Harry Chapman, the manager of the springs, made it clear that the Roanoke Red Sulpher Springs has “The Best Dyspepsia Water in Virginia.” The springs opened each June and accommodated up to 300 guests. In addition to easing the upset stomachs of those who could afford to travel to Salem, the waters also healed “Hay Fever, Lung, Throat, Heart, Kidney and Female Troubles.” The springs thrived as a destination for Virginians as well as those from across the country. Like modern day travel guides, the booklet includes distances to major cities, including New York, Atlanta, and even Galveston (only 48 hours away).

Distances

The healing waters, the cool mountain breezes, and the chance to escape the drudgery of urban areas motivated many middle-class Victorians to find their way to natural springs like this one in Virginia. The book is littered with testimonials from past visitors who hoped to cure their maladies and enjoy the tranquility of the mountains. Visitors from New Orleans, Pensacola, Norfolk, Philadelphia, and even San Antonio gushed about the springs and became regulars each summer.

testimony

The testimonials make this small nook in the Virginia mountains sound like Xanadu, rather than a resort just nine miles north of Salem. An artist’s depiction of Roanoke Red Sulpher Springs from Edward Beyer’s, Album of Virginia (1858), which appeared on the front of the 1898 booklet, matched the idyllic description of the grounds.

Album of Virginia rendering

Like many items in special collections, the 1898 booklet is a snapshot of a particular time in the history of a place. The springs first opened as a resort in 1858 and went through several owners. The medical benefits of the springs made it an ideal location for battling one of the most troublesome disease of the period–tuberculosis. In 1908, the State of Virginia took over Roanoke Red Sulpher Springs and made it the state’s first tuberculosis sanitorium (Catawba).

The 1898 advertising booklet documents the high-point of Roanoke Red Sulpher Springs as a summer resort. In the late 1890s visitors came to the springs to recuperate and have a vacation. On this July 4th, 116 years later, many of us will do the same–travel to a far away location (a lake, a beach, or an amusement park) to relax, rejuvenate, and feel better. The restorative powers of such an escape may be even better for you than natural spring waters, and certainly better than eating warm potato salad. So travel safe, be healthy, and enjoy the waters.

150 Years Ago: The Battles of Cloyd’s Mountain and the New River Bridge, as experienced in the John Holliday Diaries

This week marks the 150th anniversary of the Battles of Cloyds Mountain and the New River Bridge, significant events in the civil war that took place right in Virginia Tech’s backyard. Included in Special Collections’ vast Civil War and manuscript collections is the diary of John Holliday, a non-commissioned officer in Company C of the 91st Ohio Volunteer Infantry Regiment who fought in these battles, giving us a unique first person perspective of this campaign. His first diary, with entries from May 1st to August 8th, 1864, has been digitized and is available at Special Collections Online.

Holliday joined the regiment in Spring 1864, and according to his first diary entry, dated May 1st, 1864, he was stationed in Fayetteville, in the newly-formed state of West Virginia. On May 3rd he began to march south through the Appalachian Mountains into confederate Virginia with 6,100 men in the three brigades of the Union Army of West Virginia under the command of General George Crook. Crook’s objective was to destroy the Virginia & Tennessee Railroad, cutting off an important supply line for the Confederate army. The rail depot in Dublin and the bridge across the New River in Radford were his primary targets.

Presumed portrait of John Holliday, date unknown, from the John Holliday Diaries and Photographs Collection (Ms2012-028)
Presumed portrait of John Holliday, date unknown, from the John Holliday Diaries and Photographs Collection (Ms2012-028)

After a week of marching, on May 9 Holliday and the rest of Crook’s forces reached a small gap through Cloyd’s Mountain, Virginia, just 5 miles north of Dublin, where confederate forces under Brig. Gen. Albert Jenkins had set up a defensive line, hoping to catch the Union forces in a choke point. Holliday’s brigade, under the cover of the woods, managed to flank the confederate line on the left and divide their attention in the fight.

