During the summer of 2024, our outreach assistant, Sterling Bryant, curated an exhibit on propaganda before leaving to pursue his Master’s degree with Virginia Tech’s Department of history. He did a spectacular job and this has been one of our most popular exhibits. This blog post translates the exhibit into digital form so that we can share it more easily online.
This exhibit explores the powerful role of propaganda as it was used during the nineteenth and twentieth centuries. The items featured here include pamphlets, posters, books, and artifacts which illustrate how governments, political parties, social movements, and others employed propaganda to sway hearts and minds during some of the most tumultuous periods in history.
Curated By
Sterling Bryant, SCUA Outreach Assistant; Master’s Student, Department of History Anthony Wright de Hernandez, Archivist
Recruitment posters like this one were used by the United States Army during the American Civil War. They were designed to recruit Americans to join the Union Army by stoking fears of a Confederate invasion of Washington D.C. This poster is a replica from the New York Historical Society.
Scrapbooks like this were compiled during the American Civil War. Some contained information on the 1860 election or memorabilia on the Confederate States of America. This scrapbook was patriotic to the Union and contains music and images that can be recognized by Americans today. The full scrapbook can be viewed online.
World War I
Thrift and Economy
Date
circa 1917 or 1918
Creators
Council of National Defense The Advisory Commission of the Council of National Defense
Publisher
United States Food Administration
Collection
World War I Food Posters (Acc.2021.094)
Description
Posters like this were common during the First and Second World Wars. They urged Americans to conserve resources so that they could be used by the military in the war effort. This poster depicts a signed statement by the Council of National Defense and the Advisory Commission of the Council of National Defense encouraging citizens to avoid all unnecessary expenditures to help the war effort.
Sugar Means Ships
Date
circa 1917
Creator
Fuhr, E. (Ernest), 1874-1933
Publisher
United States Food Administration
Collection
World War I Food Posters (Acc.2021.094)
Description
Sugar rationing for commercial uses began in fall 1917, reducing production of ice cream, sodas, and other treats which had become popular in part thanks to their promotion as alternatives for alcohol by the Temperance movement in the United States. Rationing for civilians did not begin until 1918; however, the United States was not capable of producing enough sugar domestically to meet demand. This led to calls for people to reduce sugar consumption so ships could be used for the war rather than to ship sugar.
Baker Recruitment Poster
Date
circa 1917
Creator
United States Army
Publisher
National Printing and Engraving Company, New York
Collection
World War I Baker Recruitment Poster (Ms.2021.029)
Description
Recruiting posters were a necessity during the World Wars. Conscription could only add so many specialties to the military, meanwhile specialists like bakers were greatly needed. This baker recruitment poster likely dates to New York City in 1917 and gives a quota on how many bakers are needed to support the United States Army.
Food Saving and Sharing
Date
1918
Creators
Tappan, Eva March, 1854-1930 United States Food Administration United States Bureau of Education United States Department of Agriculture
Subtitled “Telling how the older children of America may help save from famine their comrades in allied lands across the sea.” Toward the end of the First World War, famine began affecting families around the world. The United States Food Administration published literature urging families to conserve and share food with their neighbors so that comrades in allied lands across the sea could be saved from starvation.
Japanese Coronation Prints: Emperor Taishō
These lithograph prints were created to commemorate the enthronement of Yoshihito, later known as Emperor Taishō, to Japan’s Chrysanthemum Throne. The ceremony, held in November 1915 while Japan fought alongside the Allied forces in World War I, was the first of its type held as a public event and with foreign leaders in attendance.
Emperor Seated Upon the Throne in Shinshinden Palace
His Majesty the Emperor Seated upon the Throne in the Shinshinden Palace at the Enthronement Ceremony. The ‘Takamikura’ H.i.M. The Present Emperor’s coronation ceremony at ‘Shinshinden.’ From the series commemorating the Imperial Ceremonies.
His Majesty the Emperor passed through the royal gate to perform the official ceremony. From the series commemorating the Imperial Ceremonies.
