archivistkira Feature Items, Local/Regional History

Montgomery County (Virginia): A 1784 Land Survey

Montgomery County, Virginia, wasn’t always what it is today. It used to be much, much, MUCH larger. A 1784 land survey in our collections show a portion of it that reached as far as Ohio, at one time.

Ms2011-023, Land Survey, Montgomery County, Virginia, 1784
Ms2011-023, Land Survey, Montgomery County, Virginia, 1784

The text at the top reads as follows:

I certifee that this is a Draught of thirty two thousand acres of Land Surveyed for M. Levi Hollingsworth merchant of Philadelphia in the year 1784, situate onGuyandotte river which falls into the ohio river between the great Ranhaway river, and the Caintucky river, on warrants and orders of Survey (?) from the Land office of Virginia, which warrants with a draught of each thousand acres, and numbered as set down in this draught are returned to the Register Generals office for the said State of Virginia, that the said thirty two thousand acres are surveyed in thirty two Tracts of one thousand acres each in the manner herein delineated, that the whole of the titles are Indisputable. This Land is situated in a most agreeable Climate about thirty nine degrees north Latitude, is fertil well Timbered and waters, and produces many kind of grove(?). Tobaco, Hemp Peas. The river that passes through the Land is navagable into the Ohio, from which all produce can be taken to the best marketts by water, this Country abounds in fish and fowl, and is situated near that (?) and fertile settlement of Caintucky. that Tract of Land is well Timbered with Oak, Hickory, Walnut ash yew, is covered with under growth with Cain and pappaw, and is well watered with (?) (?) Springs.

In actuality, this land covers part of what we would now consider West Virginia. The Guyandotte River breaks away from the Ohio River at the border near Huntington, WV, not far from the Kentucky border. It’s not all that close to our modern Montgomery County, but it does show us how the name, location, and identityof a place can change dramatically with the growth of a nation.

You can read more about this land survey and then-owner of the property, Levi Hollingsworth, in the finding aid online. And if you’d like to see and learn more about historic Montgomery County, we have maps, books, and manuscripts that just might interest you. Feel free to stop by!

vtspecblogger University History

From Then to Now: An Exhibition in Two Parts about April 16th

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The University Libraries Special Collections, in partnership with Student Centers and Activities and Ashley Maynors Self-Reliant Film, presents, From Then to Now: An Exhibition in Two Parts about April 16th. Part I of the exhibition will be held in the Newman Libraries Multipurpose room where a digital gallery of eight screens will display photos and short films. Three screens in the exhibit contain photos that were sent in after April 16th by community members, faculty and staff. Two screens display photos of the Hokies United memorials, which were created on the Drillfield post 4/16. The two films in the exhibit are by Ashley Maynor and comprise a home movie of the early Drillfield Memorial and footage of Virginia Tech from Maynors film in progress, The Story of the Stuff, which explores how we collectively mourn and memorialize in a time where tragedies are experienced first hand-once removed on the web and television. Part II of the exhibition will be held directly across the hallway from Part I, in the Special Collections room, and include a physical display of condolence items. These items were created by people from all over the world during the months following April 16th. The two parts show how the creative process helped many move towards healing and created a path out of the darkness of grief.

The exhibit was curated by Robin Scully Boucher, art programs director for Student Centers and Activities at Virginia Tech. Ashley Maynor is an award-winning filmmaker and producer. She was named the Sundance Institutes Sheila C. Johnson Creative Producing Fellow. Her most recent film as director is the documentary For Memories Sake. Tamara Kennelly, university archivist, coordinated the processing of the Virginia Tech April 16, 2007 Archives of the University Libraries

Both exhibits are on the first floor of Newman Library up the ramp from the study cafe. There will be an opening reception with food and refreshments on Friday, April 11 from 12 to 1. The exhibition is free and open to the public.

Poster from A Thousand Cranes Memorial project for the victims of Virginia tech
Poster from A Thousand Cranes Memorial project for the victims of Virginia Tech
vtspecblogger Uncategorized

Stephen King: A Latter Day “Fix Up”

At this point, it seems safe to say that magazines are more or less defunct as a vehicle for popular fiction. They were superseded more or less completely by paperbacks in the 1950s. Of course that process took awhile, and in the interim a good deal of the paperback SF market featured new, lengthier versions of magazine stories, which had been expanded or combined into book-length features. Eventually paperback originals (and original short story anthologies) came into their own, and the “fix-up” became less common without completely dying away.

Textual criticism of fix-ups has never been very popular among SF scholars, but it seems like there might some interesting possibilities. A comparison of the censored Analog versions of Joe Haldeman’s “Forever War” stories to his successful novelization comes to mind as an interesting possibility.

Having a significant collection of paperback and magazine SF on hand (as we do here!) makes this sort of work feasible. It is also fun to have a look at some of the lesser known magazine appearances of well-known authors. I’m thinking particularly (today) of Stephen King’s stealthy initial publication of “The Gunslinger” in Magazine of Fantasy & Science Fiction. I don’t suppose King comes in for much academic criticism either, but at the very least it is revealing to compare the initial circumstances of the Gunslinger publication series to the more visible phenomenon that is has turned into. The most obvious finding from a perusal of our collection: at no point did the stories garner a cover.

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Of course King was already a bestselling author when these came out. So, while he was willing to lend his name to this project (unlike the contemporary pseudonymous Richard Bachman books), commercially speaking it was decidedly on the back burner. As for the content itself, I’m not sure to what degree you could call the later novelization a fix-up. That is for the putative researchers to decide, right? Until I was putting this post together, I was not aware that he had been at The Gunslinger with revisions and updates. There is definitely a textual history there, if not necessarily a devoted critical community. Maybe in the next century.