Holliday wrote, “advanceing under a heavy fire we arrived at the edge of the woods in front of their works… up the hill amid a Storm of Bullets we went driveing the enemy before us, at this moment a Rebel officer Riding a fine Black horse Rode along their lines waveing his hat in full View of both friend and foe tried to Rally his Broken Regt,, in This he failed many a Rifle was aimed at him but he rode off the field apparantly unharmed… The field was ours but at a heavy Cost not less than five hundred of our little Division was either Killed or wounded during the fight”

The battle, though small and involving relatively few troops, contained some of the most savage fighting and highest percentages of casualties in the entire war. The Union sustained 10% losses, while the Confederates sustained more than 20%. In all, more than 1,200 men lost their lives.

Having defeated the Confederate line, Crook’s troops moved into Dublin and destroyed the railroad depot. After camping for the night, on the morning of May 10 they set out again towards Radford and the New River bridge.

“at ten oclock we arrived within one mile of the Bridge. the roar of artillery in our front showed that the enemy was there and ready to dispute our passage at The Bridge…soon shot and shell went screeching through the air….they kept up a heavy fire cutting off limbs of trees around us. one of these falling wounded Sergt. B Lowman of Co. G. another shell striking near by killed two of the 7th Va Cavalry one of them a mere boy the shell striking him on the Breast tore him almost in atoms… our men fired the Bridge the flames spread Rapidly at this moment the enemy Gave way and three Prolonged cheers arose from our division the enemy was in full Retreat,, once more the day was ours,, each Regt formed above The Bridge and watched it untill the Vast structure went down,, three cheers was then given for Genrl Crook our noble Leader”

A page spread from John Holliday's first diary, featuring his entry for May 10, 1864, The Battle of New River Bridge
A page spread from John Holliday’s first diary, featuring his entry for May 10, 1864, The Battle of New River Bridge

The next day (May 11) Holliday traveled to Blacksburg, spending the night at the Preston and Olin Institute, which just eight years later would become the first campus building for Virginia Tech (then known as the Virginia Agricultural and Mechanical College).

“Broke Camp early marched to Blacksburg a small Town in Montgomery County Containing Several fine houses the largest is the college a large Brick Building here we halted for the night had some Slight skirmishing on entering the Town in which a col of the militia was killed.”

After a night in Blacksburg, on May 12 Crook’s forces began their retreat back into West Virginia, crossing over Mountain Lake. Rain made their crossing a difficult one. “it has been raining all afternoon Cold and wet which makes it tiresome marching.”The considerable mud the troops encountered forced them to abandon many wagons and heavy supplies including some artillery along the roadside just past the Mountain Lake lodge, earning one hilltop the name ‘Minnie Ball Hill’ for all the minnie balls that were dumped there.

In the following months, Holliday and the 91st Ohio would go on to join the Valley Campaign, fighting in the battles of Lexington (June 11), Lynchburg (June 17-18), Winchester (July 20, 23-24) and Martinsburg (July 28), all recorded in detail in his first diary. An interactive online exhibit that traces some of Holliday’s movements across Virginia and West Virginia is available here.

 

Stephen King: A Latter Day “Fix Up”

At this point, it seems safe to say that magazines are more or less defunct as a vehicle for popular fiction. They were superseded more or less completely by paperbacks in the 1950s. Of course that process took awhile, and in the interim a good deal of the paperback SF market featured new, lengthier versions of magazine stories, which had been expanded or combined into book-length features. Eventually paperback originals (and original short story anthologies) came into their own, and the “fix-up” became less common without completely dying away.

Textual criticism of fix-ups has never been very popular among SF scholars, but it seems like there might some interesting possibilities. A comparison of the censored Analog versions of Joe Haldeman’s “Forever War” stories to his successful novelization comes to mind as an interesting possibility.