Red Scare: Communism in America
These pamphlets published between the 1930s and the 1950s vary in support or opposition to the working class in the United States who may be identified as “communist” or “socialist” by the United States Government. In the late 1940s and early 1950s, the United States was experiencing something called the “Red Scare” and there were federal investigations to determine if individuals were spies for Soviet Russia.
On May 26, 1938, the House Committee on Un-American Activities was established to investigate alleged disloyalty and subversive activities of private citizens, public employees, and organizations suspected of communist or fascist ties. It was chaired by Martin Dies Jr. (D-Tex.). This pamphlet describes the activities of the committee and its apparent willingness to believe any accusation of communist tendencies.
Written by a member of the National Committee of the Communist Party and a leader in the American labor movement, this pamphlet argues against the Mundt-Nixon Bill, formally called the Subversive Activities Control Act of 1948 that would have required all members of the Communist Party of the United States to register with the Attorney General.
This pamphlet subtitled “The Truth About the Communists Which the Un-American Committee Tried to Suppress” was written by the General Secretary of the American Communist Party and lays out arguments against the Rankin Bill (H.R. 1884) and the Sheppard Bill (H.R. 2122) which were both intended to curb or outlaw the Communist Party in the United States.
War Bonds were integral to funding the United States military during World War II. Posters like these went up to urge Americans to buy bonds that would later be paid back to the purchaser at value plus interest after the war.
Make America Strong Posters
Date
1941
Creators
Extension Service, United States Department of Agriculture
Publisher
United States Government Printing Office
Collection
Make America Strong Poster Collection (Ms.2008.012)
Description
Before World War II, the science of nutrition was not well understood. Scientists knew that protein, energy, and minerals made for a healthy diet, but they did not know the specifics. With the approach of World War II, the government was very concerned about malnourishment among the citizenry following the Great Depression. The “Make America Strong” poster campaign was created by the United States Department of Agriculture Extension Service and included thirteen posters promoting the importance of dietary needs, healthy eating habits, and ways to fight food insecurity. Three of the thirteen posters were featured in the exhibit.
The first poster in the series shows an idealized depiction of masculine strength and sets the tone for the campaign.
In the middle of the series is a poster encouraging meals that are ample, well prepared, and rich in “protective foods.” Included under the label “protective foods” were milk, leafy vegetables, eggs, fish, and organ meats.
The final poster serves as a rallying cry for Americans to get to work making a positive change.
This special issue of the Army and Navy Journal, titled “United States at War December 7, 1941 – December 7, 1942,” was sponsored by General Cable Corporation. The advertisement from that company on the inside front cover supports the “More Production” war effort. The rest of the journal contains letters and reports by government employees and military commanders detailing the first year of the war effort.
England and Normandy in Seabee Roads to Victory
Date
1944
Creators
Metzl, Ervine, 1899-1963 (maps) Huie, William Bradford, 1910-1986 (text)
The Seabee Roads to Victory serves as recruitment propaganda for the United States Navy. The Seabees, still around today, are the construction wing of the Navy. During the Second World War, the Seabees constructed bases, staging areas, and training facilities in the Mediterranean and Northern Africa. Featured here is the book’s account of Seabee involvement in landing operations in Normandy during World War II.
Paper Bullets: Great Propaganda Posters, Axis & Allied Countries WWII
Date
1977
Creators
Lerner, Daniel, 1917-1980
Publisher
Chelsea House Publishers, Distributed by Whirlwind Books
This book contains various propaganda posters from the World War II era. Seven were featured as part of the exhibit.
Ecco I “Liberatori”!
Date
1944
Creators
Artist Unknown
Origin
Italy
Description
This poster comes from Italy in 1944 and suggests that the Allied forces coming through Italy were leaving a trail of destruction behind them. The text reads “Here are the ‘liberators’!”
Соревнуйтесь На Лучшую Помощь Фронту!
