History of Women at Virginia Tech: A Digital Project Begins!

In the spirit of the LGBTQ History at Virginia Tech and the Black History at Virginia Tech exhibits, I’ve been part of a project working on another underrepresented community for quite some time now. Working with the Women’s Center at VT, faculty, retired faculty, students, and other volunteers, since 2015, the History of Women at Virginia Tech (http://vtwomenshistory.lib.vt.edu/) has been a digital humanities project in the making. We started back in 2015, digging into the history that we knew, and went from there. Over the course of the last few years, contributors on the project have begun collecting oral histories, dug through boxes of former administrators’ papers, flipped through photographs, digitized and described items, and learned A LOT! This March, in honor of Women’s History Month events on campus and the celebration of the 25th anniversary of the Women’s Center, we are excited to launch the site! As we move toward the 100th anniversary of the admission of women to what was then VPI (which occurs in 2021) and the 150th anniversary of the university (coming up in 2022), we will be adding more content and features to the site, including integrated oral and video histories. Here’s what it looks like now:

At the moment, the site contains more than 75 items (many of which include multiple photos, documents, clippings, and other files). The homepage (pictured above), shows recently added items, a rotating gallery of “featured” images, and a link to the interactive timeline. There are also ways to browse and search items. There are a few collections of materials where we have grouped items. For example, there is a collection forThe Tin Hornthat contains pdfs of the yearbooks created by women students for themselves in 1925, 1929, 1930, and 1931 (women students did not appear inThe Bugle until 1941). Another collection brings together items digitized from Special Collections’ Historical Photograph Collection. We expect, as we add to the project, that new collections will be needed to help organize materials, too.

While we are trying to highlight many of the “firsts” for women on this campus, this project has wider goals. We are using primary sources to tell the story of the many roles that women have had in the history of Virginia Tech, both before they were students and since then! We’ll also use primary sources to help contextualize events, places, and people connected to women in VT history. (There are a LOT of stories to tell!) One way we are doing that–other than through the items themselves–is through an interactive timeline (screenshot below, but you can go to it live here: http://vtwomenshistory.lib.vt.edu/exhibits/show/timeline/timeline-womens-history):

The timeline is something we will continue to expand, but for now, we’ve added about 20 events, some of which contain links to digitized content and more information, like the excerpt from the Board of Visitors minutes pictured above. Timeline points with a related item or items have a “learn more” link in the description to take you to those resources.

Our hope for this project is that people will learn some new things about campus history and women’s history and perhaps be inspired to learn more. Did you know that although women were admitted in 1921, there was not a dedicated women’s dormitory on campus until the opening of Hillcrest Hall (aka the “Skirt Barn”) in 1940? So, where did women live between 1921 and 1940? (Hint: Some of the documents in the project site might have some answers!) We encourage you to explore now, help spread the word, and to come back and visit the site often, as we continue to expand the project. In addition, if you are a part of the VT community and you have history you think belongs in the project, we welcome your input! We are happy to talk about donations to the project and/or to Special Collections, to hear your stories, and to learn about women’s history on campus together!

On a related note, if you want to know more about what’s happen on campus for Women’s History Month 2019, “Celebrating Milestones,” the full calendar of events is online. Other than our project launch, there will be presentations, discussion groups. film screenings, exhibits, and performances.

Carmen Venegas, VPI’s First International Woman Graduate

Special Collections has celebrated Women’s History Month 2018 with numerous exhibits in Newman Library and the Holtzman Alumni Center. Part of our focus has been on some of the first women who attended or worked at Virginia Tech. I’ve written before about some of VT’s female trailblazers, but I decided to concentrate on the first international woman to graduate, Carmen Venegas (1912/1914? – 1991). She has the additional distinction of being the first known Latina/Hispanic woman to study at Virginia Tech and, according to the July 15, 1945, profile about her in the Los Angeles Times, she is the first Latin American woman to earn an electrical engineering degree in the United States.

The first international male student came to Virginia Tech in 1874, and the first American women matriculated in 1921. But, it took much longer for the first international female student to enroll as Venegas joined the student body in 1935. (It would be another 18 years before the first Black male student matriculated in 1953 and another 31 years for the first Black women to enter VT in 1966.)

