Freiheit fur Angela Davis . . . and So Much More: The Black History Pamphlet Collection

German Language poster: Freiheit für [Freedom for] Angela Davis, c. 1971-72 (front)
German language poster: Freiheit für [Freedom for] Angela Davis, c. 1971-72

German Language poster: Freiheit für [Freedom for] Angela Davis, c. 1971-72 (back)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Many times over the course of this blog either I or one of my colleagues has written about an aspect of the job of being an archivist that can best be described as “discovery.” Typically, we find something we’ve never seen before, didn’t know about, or never heard of. Sometimes, it’s finding out that several of those Eudora Welty editions that you’ve walked by hundreds of times are signed by the author. Or—as mentioned in a recent post by one of our student workers—discovering in a newly acquired collection that some number of rodents had a fondness for those hundred year-old letters . . . a fondness for eating them or living in them. Not long ago, I came across a letter in which a sitting president of this university turned down an offer to become president of the University of Virginia. I’m sure someone knew about that, but I didn’t. On and on. Surely, it’s one of the most interesting aspects of working in the archives.

Sometimes the discovery is both significant and puzzling. No, not significant in the way that an original letter by Ralph Waldo Emerson was found in a Brown University library book as it was about to be checked out in 2015. And perhaps we shouldn’t be puzzled when a quick google search on combined terms such as “found letter library” turn up instances of letters by Orson Welles, Robert E. Lee, Napoleon, Walt Whitman, Jack London, Thomas Jefferson, and Robert the Bruce, among others, all being found in unexpected places in libraries in recent years.

Even so, it was surprising, if not a bit mysterious, when, several years ago, an entire collection of pamphlets—ten cubic feet of pamphlets and other publications from the 1920s through the early 1970s—mostly having to do with African American politics and history, but also with Africa, the West Indies, Asia, and the Communist Party of the United States, was “found” in a Special Collections storage area. At that time, our staff had increased sufficiently to be able to begin to process the unprocessed or minimally processed “hidden collections” we expected to find there. Also, the space needed to be reclaimed for more active purposes. The materials were in folders labeled by section and most of the pieces had an adhesive label that named the section and numbered the item, the labeling bit being a very un-archivist-like action!

<i class=
Here and Now for Bobby Seale: Essays by Jean Genet” width=”236″ height=”300″ class=”size-medium wp-image-5697″> Here and Now for Bobby Seale: Essays by Jean Genet

Right there in the upper right-hand corner, for example, is a sticker that reads, “Black Panther Party no.13” on a booklet titled, Here and Now for Bobby Seale: Essays by Jean Genet. The back cover has a New York phone number and the name of the Committee to Defend the Panthers. There is no date on the publication, but it is a reprint of articles published in the June 1970 issue of Ramparts. In the essays, Genet presents his appeal to defend Seale against murder charges in New Haven. The booklet concludes by presenting the Panther platform and program and offering subscriptions to the Black Panther Party Black Community News Service. Here are a few other examples from this part of the collection:

A full list of these publications can be viewed in the finding aid for the collection. In addition to “Black Panther Party,” you’ll see section titles that designate a wide variety of subjects, including: Black Power, Black Nationalism, ACLU, Arts, Brownsville TX, Church, Civil Rights, Discrimination, Convict Labor, Communism, Courts, Education, Music, Lynching, NAACP, Propaganda-Communist, Prisons, Race Problems, South, and many others. The African American material accounts for about half the collection. The material related to Africa, about a quarter of the collection, similarly, represents a wide range of topics, from Apartheid, Algeria, Britain in Africa and Burundi to Uganda and Zambia. The Caribbean material is grouped, first, by country or island, and then by social and/or political issue, with topics such as Trade Unions, Revolution, Industrialization, and People’s National Movement represented. Another box contains about 60 publications grouped simply under the title, “Communism.” These tend to share in the radical/leftist perspective of many of the others—though not exclusively—but have little or nothing to do with Black America or Africa. Pamphlets on the case of Julius and Ethel Rosenberg or the House Un-American Activities Committee are present alongside more Soviet-related matters, such as Trotsky as counter-revolutionary or the assassination of Sergei Kirov. Here are some examples from these areas:

So, what was this extremely rich collection doing in a storage area? How long had it been there? How had the collection been used in the past. How did it get here? When? Who put those labels on the individual items? We started using the collection almost immediately, even before we wrote the finding aid, mostly in conjunction with classes that came to Special Collections for instruction, but the questions remained. I wondered if it had been brought in decades ago as a general collection for the library, not by Special Collections, perhaps made available and then put away for some reason and largely forgotten. Maybe too much radical material? And there was just the nagging impression that the collection had not been processed the way any self-respecting archivist would have done. Yet it had been foldered, even though some of the classifications were odd and then there were those #$@*&! stickers!

Two of the largest sections—series, as they are properly called—are titled, Discrimination and Negroes. (The latter, especially, may suggest a clue as to when the collection arrived.) Here, too, broad ranges of topics are covered, but often overlapping with other series. There are materials, for example, on discrimination in housing and employment, in the military, and with regard to voting and transportation. As in the rest of the collection, there are original pamphlets; also reprints of articles from publications as diverse as the New York Times, Atlanta University Review of Race and Culture, and Political Affairs. There’s a typed November 1929 release from the Negro Labor News Service and an article clipped from the April 1944 issue of Spotlight written by Adam Clayton Powell while he was first running for a seat in the U.S. House of Representatives. Here’s a view of some of the pieces in these series:

Yes, that’s Joe Louis with the rifle and bayonet. If you look through the galleries above, you’ll get a sense of just how rich this collection is. There are even some right-wing pamphlets thrown in, like the one that declares the 14th amendment unconstitutional or one from Christian Crusade Publications that proclaims, “The Black Panthers Are Not Black . . . They Are Red!”

But to get back to the mystery, it appears that the collection arrived sometime by April 1974. We found a memo dated 4 April 1974 (we are the Archives, after all) that reads:

Pamphlet files on Afro-American Studies, Communism, and Viet-Nam
Each of these files has its own set of catalog cards in Spec—shelf, author, title and subject, prepared by a cataloger who worked in Spec for this project only. Mr. Bechanan is considering what should be in the Main catalog referring patrons to these files.

H. Gordon Bechanan was Assistant Director of Newman Libraries from 1972 to 1974, when he was made Director. He served in that capacity until 1984. The reference to the collection as a project does suggest that the collection was brought in—undoubtedly, purchased—as a complete entity. The Library did not assemble this collection itself. Most likely, those stickers and the designation by subject was done by the dealer from whom the collection was purchased. (Again, no archivist worth his or her salt . . . never mind.)

As for the efforts of the cataloger and those shelf cards, we found them, too. How they might have been used is anyone’s guess, but the information on them was apparently not transferred to the library’s online catalog when the card catalog system was replaced. I’ve heard that the collection may have been purchased in response to a suggestion or expectation that an African American studies program or department would be formed on campus, but that didn’t happen here in the 1970s. So, as is sometimes the case, maybe there are other records not yet found or maybe, as was true of Special Collections in those years, record-keeping may not have been nearly as complete as it is today. But the answer to the question of how this collection ended up in a storage room remains uncertain.

What is certain is that this is a fabulous collection. As someone who cares deeply about primary source research, I know there are countless questions for which this material will provide a step or several steps along somebody’s research path. Do you know who Angela Davis is, or why there were calls for her to be freed? (She did speak briefly at the Womens March in Washington the day after the inauguration last January.) Why do we have several pieces about her in German? Who was Lieutenant Leon Gilbert or Harry T. Moore or William Milton? We know about Emmett Till, but have you looked at any sources from time of his tragic death? This blog offered a post about the Scottboro trials and, specifically, Langston’s Hughes’s relation to that situation, but did you know about the Freeport GI slayings in 1946? I didn’t until I looked at “Dixie Comes to New York,” one of the pamphlets in the collection.