Having a significant collection of paperback and magazine SF on hand (as we do here!) makes this sort of work feasible. It is also fun to have a look at some of the lesser known magazine appearances of well-known authors. I’m thinking particularly (today) of Stephen King’s stealthy initial publication of “The Gunslinger” in Magazine of Fantasy & Science Fiction. I don’t suppose King comes in for much academic criticism either, but at the very least it is revealing to compare the initial circumstances of the Gunslinger publication series to the more visible phenomenon that is has turned into. The most obvious finding from a perusal of our collection: at no point did the stories garner a cover.

king2king1 king3kingking4

Of course King was already a bestselling author when these came out. So, while he was willing to lend his name to this project (unlike the contemporary pseudonymous Richard Bachman books), commercially speaking it was decidedly on the back burner. As for the content itself, I’m not sure to what degree you could call the later novelization a fix-up. That is for the putative researchers to decide, right? Until I was putting this post together, I was not aware that he had been at The Gunslinger with revisions and updates. There is definitely a textual history there, if not necessarily a devoted critical community. Maybe in the next century.

Spring Splendor in Special Collections

Spring has officially begun, and it’s time to start planning out gardens and planting seeds. Seed catalogs, with their plethora of new and unusual varieties to grow and try, have been a typical part of Spring gardening preparations for a very long time. With that in mind, I decided to take a look at what past years have had to offer in Special Collections’ old seed catalogs.

The one that caught my eye was less a seed catalog and more a tour de force of vegetables and flowers in lithographic design. The Manual of Everything for the Garden, an annual seed catalog published by Peter Henderson & Company of New York, contains some of the most beautiful vegetable illustrations I have ever seen. Through their illustrated catalog, one could order nearly everything for the garden and yard, including seeds for vegetables, fruits, grasses, grains, and flowers, as well as gardening tools and equipment. Henderson founded the company in 1871, and by his death in 1890 it was one of the most successful seed companies in the United States. His son, Alfred Henderson, took over the business after his father’s death and continued the success- from the 1890s though the 1920s the company mailed out some 750,000 copies of its annual seed catalog each year. Yet despite its popularity, finding an intact Peter Henderson & Co. catalog today is extremely rare. The exceptional quality of their color plates and chromolithography made them highly sought after for the popular Victorian pastimes of scrapbooking and decoupage, resulting in most being cut to pieces.

Virginia Tech Special Collections is lucky enough to have a first edition copy of the 1898 catalog, which has survived completely intact, including two tipped in price lists. Nearly all of its 190 pages are filled with highly detailed chromolithographic prints, illustrating all the botanical splendor that the company’s seeds promise to grow. These beautiful graphics were made by Gray Lithograph Co. of New York, and Stecken Lithographic Co. of Rochester, NY, one of the largest centers of lithography in the country. As the long and dreary winter dragged on, I can only imagine how exciting flipping through these pages in anticipation of Spring would have been.

Legacy of Dayton Kohler

Bookplate found on the inside front cover of many books from Kohler's collection.
Bookplate found on the inside front cover of many books from Kohler’s collection.

Drawing of Dayton Kohler by Karl Jacob Belser, 1931.
Drawing of Dayton Kohler by Karl Jacob Belser, 1931.

 
 
If you have an interest in modernist literature and have, on occasion, requested Special Collections’ copies of such worksespecially by American writers of fiction, though not exclusivelyyou may have discovered the bookplate shown above with a startling frequency. “From the Collection of Dayton Kohler . . . Virginia Polytechnic Institute . . . Carol M. Newman Library” appears time after time in books by many of the great writers of our time in the Rare Book collection. When I first started working here, just about five and a half years ago, as I came upon first editions of Faulkner, Hemingway, Cather, and Fitzgerald; then Virginia Woolf, D. H. Lawrence, and Joseph Conrad; Saul Bellow, Katherine Anne Porter, Eudora Welty, James Thurber, J.D. Salinger, Reynolds Price, William Styron, and more, I kept noticing the same bookplate. All first editions, several of them signed by the author. Who was Dayton Kohler?