Venegas earned one of two scholarships awarded by the government of her home nation Costa Rica, making it possible for her to attend the university. Before graduating in 1938 with a B.S. in electrical engineering, she was a member of the American Institute of Electrical Engineers and was the only woman in the organization of nearly 40 students at that time.

Maria del Carmen Venegas in American Institute of Electrical Engineers, from the 1938 Bugle
Carmen Venegas (front row, second from left) in American Institute of Electrical Engineers, from the 1938 Bugle

A founding member of the Short Wave Club, Venegas trained students in amateur radio operations. She taught classes in radio operation and acted as Hostess for the Club in 1937. The Short Wave Club is a predecessor to the student-run group, the Virginia Tech Amateur Radio Association, exemplifying how her and other students’ contributions to the university have made an impact that can still be felt today.

Maria del Carmen Venegas as part of the Short Wave Club in the 1936 Bugle
Carmen Venegas (front row, second from right) as part of the Short Wave Club in the 1936 Bugle

In addition to her school activities, Venegas is remembered as a pilot, even keeping her own airplane in Lynchburg. In 1937, the National Intercollegiate Flying Club invited her to join a convoy from Washington, D.C., to view air races in Miami, Florida. Out of 100 pilots, Venegas was the only Virginia-based woman in the bunch!

Following her time at VPI, Venegas went on to a long and varied career as an engineer, performer, and painter. She married Meade A. Livesay and moved to Los Angeles, where she studied music and art at UCLA. Venegas went on to perform dancing and singing under the name Carmen Lesay.

You can read more about the first women to graduate from Tech and the legacy they left behind in the blog posts linked above as well as on the archived Special Collections’ women’s history section of the 125th Anniversary of Virginia Tech website.

(This post was updated Nov. 9, 2018, with corrections and additional information about Carmen Venegas after her time at Virginia Tech. Thank you to Ivannia Diaz for her corrections and sharing resources with us!)

Women’s History Month 2017

This year for Women’s History Month, Special Collections has some special thingsgoing on! We will have a display on the second floor of Newman Library near the main entrance. “Remarkable Women Throughout History: Snapshots from Special Collections” is a month-long display (March 1-31) with posters, items in exhibit cases, and a book display from the circulating collection. In addition, we will also have more materials from our collections on display in the exhibit cases in our reading room on the first floor near the cafe.We invite you to visit our exhibits during the month of March and learn about our collections and some of the remarkable women represented in them. (We’re grateful to our amazing colleagues throughout the library who helped us make this happen, as well as the students who delved into our stacks and boxes to find the stories of these women to share.)

womensmonth_poster_2017feb

For the fifth year running, our “What’s Cookin’ @Special Collections?!” blog will continue its “Women’s History Month” series, highlighting the contributions of women to the culinary and agricultural fields! You can view the posts to date here:https://whatscookinvt.wordpress.com/category/feature-items/womens-history-month/. New posts should also show up under this category as they are published. We don’t have all the posts planned out just yet, but we know will be featuring the work ofFrances Harriet Whipple Green McDougall (cookbook author, artist, and activist), Mrs. D. A. Lincoln (author and educator), and Ellen Swallow Richards (one of the first women to teach at MIT).

And, although we didn’t build a new digital display this year, we do still have our exhibit from 2016 available in case you missed it! You can view it online here:http://digitalsc.lib.vt.edu/exhibits/show/womens-history-2016.

Keep in mind there will be events all over campus in March 2017. The Women’s Center at Virginia Tech has a calendar here:http://womenscenter.vt.edu/Program/womens-month.html. We encourage you to check it out and join in where you can!

An Office of One’s Own: Women Professionals in the Special Collections

To celebrate womens history month, we are highlighting a small selection of the pioneering women professionals in our collections. These particular women entered their respective careers in the 1950s and 60s, a time when women had limited access to higher education and professional opportunities. Women in historically marginalized groups (including LGBTQ communities, rural communities, and communities of color) faced additional challenges beyond gender barriers. The four women profiled below overcame several obstacles to work as accomplished professionals in fields traditionally dominated by men.

