jojacks2 About Special Collections and University Archives, Just for Fun, Pop Culture

The Hairy, Scary Things That Time Forgot!

So you think archival work is boring and routine, that nothing could be so harmless and mundane as arranging papers and then writing summary descriptions of them? Maybe you think the most frightening thing an archivist encounters in a typical workday is a misfiled folder or a paper cut. Well, let me tell you: a misfiled folder can be a pretty ominous thing, and as for paper cuts, hey, those things can get infected. And if you were to delve deep into the dark, quiet recesses of Special Collections, you might be shocked to find archivists with hands stained crimson (with red rot), their clothing torn (by sharp, rusty paperclips), and their minds shattered by a blinding stench (from decaying film negatives).

If none of these prospects strike you as particularly sinister, then also consider this: Archivists often spend a great part of their workday hanging out with dead people (no, Im not referring to other archivists). In arranging the personal papers of long-deceased individuals, we often come to know them pretty well, not only the bare facts of their lives, but their habits, their successes and failures, and their oddities. Truth be told, dead people can be pretty creepy sometimes, and when it comes to creepy, the Victorians, preoccupied as they were with mortality and the macabre, take the cake. These are the people, after all, who popularized the gothic novel, sances, so-called freak shows, and post-mortem photography. Several of our collections from that time period contain another creepy artifact of Victorian culture: the dreaded lock of hair keepsake.

Now of course a lock of hair seems a fairly innocuous thing and wouldnt normally be associated with creepiness, but when youre thumbing through the century-old account ledgers of a long-defunct livery stable, the lastwell, perhaps near to the lastthing you expect is for a big clump of hair to pop out at you. Thats exactly the shock we recently got, however, when reviewing the Warm Springs, Virginia Ledgers (Ms2014-003), a collection purchased earlier this year.

Though locks of hair continue to be clipped and kept as mementos, usually by parents who want a keepsake of their infant children, the sharing of a lock of hair between lovers as a symbol of devotion is a tradition that has largely fallen out of favor. In the 19th and early 20th centuries, however, it was a very common thing for a lover to request a lock of hair as a keepsake. Within the Frank C. Kitts Jr. Scrapbook (Ms2010-20), in fact, may be found small ringlets that Kitts, a native of Tazewell, Virginia, obtained from three different women, seemingly as a chronicle of his romantic conquests.

The scrapbook of Frank C. Kitts Jr., who perhaps considered himself something of a Lothario, contains locks of hair from three different women.
The scrapbook of Frank C. Kitts Jr., who perhaps considered himself something of a Lothario, contains locks of hair from three different women.

Locks of hair were also often kept as mementos of deceased loved ones. Such would seem to be the case with a small, loose bundle of reddish-blonde hair in the Vivian Coleman Bear Papers (Ms2009-086). The lock is accompanied by a poem titled “Despair,” clipped from a newspaper, which concludes, [I]n this world-weary bosom / is buried a sleepless pain.

The poem accompanying a lock of hair in the Bear Papers seems to have been written from the point of view of a woman mourning the loss of her fianc.
The poem accompanying a lock of hair in the Bear Papers seems to have been written from the point of view of a woman mourning the loss of her fianc.

The symbolic associations and physical qualities of hair gave rise to its use as a medium for artistic expression during the 19th century, and hairwork became a fashionable handicraft, with jewelry, accessories, and wall ornaments being meticulously fashioned from human hair. Unfortunately (well, fortunately, as far as Im concerned), we have no examples of hairwork in our collections. Most of the locks in our collections are simple affairs, either kept loose or bound with a small ribbon. Within the back of a Civil War-era diary found in the John D. Wagg Papers (Ms1992-048), however, may be found a rather fancily braided ringlet.

The intricate braid of this lock of hair found in the back pocket of a diary in the John D. Wagg Papers (Ms1992-048) suggests that it may have been intended for ornamental use.
The intricate braid of this lock of hair found in the back pocket of a diary maintained by John D. Wagg suggests that it may have been intended for ornamental use.