Date
1942
Creators
Korkorekin, Alexei Alekseevich (Кокорекин, Алексей Алексеевич)
Origin
Union of Soviet Socialist Republics
Description
Union of Soviet Socialist Republics World War II propaganda poster. The text reads “Follow this worker’s example. Produce more for the front!”
這個美國空軍把日本人趕出了中國的天空ー援助他!
Date
circa 1945
Creators
United States, Office of War Information
Origin
United States of America
Description
A Pro-American leaflet in Chinese showing a heavily armed American airman stamping on a cowering Japanese soldier. The text reads “This American airman drives the Jap from China’s Skies –Give him your help!”
人人敌忾,步不设防,坚强壁垒,制敌死命
Date
circa 1937
Creators
Junshi weiyuanhui zhengxunchu (军事委员会政训处)
Origin
China
Description
A Chinese woodcut poster. The text reads “Everybody must hate the enemy, defenses must be constructed step-by-step, fortifications must be strengthened, the enemy must be exterminated!”
der Fuehrer’s Face
Date
1942
Creators
Walt Disney Studios
Origin
United States of America
Description
Promotional poster for the animated anti-Nazi propaganda short film “der Fuehrer’s Face.” The film was originally titled “Donald Duck in Nutziland” or “A Nightmare in Nutziland.” It was released in 1943 and attempted to lift the spirits of Americans experiencing rationing as the country shifted toward a war footing.
Holding The Line
Date
circa 1942
Creators
Guigmon, Henri
Origin
United States of America
Description
This United States poster caricatures Winston Churchill as a British bulldog to highlight the tenacity of the British people holding the line on the European front in World War II.
Anti-German Postcard
Date
1944
Creators
Unknown
Origin
Belgium
Description
This Belgian postcard from 1944 features the allied forces represented by a winged depiction of the Roman goddess Libertas or “Liberty” who is holding the flags of the allied nations as she defeats Germany.
English translation: Holding study classes is a good method; many problems can be solved in study classes. During China’s Cultural Revolution, posters containing “Chairman Mao’s Latest Instructions” were published regularly and were celebrated by the people.
English translation: Erect revolutionary committees of three unions, do great criticisms, clean up the revolutionary ranks, consolidate the Party organization, simplify the structures, reform irrational regulation systems, send the administrative staff to the countryside, struggle, criticize, correct in the factories, in the main go through this process a few times.
Union of Soviet Socialist Republics During the Cold War
Pamphlets published by Russia’s state-owned domestic news agency. Sovinformburo (Совинформбюро) was founded in June 1941 and operated under that name until 1961 when it became the Novosti Press Agency (APN). It underwent a series of name changes and reorganizations from 1990 to 2013 and was absorbed into the Federal Service for Supervision of Communications, Information Technology and Mass Media, known as Roskomnadzor (RKN).
Towards Freedom and Progress
Date
1970
Creators
Khamid Sharapovich Inoi︠a︡tov
Publisher
Novosti Press Agency Publishing House, Moscow
Collection
Soviet Propaganda Literature (Acc.2011.040)
Description
The Soviet Union experienced ups and downs within its tenure as a world power. This pamphlet lays out a plan to continue their rise and grasp over world affairs.
Anti-Sovietism – Profession of Zionists
Date
1971
Creators
Vladimir Viktorovich Bolʹshakov
Publisher
Novosti Press Agency Publishing House, Moscow
Collection
Soviet Propaganda Literature (Acc.2011.040)
Description
This propaganda piece discusses how Zionism is anti-Soviet.
Soviet Sport: The Way to Medals
Date
1988
Creators
Aleksandr Rostislavovich Lavrov
Publisher
Novosti Press Agency Publishing House, Moscow
Collection
Soviet Propaganda Literature (Acc.2011.040)
Description
This pamphlet showcases the athletic talent of Soviet athletes in the 1980s. The Soviet Union also published propaganda for events like the Olympics, to display their legitimacy on the world stage.