ChemistryLab
VPI students Caroline Turner and Harriet Shelton at work in a chemistry lab, January 1950

Marjorie Rhodes Townsend: Aerospace Engineer, Patent Holder

Marjorie Townsend was named " Townsend Knight of the Italian Republic Order" in 1972 for her contributions to US-Italian space efforts
Marjorie Townsend was named ” Townsend Knight of the Italian Republic Order” in 1972 for her contributions to US-Italian space efforts

In 1951, Marjorie Rhodes Townsend became the first woman to earn an engineering degree at George Washington University. One of few women in a traditionally male-dominated field, Townsend experienced significant discrimination from both coworkers and managers. In spite of these challenges, she enjoyed a lengthy and distinguished career at the forefront of aerospace technology. Townsend spent eight years with the Naval Research Laboratory developing sonar signal-processing devices for anti-submarine warfare. Townsend went on to work for the National Aeronautics and Space Administrations Goddard Space Flight Center from 1959-1980. As a project manager for NASAs Small Astronomy Satellite (SAS) program, Townsend helped coordinate some of the earliest advances in satellite technology and spacecraft systems design.

Learn more about the Marjorie Rhodes Townsend papers here:
http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00183.xml;query=;

L. Jane Hastings: Architect, Business Owner

Drafting tools used by L. Jane Hastings
Drafting tools used by L. Jane Hastings

As an eighth-grade student, L. Jane Hastings was told that women could not be architects. When she secured a coveted spot in the University of Washingtons architecture program, Hastings recalls being asked to give up her place to make room for returning veterans. Hastings received her Bachelor of Architecture degree with honors in 1952, having worked full-time throughout most of her program. In 1953, she became the eighth licensed woman architect in the State of Washington. Hastings founded her own practice in 1959 and went on to form the Hastings Group, a prestigious firm that completed over 500 residential, commercial, and university projects across the greater Seattle area. In addition to practicing and teaching architectural design, Hastings was active in several professional organizations. In 1992, Hastings was appointed the first woman chancellor in the American Institute of Architects College of Fellows.

Learn more about the L. Jane Hastings Architectural Papers here:

http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00138.xml

Dr. Laura Jane Harper: Academic Dean, Advocate

Dr. Laura Harper, first woman to serve as academic dean at Virginia Tech (VPI)
Dr. Laura Harper, dean of the Virginia Tech College of Home Economics from 1960-1980

Dr. Laura Jane Harper was the first woman to serve as an academic dean at VPI. She lead the College of Home Economics from 1960-1980, chartering a new program that emerged from the consolidation of the Home Economics programs at VPI and Radford University. Dr. Harper was lauded for mentoring other women and supporting them in leadership positions throughout the university. In her 1999 Masters thesis A Fighter To The End: The Remarkable Life and Career Of Laura Jane Harper, Saranette Miles recounted Dr. Harpers decision to turn down a marriage proposal for the sake of her career (p. 55) and how she frequently challenged VPI President T. Marshall Hahn to uphold his commitments to create meaningful opportunities for women at the university (p. 70-75) .

Read more about Harpers career and her contributions to the Peacock-Harpery Culinary Collection:
https://whatscookinvt.wordpress.com/2015/03/06/whm-laura-harper/

Linda Adams Hoyle: Statistician, Trailblazer

Chiquita Hudson,   Marguerite Laurette Scott, and Linda Adams Hoyle, right, were among the first black women to attend Virginia Tech.
Chiquita Hudson, Marguerite Laurette Scott, and Linda Adams Hoyle, right, were among the first black women to attend Virginia Tech.

Linda Adams Hoyle (class of 68) was the first black woman to graduate from Virginia Tech. As a statistics major, Hoyle was frequently the only woman in her classes and one of few black students. Her experiences on campus – friendships, dorms assignments, political activism, and safety concerns – were shaped by the intersection of race and gender. After graduation, Hoyle went on to work as a statistician for the Census Bureau in Washington, D.C.In her oral history interview for the Black Women At Virginia Tech History Project, Hoyle discussed the challenges of raising a family while pursuing a career:

.. So when you have this full time career–my job at that time was extremely demanding. It was difficult because I had to attend to my children as well as do the job.My husband, the way he worked, it was difficult. He could not just stop in the middle of a job say to pick up a sick child. His work did not permit him that flexibility. Those were things I had to do.