Within our collections from the Victorian era are many other locks of hair. The owners of these tresses are sometimes identified, but more often theyre not. And so were left today to wonder just who they were, these dead people with their clipped hair, and to be terrifiedokay, not terrified, but at least vaguely and mildly repulsedby the little pieces of themselves that they left behind.

jojacks2 About Special Collections and University Archives, Local/Regional History

Four Approaches to Local History Research With Special Collections

It’s research paper time at Virginia Tech! And when it comes to research papers relating to local (and many other) topics, a visit to Special Collections is indispensable. Let’s examine the different ways that Special Collections can help you with a research paper, using Blacksburg’s Lyric Theater–a perennial favorite among students–as an example. (If you don’t need advice on research methods, you can just look at the pretty pictures below!)

The So-Called Independent Approach. You know that you don’t need Special Collections because everything you need for any research paper can be found online. A simple Google search on “lyric theater blacksburg history” takes you to the Lyric’s website, and you find some very useful information there. Soon, though, you realize that, even with some judicious padding, big fonts, and wide margins, you’re not going to have enough for a paper. You go back to Google and run across “The Lyric Theatre: A Look Back at the Beginnings.” The page is a little dated, but it links to a lot of helpful information and images. Now you’ve got a lot more for your paper. Surprise! You’ve just been helped by Special Collections! The problem with this approach is that the Lyric is one of only a few such pages that we’ve put together, and helpful as this page might be, it’s probably not enough for your needs.

The Not-Quite-Novice Approach. You know from experience that the library is a vital starting point for any research project but have never been to Special Collections. You go to the library’s catalog and do a keyword search on blacksburg lyric theater, which pulls just one hit, for The Lyric Resource Notebook, compiled by Stephen Michener in 1994. You visit Special Collections, find a few things in the Resource Notebook to add to your paper, and leave, mistakenly thinking that you’ve found all that the department has on the topic.

The Experienced Approach. You know that Special Collections holds more than books and that you can find these materials through links on the Special Collections website. Through a link on the homepage, you search “lyric” on the Virginia Heritage database and learn that Special Collections also holds a Lyric-related folder in the Vertical Files. You ask for this and are given a folder thick with newsclippings and other materials relating to all areas of the Lyrics history, from its construction, to its renovation, to the recent conversion to digital projection. Another link takes you to the Imagebase, and a search there finds more than a dozen Lyric-related photographs. Digging deeply into the department’s Manuscript Collections Guide, you find that we hold the papers of Smithey & Boynton, the architectural firm that designed the theater building, and that the collection includes the firm’s sketches, building plans, and architectural detail drawings for the Lyric.

The Savvy Approach. You know that Special Collections holds some things that simply aren’t on the public radar and that the archivists are on hand to help you find these things. Using the Savvy Approach, you ask for help. With a simple “What else do you have on the Lyric?” you learn that Special Collections has a substantial collection of monthly calendar-programs that were mailed to local residents from the 1930s through the 1970s.

In addition to showing what was playing on specific dates, the calendars also provide other details on the theater’s operation.

You’re also shown a large collection of lobby cards distributed to the theater’s patrons. The cards all seem to date from the silent film era and are presented in a wide array of shapes and sizes, revealing something not only of the era’s films but also of its marketing techniques.

Because they’ve not yet been processed, these two collections aren’t often used, and they can give your paper an interesting and unusual angle, one that you’d not had if you hadn’t asked a simple question.

So there you have four approaches to a local history research paper, and Special Collections provided some help to each. If you think that it seemed like too much effort to find everything the department has on a single topic, we agree. Although our materials are much more easily accessible to researchers than they were, say, 20 years ago, we’re constantly striving to make things easier, so that searching in several different places or relying on an archivist’s memory to find everything won’t be necessary. Until that distant day when everything is retrievable through a single search, though, remember to use the Savvy Approach and ask us for help. That’s what we’re here for.

vtspecblogger About Special Collections and University Archives, Literary First Editions, Uncategorized, University History

Legacy of Dayton Kohler

Bookplate found on the inside front cover of many books from Kohler's collection.
Bookplate found on the inside front cover of many books from Kohler’s collection.

Drawing of Dayton Kohler by Karl Jacob Belser, 1931.
Drawing of Dayton Kohler by Karl Jacob Belser, 1931.