Subtitled “speech on the occasion of the meeting in Moscow of the US-USSR Trade and Economic Council, April 13, 1988.” Pamphlets like these were common in the Soviet Union throughout their time as a world power. Gorbachev was very notorious for pushing them out in the late 1980s as their empire looked as if it were ready to crumble.
This paper was written for an English-speaking audience to demonstrate to the world that the United States was not dampening the spirit of the National Liberation Front of South Vietnam (also known as the Viet Cong).
Peacetime in America
Our Most Important Unit
Date
1996 Apr 8
Creators
The Army Times
Publisher
The Army Times
Collection
John A. Coulter Collection on Richard T. Shae, Jr. Newspaper Articles (Ms.2000.090)
Description
In The Army Times, this picture advertises how the family unit is the most important unit in the United States military. Its purpose is to recruit people who may have a spouse and children. It details benefits available to Army spouses and children such as spousal employment assistance and assistance locating childcare.
Additional Content
Following the creation of the exhibit, Sterling began work on a related project during his first year of graduate school. This project will conclude with three live presentations on his Twitch channel and content about the exhibit materials on his website.
Twitch schedule
Join Sterling’s live presentations about this material in late November 2024 at https://twitch.tv/Strlang.
written by history graduate assistant Miles A. Abernethy
Introduction
Earlier this month, I completed researching and putting together an exhibit on the professional life and legacy of Dr. James I. Robertson Jr. Known to friends and fans as “Dr. Bud,” Robertson taught Civil War history at Virginia Tech for over forty years, from 1967 to 2011. Even before the term came into vogue, he taught the Civil War like a public historian, seeking to appeal to broad audiences. He achieved this through vivid storytelling, connecting people to the lived experiences of Civil War figures and making events long past seem moving and compelling. His classes at Virginia Tech appealed to all majors and class levels, regularly teaching over one hundred students every semester for most of his time at Tech. Robertson can be said to be part of the university’s growth, especially in the nascent History Department, lending his skills to grow the department as well as the liberal arts broadly. The exhibit covers Robertson’s contribution to the Civil War Centennial Commission, as well as his life and legacy connected to Virginia Tech. I want to share my experience with the collections I used, as well as how I thought about this exhibit, Robertson, and Civil War history in general.
Ironically, I used very little of Dr. Robertson’s own collection (Ms1994-021 James I. Robertson Jr. Papers), and the making of this exhibit was a way for me to identify how the collection can be used, and if it can be expanded. I actually processed a new accession to the collection in 2022 which included his filing system for Virginia units in Confederate service and for Civil War history of Virginia’s counties and cities. In addition, this accession included records on Robertson’s involvement with battlefield preservation, and correspondence with fellow Civil War historians. However, if interested parties want to gain a better understanding of Robertson’s teaching and non-publishing life, they would be disappointed, as the collection is about two-thirds of book drafts for Robertson’s major publications in the 1990s and early 2000s. Luckily, SCUA holds a record group for the Virginia Center for Civil War Studies (RG 21/8 Virginia Center for Civil War Studies), the Civil War academic center that Robertson founded in 1999. This collection contains papers regarding Robertson’s founding and running of VCCWS through his retirement in 2011, as well as documents from outreach events from the 1970s through 2000s. It also has papers concerning Robertson’s tenure as chair of the History Department from 1969 to 1977. It is from this collection that I gathered most of the extant papers and information about Robertson’s professional life at Virginia Tech.
Two other collections proved useful as well. The J. Ambler Johnston Papers (Ms 1974-012) contains correspondence between Johnston and Robertson. Johnston, a 1904 Virginia Tech graduate and career architect, took special interest in Civil War history and communicated regularly with Robertson on the Civil War and on Virginia Tech matters before his death in 1974. Robertson’s biographical Vertical File also proved extremely useful, containing information about Robertson’s perception in the wider Virginia Tech, state, and national community. Helpfully, it also has an article on Robertson’s job as a football referee for the Atlantic Coast Conference, a part of his life that I really wanted information on. While these other collections helped build out the exhibit, they highlight the fact that Robertson’s own collection is severely lacking in information about his non-publishing academic and personal life. What is and isn’t in a collection is the choice of the archivist, the late Robertson, and his living relatives, but as a significant figure in Civil War historiography, public history, and Virginia Tech, we ought to have more information in a centralized collection about him.