Read Linda Adams Hoyles Oral History Interview:
http://spec.lib.vt.edu/archives/blackwomen/adams.htm

Learn more about the experiences of Virginia Tech’s first black students:
http://www.vtmag.vt.edu/sum14/trailblazers-black-alumni-60s-70s.html

“With reluctance I seat myself…:” A Mother on the Home Front

March is Women’s History Month. Over on the History of Food & Drink blog, I’ll be profiling women who made contributions and influenced American culinary history. Which got me thinking about our other manuscript collections, women who lived through American history and women whose words are on our shelves. If you had the time to look through our nearly 1800 collections, you would find many women’s names. Most of them aren’t famous, but their letters, diaries, architectural drawings, cookbooks, and other papers can be important both as individual objects and in the larger context.

That being said, I thought I’d share Nancy B. Harbin’s letter. Written in the second year of the American Civil War, Nancy writes from Calhoun County, Mississippi to her sons in Richmond, Virginia. Jack, John, and Edward all served with Company F, 42nd Regiment, Mississippi Infantry.

As with many mothers, her concern is first and foremost for the well-being of her sons. Her letter is really two letters: one to Jack and a second to John. She doesn’t write Edward directly, which may be the result of his being “so near death.” It is unclear if he was sick or injured. (Our research on the family wasn’t as fruitful as we might hope–which sometimes the case–and we don’t know if any of Nancy’s sons survived the war. ) On the one hand, this is a letter from a mother to her children, providing them updates from home, sharing her concern and love for them, and encouraging them. On the other, the very fact that it has survived 152 years makes it an important part of the larger body of Civil War materials in our collections and far more than a simple letter from mother to sons. BecauseNancy’s concerns are what we might expect from such a letter, it is both specific to her family anda representative voice of the Civil War home front correspondence of the time.

We have other home front letters from women (and men!) in our Civil War holdings, and if you were to keep reading, you would see similar themes, regardless of location, relationship, or loyalty. If you’d like to do so, come visit us and we’ll be happy to help!

The Wonderful Witches of Oz

As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing.

What has happened? the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk.

Why, weve have a revolution, your Majesty as you ought to know very well, replied the man; and since you went away the women have been running things to suit themselves. Im glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.

Hm! said the Scarecrow, thoughtfully. If it is such hard work as you say, how did the women manage it so easily?

I really do not know, replied the man, with a deep sign. Perhaps the women are made of cast-iron.

-L. Frank Baum; The Marvelous Land of Oz

The patchwork girl of Oz  by L. Frank Baum; illustrated by John R. Neill (1913)
The patchwork girl of Oz by L. Frank Baum; illustrated by John R. Neill (1913)

The release of the blockbuster film Oz: The Great and Powerful earlier this month has sparked a renewed interest in the life and work of L. Frank Baum. Best known for his children’s masterpiece The Wonderful Wizard of Oz and the 1939 screen adaptation starring Judy Garland, Baum authored more than a dozen different novels set in the magical Land of Oz, which took its name from the bottom drawer of the file cabinet in Baums office, labeled for files beginning with the letters O-Z.

Of course Baum was much more than just a juvenile fiction author. As we celebrate women’s history month, it should be noted that the cause of women’s suffrage was supported and advanced byprominentmale figures of the era. Baum, who publicly lobbied for women’s right to vote and served as the secretary ofhis town’s Woman’s Suffrage Club, was deeply affected by his beloved, spirited wife, Maud, and her mother, Matilda, an eminent feminist who collaborated with Susan B. Anthony andpublicized the idea that many “witches” were really freethinking women ahead of their time. In Oz, Baum offers a similarly corrective vision: When Dorothy first meets a witch, the Witch of the North, she says, “I thought all witches were wicked.” “Oh, no, that is a great mistake,” replies the Witch of the North. In sequels, Oz’s true ruler is discovered; it turns out to be a girl named Ozma, who spent her youth under a spell – one that turned her into a hapless boy.