 
 
If you have an interest in modernist literature and have, on occasion, requested Special Collections’ copies of such worksespecially by American writers of fiction, though not exclusivelyyou may have discovered the bookplate shown above with a startling frequency. “From the Collection of Dayton Kohler . . . Virginia Polytechnic Institute . . . Carol M. Newman Library” appears time after time in books by many of the great writers of our time in the Rare Book collection. When I first started working here, just about five and a half years ago, as I came upon first editions of Faulkner, Hemingway, Cather, and Fitzgerald; then Virginia Woolf, D. H. Lawrence, and Joseph Conrad; Saul Bellow, Katherine Anne Porter, Eudora Welty, James Thurber, J.D. Salinger, Reynolds Price, William Styron, and more, I kept noticing the same bookplate. All first editions, several of them signed by the author. Who was Dayton Kohler?

Select first editions from the collection of Dayton Kohler

Kohler was Professor of English at Virginia Tech. He retired in 1970 after arriving at this institution as an Instructor in 1929. Born in 1906 and a graduate of Gettysburg College, he received his master’s degree from the University of Virginia the same year he came to Blacksburg. In 1931, Karl Belser, a colleague in the Department of Architectural Engineering drew a sketch of Kohler (shown above) that is housed, along with several other prints and drawings, in the Karl Jacob Belser Illustrations, 1931-1932, 1938, n.d., also at Special Collections. Kohler’s own collection of papers is also on hand. It includes an extensive correspondence with authors and other critics of the time, much of which relates to various literary essays and reviews.

Dayton Kohler died in 1972, but not before arranging for a collection of his booksincluding many 20th-century first editionsto become part of Special Collections. In fact, former director of Special Collections Glenn McMullen said in a June 1990 Roanoke Times and World News article that acquisition of Kohler’s book collection was “the first major acquisition” for the new department that had only formed in 1970. A May 21, 1971 memo to then-library director Gerald Rudolph reports that 1095 books were received from Professor Kohler some ten days earlier. The list that accompanies the memo shows only authors and quantity, with no detail regarding title and/or edition. But, in addition to the names referenced above, the list includes William Carlos Williams, John Dos Passos, Truman Capote, Henry James, Ezra Pound, James Joyce (a trip to the shelves indicates the 1930 edition of Ulysses, not the 1922 first edition, was Kohler’s), and a total of 27 Hemingways and 38 Faulkners(!), plus much, much more. What a tremendous legacy for the Library and its patrons to use and enjoy. I’m sure there are still more terrific editions in the collection that I haven’t yet seen. To close (almost) this post, I’ll leave you with one more that I did find:

Jacket of Fitzgerald's The Great Gatsby, 1925.
Jacket of Fitzgerald’s The Great Gatsby, 1925.

Inside front cover of The Great Gatsby (1925) with F. Scott Fitzgerald's inscription to Dayton Kohler, dated 1934.
Inside front cover of The Great Gatsby (1925) with F. Scott Fitzgerald’s inscription to Dayton Kohler, dated 1934.

 
 
 
 
 
 
 
 
 
 
 
 
Lastly, if any alumni who may remember Professor Kohler read this post and wish to tell us more about him, please consider leaving a comment below. We’d be pleased to add them to this post. Thanks!

archivistkira About Special Collections and University Archives, Civil War, New Acquisitions

Alexandria and Fairfax Counties Civil War Correspondence

Today I finished up the first phases of work on a great collection of Civil War correspondence. The collection includes 19 letters by 18 different authors. Unless there’s a connection (usually family, business/organization, institutional, or something along those lines), we tend to name and organize collections based on the creators. So, under “normal” conditions, if such a thing exists (one of our favorite phrases in the archives world is “it depends”), these letters might have ended up as 17 collections (two of the letter writers are brothers). These 19 letters, though, have something else in common: location. Each was written in or around Alexandria and Fairfax counties in Virginia. And each was written within the first 16 months of the Civil War. As a result of that, we’ve decided to treat them as a single, cohesive unit. This group of letters offers a unique perspective on the early experiences of Union and Confederate soldiers around Washington DC in the early months of the war. There are number of common elements: regiments cutting down trees to build up defenses, skirmishes between forces, the need for food and clothes from home, and a frequent hope that soldiers “hope to be home soon.”

You can see the finding aid for the Alexandria and Fairfax Counties [Virginia] Civil War Correspondence (Ms2013-029) online here. The contents list of the finding aid includes links to the digitized letters and, when available, the transcripts. You can also go straight to Omeka (our emerging digital content platform) and see the letters and transcripts here. The digital images all have links back to the finding aid, as well. The idea is that we’re creating online connections to help our researchers move back and forth from digitized primary sources to context for those materials easily.