9 February 1987. Bud Robertson in a referee’s uniform. Gene Dalton. Roanoke Times & World News.
Civil War Centennial Commission
Unfortunately, one of the most impactful episodes of Robertson’s life is essentially absent from the extant archival materials, beyond a few articles and mentions: his work on the Civil War Centennial Commission from 1961-1965. The Civil War Centennial Commission (CWCC) was active from 1957 to 1965, and sought to organize public commemorations of the war’s one-hundredth year. Robert Cook’s Troubled Commemoration (2007) is the current authoritative work on the subject, and focuses on the developments and hurdles faced by the Commission. Conceived by Civil War historians and amateur “buffs,” factions soon emerged in the national and state organizations on the best way to organize events and by what means. Professional historians clamored for a serious and academic remembrance, while business figures argued for more popularly accessible events. Sectional divisions became even more salient as Congressional leaders were appointed to the commission; Northern and Southerners clashed as debates over whose version of Civil War history would prevail. The state commissions, ostensibly under the purview of the national leadership, took their own approaches that varied between the sections.
Tensions came to a head in April 1961 when the CWCC planned to hold its fourth annual conference in Charleston, South Carolina to commemorate the beginning of fighting at Fort Sumter. Officials feared for the safety and inclusion of Madeline Williams, a Black woman on the New Jersey state commission. Segregationist commissioners worked to block Williams’ attendance, in concert with other efforts to block what they saw as revisionism to their “Lost Cause” understanding of the war. With the Commission teetering on failure, President John F. Kennedy stepped in, pressuring the CWCC to meet at desegregated federal military bases. Unwilling to acquiesce to Kennedy’s compromise, many of the staunch segregationists resigned, allowing professional historians to take more active leadership. Leading the revived CWCC were Professors Alan Nevins and James I. Robertson.
Cook characterizes Robertson generally as an effective and straightforward executive that had a genuine interest in telling a serious but appealing story of the Civil War to the American public. Even more important was the pairing of Nevins and Robertson: a Northerner and Southerner respectively, that seemingly balanced any sectional preference that detractors of the CWCC were eager to point out. The Commission’s fortunes soon improved, and Robertsons former professor Bell I. Wiley of Emory noted that he “works hard, maintains a cheerful outlook and wins friends for himself and the Commission by his open cordiality.”1 The new professionalism of the CWCC earned praise from Kennedy, resulting in an awards ceremony with the President in which Robertson was present. The image of both figures is on display in the exhibit.
17 April 1962. AR7173-C. President John F. Kennedy Accepts Civil War Centennial Commission Medallion. Abbie Rowe. White House Photographs. John F. Kennedy Presidential Library and Museum, Boston. Public Domain.
Robertson describing his experience helping prepare for the funeral of John F. Kennedy.
Robertson was a product of his time however, and his appointment as the executive director under Alan Nevins was a strategic move to satisfy the worries of the segregationists who feared that the CWCC would become a tool of the Civil Rights Movement. While Cook describes Robertson as genuinely committed to positive civil rights change in the South (albeit at a gradual pace), he recognized that the success of the CWCC required working with conservative Southern commissioners and telegraphing some of their feelings into the national commission. Cook reflects one of these unfortunate moments, as Robertson generally chafed at a request by Nevins and Wiley to write African American soldiers as playing a larger role in winning the war for the Union in a student handbook.2 Despite a conservative historical outlook, Robertson’s work helped cement the centennial as an important historiographic moment. Although the public largely lost interest in the commemorative activities after 1961, the stabilization of the CWCC helped maintain academic and public interest in the Civil War through the twentieth century.