Once lost, but then found, the Black History Pamphlet Collection provides an important gateway to understanding, a route to discovery and rediscovery. We have kept the classifications as they are, even though they may be inaccurate and, at times, anachronistic, in keeping with the imperative to respect the original order of the collection. In other words, we’re treating the collection as a cultural and documentary artifact itself. And although most of our digitization efforts focus on unpublished sources—because they are truly unique—Special Collections is considering this collection as a candidate for such an effort. We need to find out just how many of these pamphlets are held elsewhere and how many may already be available online, but the importance of the collection is undeniable. At any rate, for those folks in the area or those who can travel to Blacksburg, it presents significant opportunities for reading and study. Come visit Special Collections!

Power to the People! The Revolutionary Literature of the Black Panthers

 

In celebration of Black History Month, the Special Collections reading room is currently displaying an exhibit on the Black Panther Party and the Black Power movement. The exhibit includes Black Panther newspapers and pamphlets published in the 1960s and 1970s, as well as earlier civil rights literature from the American Communist Party.

The Black Panther Party (originally the Black Panther Party for Self-Defense) was an African-American revolutionary socialist organization active in the United States from 1966 until 1982. It was founded in Oakland, California by Huey Newton and Bobby Seale. The partys inflammatory speech and advocation of violence for political gain made it extremely controversial, even within the Black Power movement. The Panthers were famous for organizing armed citizens patrols to evaluate behavior of police officers. Chants such as The Revolution has come, it’s time to pick up the gun. Off the pigs! pitted them against the establishment and increased racial tensions. The Panthers took advantage of a California law that permitted carrying a loaded rifle or shotgun as long as it was publicly displayed and pointed at no one. In their most famous incident, in May, 1967, 30 members entered the California State Assembly carrying their armed weapons- an event which was widely publicized, and which prompted a major overhaul in gun legislation. Despite the social program work performed by the Panthers, including the creation of a community school and free food programs, the criminal activities of Black Panther members and their confrontational, militant, and violent tactics against police caused the party to lose support in the civil rights community. To this day, the Black Panthers are infamous figures, representing a violent turn in the Black Power movement.

Special Collections owns six original issues of the Black Panther Partys official newspaper, The Black Panther, which are featured in this exhibit. The issues contain stories of injustice and police brutality, cartoons and information on how to carry out guerrilla attacks against the people and institutions the Black Panthers considered oppressive. Additionally, the front and back covers are adorned with the iconic art illustrations made by artist and Black Panther Minister of Culture Emory Douglas.

The pamphlets in the exhibit feature essays by important Black Panther leaders, including co-founder and self-appointed Minister of Defense Huey P. Newton. There is also a comic book titled The Adventures of Black Eldridge recounting the mythical exploits of Eldridge Cleaver. As Minister of Information, Cleaver was editor of the The Black Panther newspaper and exerted a lot of influence on the message and direction of the party.

Also included are pamphlets of earlier Black Power literature, all of which was affiliated with the American Communist Party. From the 1930s through the 1950s, the American Communists were at the forefront of promoting equal rights for African Americans and were intimately connected with the Black Power movement. One such pamphlet, entitled Equality, Land and Freedom: A Program for Negro Liberation, was published by The League of Struggle for Negro Rights, a group organized by the American Communist Party in 1930. The League campaigned for a separate black nation in the South, as well as against police brutality and Jim Crow laws. Langston Hughes, the famous Harlem writer and activist, became its President in 1934. Published between 1934 and 1935, this pamphlet sets out a Bill of Civil Rights for the Negro People decades before the Civil Rights Act of 1964.

Another pamphlet, The Road to Liberation for the Negro People, was published in 1937 by the Daily Worker, a Communist newspaper. The Meaning of Black Powerwas written by James E. Jackson Jr., an official in the American Communist Party. During the McCarthy era in the early 1950s, he was indicted on charges of conspiracy and spent five years in hiding. In this pamphlet, published in 1966, Jackson works to define Black Power as a movement to bring about equal rights for African Americans by mobilizing these populations to vote and secure their rightful share of government power.

These are artifacts from a volatile period of American history as we struggled to achieve equality, documents that demonstrate the intensity and passion of those working for African American freedom and recognition.The exhibit will be up through the end of the month, so come take a look!