vtspecblogger Architecture, History, Interior Decoration, International Archive of Women in Architecture (IAWA)

Opinion Makers: Women writers on architecture

The world of architecture lost a passionate and opinionated voice when Ada Louise Huxtable, architecture critic for The New York Times (1963-1982) and The Wall Street Journal (1997-), died earlier this month at the age of 91. How opinionated was she? Check out this New Yorker cartoon by Alan Dunn that appeared in 1968. And although the Pulitzer Prize-winner was the first full-time architecture critic at an American newspaper when she started at The New York Times in 1963, she was actually following a tradition of women who wrote about extant architecture.

Book Cover, 'The House in Good Taste' by Elsie de Wolfe
Americas first decorator. Elsie de Wolfe’s seminal book that banished Victorian gloom. Special Collections call number: SPEC Large NK2115 D6 c.2

In the mid-to-late 19th century architecture was a relatively new profession engaged in a public campaign to separate itself from common builders. Authors such as Louisa C. Tuthill, Mariana Van Rensselaer, Mary H. Northend, Edith Wharton, and Elsie de Wolfe served as intermediaries between the lay audience (i.e. potential client base) and architects. Though not trained in architecture per se, these women were often from privileged backgrounds that afforded them the highest levels of private education, an early knowledge of art and culture, and the ability to travel often abroad. They published primarily in general periodicals aimed at the emerging middle class: Century, House and Garden, and American Homes and Gardens, although some such as Van Rensselaer did contribute to the trade publication American Architect and Building News (AABN).

Embracing the 19th-century notion of the cult of domesticity, they served as style dictators endorsing particular aesthetics and architects, and instructing the new glut of middle class homeowners on how to create a domestic sanctuary. Subjects such as the history of architecture and general principles of architecture were also perennial topics during this period.

Book page, 'The History of Architecture' by Louisa C. Tuthill
Page from Louisa C. Tuthill’s “The History of Architecture from the Earliest Times: Its Present Conditions in Europe and the Unites States (1848). Special Collections call number: SPEC LARGE NA200 T8 1848

Their writings did not go unnoticed by the professional architecture establishment. Van Rensselaer was praised by the profession and even had her essay Client and Architecture recommended for reprint and distribution at an American Institute of Architects (AIA) meeting (1890). She was made an honorary member of the AIA that same year. The tables could quickly turn, however, as they did in 1892 when the AABN panned Van Rensselaers book English Cathedrals saying that it smacks of the magazine and so, almost of the literary hack.

The entry of women into an architecture practice that did not center around the domestic sphere would be a gradual one that would eventually make way for renowned critics such as Huxtable and Pritzker-winning starchitects.

Want to know more about women in architecture? Special Collections is home to the International Archive of Women in Architecture. Visit the IAWA page or come see us in person!

**The historical research for this post was culled from Lisa Koenigsberg’s book “Professionalizing domesticity: a tradition of American women writers on architecture, 1848-1913.” and her essay ‘Mariana Van Rensselaer: An architecture critic in context’ published in “Architecture a place for women.” **

vtspecblogger Pop Culture, Science Fiction, Speculative Fiction

Pop Culture Artifacts from the Heron Collection of Speculative Fiction

Over the course of a few years in the late 1980s and early 1990s, Virginia Tech Special Collections acquired the William J. Heron Collection of Speculative Fiction. The Heron collection includes approximately 5,000 issues of American, British, and Australian science fiction magazines. These magazines are notable not just for their content, but also have enduring appeal as cultural objects. Many early science fiction stories, especially magazine material from the 1940s and 1950s, have been variously reprinted, anthologized, expanded into book length, or otherwise modified for commercial re-use. So, seeing the original published setting of a story, or knowing that a given setting is not the first, provides a context for understanding its readership. And the cover art, which was usually original work, is always different and interesting in one way or another. As this is likely the first in an ongoing series of installments on science fiction magazines and their art and artists, the following images are all “firsts” from the great magazines, and all are from our collection. Of the four magazines represented here, both Astounding (which was retitled Analog in 1960) and Magazine of Fantasy (now know as Magazine of Fantasy & Science Fiction) are still in publication. Astounding/Analog has been in continuous publication for almost 100 years!