Time at Virginia Tech
I contend that Robertson’s time as a professor at Virginia Tech is his most important contribution to the public vitality of Civil War studies as well as the study of the liberal arts at Virginia Tech. Arriving in 1967, Robertson’s public popularity helped grow the fledgling History Department in its early years. His successful tenure as chair between 1968 and 1977 is indicated by the steady growth of bachelors and masters degrees awarded during that same time, as well as an expansion of history curriculum.3 This is all accomplished while Virginia Tech was, and remains, an engineering and science-focused institution. Robertson’s style of storytelling-teaching attracted history and non-history majors alike, and his wider popularity meant that his Civil War classes were usually attended by hundreds of students. One amusing document that is featured in the exhibit is an October 2000 memo from Associate Vice President Thim Corvin to Robertson concerning the total number of students that had attended Robertson’s classes. Corvin’s office presumably underestimated the number, prompting Robertson to respond with his own personal data that he spent a whole evening compiling, along with some remarks about the effectiveness of Corvin’s people. According to his data, Robertson had taught over twenty thousand students by the late 1990s. If we take that at face value, then by his retirement in 2011, Robertson likely taught over thirty thousand students during his time at Virginia Tech.4
Robertson describes his time teaching at Virginia Tech.
Robertson was a public historian before the term became vogue in history circles, seeking to appeal to broad audiences. In addition to his classes, he organized and led outreach classes and events beginning in the late 1970s. Although classes and lectures had long been part of offerings by Civil War Round Table organizations, Robertson’s partnering of academic prestige with public outreach meant that people who had passing interest in the war or wanted to take a specific course could do so through extension classes. Early organized lectures included the “Campaigning with Lee” series, as well as a featured lecture that Robertson delivered in Squires Student Center in 1979.5 By the early 1990s, steady attendance at these public events prompted Robertson to begin the Civil War Weekend conference in 1992 that continues to this day. Events like these bring the public into spaces with professional historians, enhancing everyday understanding of the Civil War, its meaning, and the historical agents that took part.
Legacies
Dr. Robertson passed away in November 2019, right as I was beginning my time as an undergraduate at Virginia Tech. At that point, I hadn’t decided on a career in Civil War public history and wasn’t really aware of the Civil War history significance of Virginia Tech. I was, however, aware of Dr. Robertson and the emotional connection that he fostered between himself and his students and the war they all studied. I recall meeting people at Civil War Weekends or on online forums that describe the loyalty that he inspired in students, even on a generational level. My father, Robert Abernethy, is a 1990 Virginia Tech graduate and took Dr. Robertson’s Civil War class. We have a signed copy of Robertson’s A.P. Hill: Story of a Confederate Warrior that my dad had signed while he was a student. His academic interest in the war was invigorated by Robertson, and he passed that passion onto me.
Robertson’s professional guidance influenced many historians today. Jonathan Noyalas, a Virginia Tech Masters alumnus who studied under Robertson, is head of the McCormick Civil War Institute at Shenandoah University. Patrick Schroeder, a Virginia Tech student who attended Robertson’s earliest classes, now serves as Historian at Appomattox Court House NHP. Chris Mackowski, author and editor-in-chief of Emerging Civil War noted in a tribute that Robertson instilled in him the confidence and reassurance that newer historians need to stake out on their own.6
Robertson’s work is felt directly at Special Collections and University Archives. His work to donate thousands of Civil War era books and manuscripts has elevated SCUA to one of the largest repositories of Civil War information in the United States. I always like to tell people why I study the Civil War. Plainly put, it is America’s most defining event. Even one hundred and sixty years later, Americans are living out the changes in government, politics, war, and society that the conflict produced. Like the war that he devoted his life to studying, Dr. James I. Robertson has left us a complex legacy, but one that has elevated our understanding and appreciation for the quintessential American experience.
01 September 1986. Virginia Tech history professor, Dr. James Robertson. Bob Veltri. Imagebase. Special Collections and University Archives, Virginia Tech, Blacksburg, Va.
Robert Cook, Troubled Commemoration: The American Civil War Centennial, 1961–1965 (Baton Rouge, Louisiana State University Press, 2007), 218.