Baum’s contact with suffragists of his day seems to have inspired much of his second Oz story,The Marvelous Land of Oz. In this story, GeneralJinjurleads the girls and women of Oz, armed with knitting needles, in a revolt; they succeed, and make the men do the household chores. Jinjur proves to be an incompetent ruler, and a female who advocates gender equality is ultimately placed on the throne. His Edith Van Dyne stories, including theAunt Jane’s Nieces,The Flying Girland its sequel, and his girl sleuth Josie O’Gorman fromThe Bluebird Books, depict girls and young women engaging in traditionally masculine activities.

The Wonderful Wizard of Ozand its sequels were obviously shaped by Baums wishful revisions of social conflict and are now almost universally acknowledged to be some of the earliest feminist childrens books in America, because of Dorothy and similar characters: girls who are enterprising, ingenious, adventurous, or imposingly self-reliant.

Located within Special Collections at Virginia Tech are several Baum titles that can be found by searching the University’s online catalog, Addison. Among the results are two first editions: The Patchwork Girl of Oz (1913) and The Enchanted Island of Yew (1903). You are invited to visit us and examine these texts to discover more about the inspiring heroines of Oz.

A Mightier Ring: Bugle or Tin Horn?

Hokies know that each year their activities are chronicled with a Bugles call, but how many know that The Bugle, Virginia Tech’s yearbook, was once accompanied by a Tin Horn.

VT's First Women Graduates
The first women graduates of Virginia Tech were (l-r) Mary Brumfield, 1923. and Ruth Terrett, Lucy Lancaster, Louise Jacobs, and Carrie Sibold, 1925

Women were formally approved by the Virginia Agricultural and Mechanical College and Polytechnic Institutes Board of Visitors to be admitted to all courses of study excluding the military on January 13, 1921. This motion was approved, unanimously, due in large part, to VPI president, Julian A. Burruss persuasive arguments that VPI was in a unique position to economically provide the technical and agricultural training needed by Virginias women in the new arenas available to them in the post-World War I society.

Although, the motion to allow women to attend VPI was accepted unanimously by the Board acceptance among the cadets (and some professors) took a bit longer. The co-eds who arrived ready for classes in September 1921 faced cadets whopubliclyprotested their admission and professors who actively doubted the womens intelligence. Acceptance in extra-curricular activities was nonexistentso the co-eds organized their own groups: a basketball team (at various times called the Sextettes and the Turkey Hens); a Womens Student Organization; special science, chemistry, business, and biology clubs; the Coed Dramatics Club; and their own yearbook The Tin Horn.

The 1925 Tin Horn, published when the women who entered in 1921 would be seniors, consisted of hand-drawn pages and pasted-in photographs dedicated to the spirit of fun. Although, billed as the first and only volume, subsequent publications of The Tin Horn followed in 1929, 1930, and 1931. The latter two were professionally printed. It would not be until 1941, 20 years after the arrival of the first female students on campus, that The Bugle would represent women equally alongside the men in their pages.

Special Collections has digitized all four volumes of The Tin Horn. They have also been pulled as part of our celebration of Womens History Month and are available for viewing in our Reading Room. Whether you visit with The Tin Horn online or in Newman Library make sure to spend some time with Virginia Techs leading ladies.

Yours in Sisterhood: Special Collections Celebrates Womens History Month

Tin Horn 1925
Page from the 1925 self-published, co-ed yearbook The Tin Horn.

March is Womens History Month and in honor of this commemorative month Special Collections is hosting an interactive exhibit-celebrating women. Stop by the exhibit cases located on the first floor of Newman Library to see some representative materials from our collections featuring women in literature, the domestic arts, and science and technology. If you have a few extra minutes (or hours, seriously this is great stuff) then come on in and we will let you loose on a cart full of collections created by women. Our archivists have pulled womens travel diaries from 1840-2000s, speculative fiction magazines, literary first editions, architecture collections, items from Virginia Techs history, and much more.

If you are visiting with us through the magic of the Internet dont despair for each Tuesday in March we will be spotlighting a collection here on this very blog.

Mark your calendars for next Tuesday’s profile on the short-lived, co-ed yearbook, The Tin Horn, published by the first female students at Virginia Tech.