Select first editions from the collection of Dayton Kohler

Kohler was Professor of English at Virginia Tech. He retired in 1970 after arriving at this institution as an Instructor in 1929. Born in 1906 and a graduate of Gettysburg College, he received his master’s degree from the University of Virginia the same year he came to Blacksburg. In 1931, Karl Belser, a colleague in the Department of Architectural Engineering drew a sketch of Kohler (shown above) that is housed, along with several other prints and drawings, in the Karl Jacob Belser Illustrations, 1931-1932, 1938, n.d., also at Special Collections. Kohler’s own collection of papers is also on hand. It includes an extensive correspondence with authors and other critics of the time, much of which relates to various literary essays and reviews.

Dayton Kohler died in 1972, but not before arranging for a collection of his booksincluding many 20th-century first editionsto become part of Special Collections. In fact, former director of Special Collections Glenn McMullen said in a June 1990 Roanoke Times and World News article that acquisition of Kohler’s book collection was “the first major acquisition” for the new department that had only formed in 1970. A May 21, 1971 memo to then-library director Gerald Rudolph reports that 1095 books were received from Professor Kohler some ten days earlier. The list that accompanies the memo shows only authors and quantity, with no detail regarding title and/or edition. But, in addition to the names referenced above, the list includes William Carlos Williams, John Dos Passos, Truman Capote, Henry James, Ezra Pound, James Joyce (a trip to the shelves indicates the 1930 edition of Ulysses, not the 1922 first edition, was Kohler’s), and a total of 27 Hemingways and 38 Faulkners(!), plus much, much more. What a tremendous legacy for the Library and its patrons to use and enjoy. I’m sure there are still more terrific editions in the collection that I haven’t yet seen. To close (almost) this post, I’ll leave you with one more that I did find:

Jacket of Fitzgerald's The Great Gatsby, 1925.
Jacket of Fitzgerald’s The Great Gatsby, 1925.

Inside front cover of The Great Gatsby (1925) with F. Scott Fitzgerald's inscription to Dayton Kohler, dated 1934.
Inside front cover of The Great Gatsby (1925) with F. Scott Fitzgerald’s inscription to Dayton Kohler, dated 1934.

 
 
 
 
 
 
 
 
 
 
 
 
Lastly, if any alumni who may remember Professor Kohler read this post and wish to tell us more about him, please consider leaving a comment below. We’d be pleased to add them to this post. Thanks!

A new way to look at Civil War diaries

With the help of our new digital library site, VT Special Collections Online, we will soon be sharing some of our digitized civil war diaries in new and interesting ways. Using plugins designed by Neatline will allow us to create exhibits that display both transcripts and digital images of diary entries on timelines or as location points on maps. An early example of this can be seen with The Richard Colburn Diary.

Colburn, of Ellington, Iowa, started his diary on December 18, 1861, the day he enlisted in the 12th Infantry of the United States Regular Army. After two months of training he traveled east to New York and Washington DC, entering the fight to defend the Union. His daily diary entries recount his movements, which when plotted on the map, illustrates the vast distance he traveled to fight, as well as the significant difference that railroads made to travel.

Colburn’s 12th Infantry became involved in the Peninsula Campaign, including the Battle of Williamsburg and the Battle of Gaines’ Mill, where on June 27, 1862, Coburn was wounded and taken prisoner by the 5th regiment of Virginia. The remainder of the diary describes his hospitalization, his release on January 15, 1863, and his trip home. The exhibit helps to visualize his experience in the Civil War in an age of GIS and global connectivity. By overlaying his journey onto modern maps, it is easier to connect our world today with the events that took place over 150 years ago.

Make sure to check back to VT Special Collections Online in the coming months for more diaries to come!