Cook, 222.
George G. Shackleford, “Department of History at VPI & SU,” RG 15/13 Department of History.
“Memo to Thim Corvin,” RG 21/8 Virginia Center for Civil War Studies, Box 1, Folder “Student Solicitation.”
“Gone With The Civil War: History that Historians Overlooked” Virginia Tech Union’s “The Not Your Average Lecture Series,” MS 1994-021 James I. Robertson Jr. Papers, Oversize Folder 1.
This past October marked the twenty-sixth anniversary of the twin cities of Bristol, Virginia and Bristol, Tennessee as the official birthplace of country music as declared by the U.S. government on October 12 1998. The resolution was co-sponsored by Rick Boucher, a Virginian Congressman from 1983-2011. He worked with the sponsor of the resolution, Congressman William L. Jenkins, to ensure the resolution passed both the House and Senate. In 1995, prior to this resolution, Boucher also supported the nominations of Jimmie Rodgers and the Carter Family for the Presidential Medal of Freedom due to their contributions and influence in country music.
The Birthplace of Country Music museum in Bristol, Virginia celebrates not only the city being named as the birthplace of country music but also the event that awarded them the title of the birthplace of country music: the Bristol Sessions.
The Bristol Sessions occurred from July 25 through August 5 in 1927. Ralph Peer recorded seventy-six songs from nineteen performers. Johnny Cash, a legend of country music in his own right and husband of June Carter of the Carter Family, would later call the Bristol Sessions “the most important event in the history of country music.” The Bristol Sessions are often called the “big bang of country music” because of how the Bristol Sessions popularized country music and brought it into the American public.
Ralph Peer was a record producer employed by Victors Records. Prior to that, he was employed by OKeh Records where he recorded Fiddlin’ John Carson in 1923. After listening to a few early country music stars, Peer coined the term “hillbilly music” which later became known as country music.
What made the Bristol Sessions so successful was the superior quality recordings Peer made. Because the recordings captured both the music and singing better than before, the songs became an instant hit when they were released. In 1927, sound waves were recorded by the new Western Electric microphones and an acoustic phonograph. The acoustic phonograph allowed for more comfortable recording as well as remote recordings.
Previously, phonographs were stationary in a recording studio. Because of this, musicians and performers had to be strategically placed and constantly adjusted if an instrument or singer were too loud or too quiet. An interesting note about phonographs prior to 1925 is that string instruments were too quiet to be heard on the recordings. After 1925, the combination of better understanding of positioning, better phonographs, and new microphones, string instruments could be heard on the recordings. This was fortunate timing as string instruments are even now a cornerstone of country music.
Peer set up this new technology in an abandoned hat factory in the city of Bristol. In 1927, Bristol sat on the border of Virginia and Tennessee. Because of previous recordings by Peer, several local musicians in Bristol, including Jimmie Rodgers, now known as the father of country music, and the Carter Family, the first family of country music, showed up to Peer’s makeshift studio and recorded their songs. The Bristol Sessions catapulted country music into the forefront of American culture and cemented it as a professional genre of music.
Special Collections & University Archives at Virginia Tech
The Carter/Cash Family Collection, Ms.2009.090, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.
Box 34, Folder 141, Rick Boucher Papers 1968-2017 (bulk 1975-2011), Ms2021-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.
Box 35, Folder 49, Rick Boucher Papers 1968-2017 (bulk 1975-2011), Ms2021-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.
Box 8, Rick Boucher Papers 1968-2017 (bulk 1975-2011), Ms2021-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.
Virginia Tech Libraries
Gleason, Holly. Woman Walk the Line: How the Women in Country Music Changed Our Lives. 1st ed. Austin: University of Texas Press, 2017.
Ken Burns: Country Music. Public Media Distribution, LLC, d/b/a PBS Distribution, 2019.
Wolfe, Charles, and Ted Olson. The Bristol Sessions : Writings about the Big Bang of Country Music. Jefferson, N.C: McFarland, 2005.