Amazing Stories April 1926

Amazing #1, April 1926, Experimenter Publishing (cover by Frank Paul)

Astounding Stories

Astounding #1, January 1930, Clayton Magazines (cover by H.W. Wessolowski, aka Wesso)

Magazine of Fantasy

Magazine of Fantasy #1, Fall 1949, Mystery House (cover by Bill Stone)

Galaxy Science Fiction

Galaxy #1, October 1950, World Editions (cover by David Stone)

vtspecblogger Aerodynamics, Aviation, Science and Engineering

Have You Ever Seen A Pancake Fly? How Does It Do It?

V-173 taxiing out for test run.
Vought V-173 in flight, December 1942
XF5U-1, August 1947

Among the materials in the Robert R. Gilruth Papers (Ms1990-053) is his 1936 Master’s thesis from the University of Minnesota, “The Effect of Wing-Tip Propellers on the Aerodynamic Characteristics of a Low Aspect Ratio Wing.” Gilruth, who would move on to work, first, as a flight research engineer at Langley Aeronautical Laboratory of the National Advisory Committee for Aeronautics (NACA), and then for NASA, became the first director of that agency’s Manned Spacecraft Center in Houston in 1961. The Master’s paper, however, was what interested the folks at the Vought Aircraft Historical Foundation, who contacted Special Collections as they were preparing a history of the company’s V-173 and XF5U-1 “Pancake” series of aircraft.

Photos of model #1 from Gilruth’s Thesis

A look at the model used in this early work of Gilruth’s and the prototypes built by Vought in the 1940s suggests the significance of his work for the company’s engineers at the time. So, how does a pancake fly? For those of you who want to know, check out Gilruth’s Thesis for all the theory, specs, charts, and diagrams.

Aviation and Aerospace define an important collecting area for Special Collections. The Gilruth Papers, for example, contain research articles, speeches, photographs, agency and professional papers, and more that span a fifty year career in aerospace.

For more information, read about our Archives of American Aerospace Exploration or visit us at Special Collections!

vtspecblogger Civil War, Feature Items, New Acquisitions

Battlefield Diary 1862: Lieutenant William W. Barnett . . . or is it? “Who?” is only the beginning!

Barnett Diary Spine and PagesThe diary arrived in a handsome case that clearly identifies the contents as the work of Lieutenant William W. Barnett. A legible note in the front of the diary tells us that Barnett served in the 8th Pennsylvania Reserves. Records indicate, however, that Barnett mustered in with the 8th as a private in Company A on 15 May 1861 and was discharged on a Surgeon’s Certificate on 20 March 1863, also as a private! Who is our lieutenant?

The records do show a William H. Barnett of the 8th PRVC, Company A, whose name was sometime recorded as William W. Barnett. There is another William W. Barnett, also serving in the same regiment and company, but with a different enlistment record than man discharged in March 1863, a record that is also contradicted by events recorded in the diary. A history of the 8th reports that this regiment consisted of men from Armstrong Co. in western Pennsylvania. The 1860 census for that county lists at least three William or W. H. Barnetts ranging in age from 19 to 21. Who is William Barnett?

Once you know what you might be looking for, the clues in the diary itself are easier to spot. On 15 September, Barnett writes, “This day is my birthday and I am twenty one years old and in the hospital.” This suggests our Barnett would be 19 in June 1860, the time of the census. He writes often in the diary that Henry has come to visit, and mentions an uncle Hezekiah Wood. William Barnett of Armstrong Co., son of Alexander and Hannah Barnett, is 19 in 1860, has a 21 year-old brother named Henry B., and a youngest brother named Hezekiah. Henry B. Barnett served in the 9th PRVC, a regiment that moved throughout 1862 in tandem with the 8th. William’s post office, as listed on the census, is Freeport. In faint writing on one of the last pages of the diary is written, “My mother Mrs Hannah Barnett resides in Freeport Armstrong County Penna.” We have a winner.

But what of Lieutenant Barnett? It turns out that our Barnett re-enlisted in August 1864 in the newly formed 5th Pennsylvania Heavy Artillery. Though entering as a private, he was promoted at least twice, finally to the rank of lieutenant on 19 January 1865. At war’s end, he returned to Pittsburgh and mustered out with his battery on 30 June 1865.

The task of identifying the diary’s writer is only the beginning. The diary itself is the treasure beyond! More about this in an upcoming post!!