Advertising in Pulp SF

In recent posts I have tended to dwell on science fiction magazine cover art. In my own case, at least, the exterior artwork is still doing its job: attracting attention to the contents within. Hopefully they are as exciting as the cover, right? But artwork is only a single point of entry into the study of science fiction pulps as artifacts.

And I can only assume we are keeping them in the first place in order to preserve the artifactual value. [there is a pretty significant Greenwood microfilm series of the early SF magazines] I’m not sure if the mainstream of analytical bibliography or its book history morph has yet to reach yellow-backs or dime novels, much less the pulps or their post-war paperback successors. The established bibliographical methods are generally appropriate only to hand-made books, so much more variable (and personal and evocative) than the relatively anonymous products of the popular machine press. And there is very little mystery in an actual copy of Amazing Stories. But there are some notable varieties of textual and extra-textual content which accompany and broadly inform the fantastic features which were the ostensible point of the science fiction pulps and related publications, and which are attention-worthy. How about:

Advertising

“Pulpwood magazines offer two methods of escape from reality: one, by their fiction – that magic carpet that carries the reader off to parts unknown; the other, by their advertising of comparatively inexpensive means to keep the reader physically and mentally fit so that he can take the hero’s part in any romantic adventures he reads about, or dreams of having himself . . . . Advertising pages are as much a part of the magazine as those devoted to stories: parallel lines spoken by two sets of people but with a single thought: to catch and hold the reader’s attention.”

Harold Brainerd Hersey, “Pulpwood Editor: The Fabulous World of the Thriller Magazines Revealed by a Veteran Editor and Publisher (Greenwood, 1974): 77, 83.

ads2

The ads are fun, but the question is: to what degree they were tailored to SF pulp readers specifically? Could you infer that this demographic was underemployed, musically-challenged, and spindly to a degree that the western pulp readership was not? Were their noses more unsatisfactory than the norm?

nose

The tough part about having deep holdings in SF magazines but not in other category pulps is that such comparisons are difficult, so I have to lean on Algis Budrys for some commentary (as far as I know, the only commentary of its kind germane to advertising policy in SFnal publications). In the following quote, he is trying to prove a larger point (grind a bigger ax) about the essential triviality of magazine SF, or at least to point out some of the the more unexpected influences on the literature which may not be appreciated by most scholars or other publishing neophytes, and he accidentally provides us with an interesting bit about the ads:

From the publishers’ point of view, the competition for readers during the chain period was a competition not between authors (who were regarded as ‘bylines,’ that is, as blurb material in most respects), and not even between individual magazine titles and genres within the chains, but between chains . . . . The publishers’ view of things can be deduced from the fact that advertising in the magazines was sold not by the individual title but by the chain; the only smaller unit offered was the ‘group’ within the chain. The content of the advertising – for High John the (luck-bringing) Conqueror Root, for an ‘encyclopedia’ of Female Beauty Around the World with supplementary torture photographs from the Orient, and for the Audel home-workshop manuals – conveys a very specific picture of the perceived demographics of the chain audience.”

Budrys, “Non-Literary Influences on Science Fiction,” (Borgo Press, 1983): 7.

So, the ads are not necessarily an absolutely essential source of information on readership, at least not SF genre-specific readerships. But they interesting nonetheless, and definitely entertaining. You might even call them evocative (Budrys would say: evocative of exploitation and disdain).

Next time: the letter column.

Thanksgiving traditions at Virginia Tech

A menu for the traditional Sunday Thanksgiving dinner at Virginia Tech in 1924
A menu for the traditional Sunday Thanksgiving dinner at Virginia Tech in 1924

thanksgiving1924b

As Thanksgiving approaches, the Virginia Tech campus becomes practically deserted as students, faculty and staff leave town en masse to celebrate the holiday with family and friends. But it wasnt always this way. For more than half of Virginia Techs history, family, friends and alumni would descend upon Blacksburg and Roanoke the week of Thanksgiving for one of VTs greatest traditions- the annual football game in Roanoke against their biggest rival, the Virginia Military Institute (VMI).

The tradition began in 1894, when Virginia Tech (still known as the Virginia Agricultural and Mechanical College) played their first game against VMI at Staunton on Thanksgiving Day. The entire VAMC Corps of cadets made a trip to the event. VMI won that game by a score of 10 to 6, but VAMCs spirit was not broken. The 1895 yearbook, the Bugle, states, At half past two o’clock we boarded our train and returned, not feeling the least humiliated over our defeat, for we all vowed that the day of reckoning should come and that with a vengeance. The next year, on Thanksgiving Day, 1895, VAMC defeated VMI with a score of 6 to 4 at a game played in Lynchburg. Thus, both a rivalry and tradition were born.

The annual Thanksgiving football game moved to Roanoke in 1896, where it remained for the next 73 years. The event became known as The Military Classic of the South, and spawned many traditions and week-long festivities during the Thanksgiving holiday, including dances, dinners and parades through the streets of downtown Roanoke. The festivities usually ended with a Thanksgiving feast held on Sunday in the College Mess Hall for the Corp of Cadets and their guests.1895

The ties between Virginia Tech and Thanksgiving were further strengthened as the college sports teams started being referred to as the Fighting Gobblers in the early 1900s. It wasnt long before the association between a Gobbler and a turkey resulted in Virginia Tech adopting this Thanksgiving bird as its mascot. In 1913, local resident and VPI employee Floyd Meade trained a large turkey to perform various stunts before the crowd at football games, and the tradition of having a live turkey on the sidelines of games continued into the 1950s, before being replaced by a costumed mascot.

Another Virginia Tech tradition that started at the annual Thanksgiving game was the Skipper cannon, and this Thanksgiving 2013, marks its 50th anniversary. For many years, VMI had opened the game by firing their game cannon Little John on the field. The VMI cadets would taunt their rivals by chanting VPI, wheres your cannon! In 1963, two cadet seniors, Alton B. Harper Jr. and Homer Hadley Hickam, not wanting to be out-cannoned by VMI any longer, gathered funds and materials to create the largest game cannon in the world. The entire operation was done in secrecy, with the intention of giving it a surprise debut at the 1963 Thanksgiving game. The cannon was completed just in time, and as Hickam and Harper were secretly driving it back to Blacksburg from the foundry in Roanoke on November 22, 1963, they got word that President Kennedy had been shot. As tribute to the fallen president, the cannon was named Skipper after John F. Kennedys naval background, and its first firing was 50 round salute on the upper quad, a military tradition given for fallen leaders. One week later, the Skipper was fired at the 1963 Thanksgiving Day football game, to the astonishment of the VMI cadets, and the tradition of the Skipper cannon being fired at Virginia Tech football games was born.

Cadets parade the Skipper cannon through the streets of Roanoke, circa Thanksgiving 1964
Cadets parade the Skipper cannon through the streets of Roanoke, circa Thanksgiving 1964

As one tradition was beginning, another was ending. After World War II, Virginia Tech had grown from a small military college to a much larger, civilian-dominated university, and the football program grew to a league standing far beyond that of VMIs football team. Thus, the old football rivalry came to end, taking with it the Thanksgiving Day game tradition. The last Thanksgiving Day game in Roanoke between Virginia Tech and VMI was played in 1969.

While Thanksgiving might not be what it once was at Virginia Tech, some of the college traditions it started still live on, without which Virginia Techs identity would certainly not be the same. So as I dig into my turkey this Thanksgiving, Ill be thinking about how it helped to create our mascot, and the next time I hear the Skipper cannon fire at a home football game, I will thank the Thanksgiving game tradition for inspiring 50 years of that iconic feature of Virginia Tech football.

For more about the Thanksgiving Day game tradition, check out Pre-WWII Thanksgiving at VPI. For more about the story of the Skipper Cannon, check out The History of “Skipper”.