Ms2013_029_Alexandria_Lukens_1861_1209a

Ms2013_029_Alexandria_Lukens_1861_1209b
Franklin B. Lukens served in Company E of the 3rd Regiment, New Jersey Infantry. His December 9, 1861 letter to his parents mentions that there is a man missing who has not been found. He talks about a woman who is a Secessionist and her slaves. He closes by asking them to write soon.

This collection remains a work-in-progress, as we expect new materials from the donor in 2014 and into the future. As new materials arrive, we’ll continue digitize them and update the finding aid. We’ll be able to offer new insight into early war-time conditions and experiences as the collection continues to grow.

The Alexandria and Fairfax Counties [Virginia] Civil War Correspondence (Ms2013-029) is not the first collection we’ve placed in Omeka (https://omeka.lib.vt.edu/), nor is it the first one we’ve digitized, but it’s the first one to go through acquisition, digitization, processing, and addition to the web in sequence and within a short period of time. We hope it will help us create and shape our workflow for the future as we digitize more collections. It may not be a speedy process, so we also hope you’ll bear with us as we create new material to share. We promise, it’ll be worth it.

jojacks2 About Special Collections and University Archives, Just for Fun

Hidden History at Special Collections II: The Harold B. Bailey Autograph Book

One of the great pleasures of working with manuscript collections is the discovery of the unexpected. When delving into a collection for the first time, one can never be sure just what surprises may be found. The Harold Balch Bailey autograph book, housed within the Bailey-Law Collection (Ms1982-002), is one such surprise.

The Bailey-Law Collection combines the papers of John Eugene Law and Harold E. Bailey (son of Harold Balch Bailey). Both men were accomplished ornithologists, though neither seems to have been formally educated in the subject. The collection contains ornithological field notes, subject files, printed materials, and photographs but is perhaps of more value for its many biographical files, assembled by Bailey, chronicling the lives and activities of other naturalists. Some of these files are extensive and contain correspondence and field notes of their subjects.

Given the collections focus on ornithology and naturalists, its a bit of a surprise to find ensconced here a small, fragile autograph book that has almost no connection to these two subjects. Assembled by the elder Bailey (himself a naturalist), the collection includes the autographs of more than 50 of the foremost personages of the 19th century. Gathered here are signatures of three (possibly four) U. S. presidents; several Union Army generals; no fewer than 14 governors; and well-known authors, artists, and musicians.

Unfortunately, as so often happened in early autograph-collecting, little value was placed on the source material. So, while some of the autographs are found on cards expressly made for the purpose, many others were clipped from documents. In fact, the autograph of John James Audubon is accompanied by a note from his granddaughter, explaining that the letter from which the signature was clipped had contained so many details of the familys home life that they couldnt bear to part with it. The Audubons had no qualms about mutilating the letter, however.

While these signatures have some artificial, market-driven value as objects and may be of general interest to some, most have negligible research value (except insofar as the collection as a whole tells us something about the collector). The context of some of the autographs, however, may be of some value to researchers. The signatures of poets Oliver Wendell Holmes Sr. and William Deane Howells, for example, appear below handwritten bits of their poetry, and the signature of artist W. L. Champney appears on an ink drawing.

Elsewhere among the elder Baileys papers are three items relating to the Massachusetts militia. One of these documents, dated 1836, is signed by J. Q. Adams, presumably former president John Quincy Adams, serving at that time as a Massachusetts congressman. Like the autograph book, these items seem out of place within the collection; because of their association with Bailey, they remain in a file under his name.

Historically, archives and other repositories have been victimized by overly eager autograph-hounds. If youve ever visited Special Collections and wondered about some of the restrictions in the Reading Room, bear in mind that its our mission to protect the objects in our care. The security measures are in place to ensure the preservation of our shared history and allow future generations the thrill of discovery.

archivistkira About Special Collections and University Archives, Events

Special Collections Open House, October 1st!

Did you miss our Special Collections Open House on September 3rd? Don’t worry–you have three more chances to join us! Our next event is on Tuesday, October 1, from 5-7pm. You’ll have a chance to view a variety of materials from our collections, talk with an archivist (or two or three!), ask questions about what we do, learn about how we can help with personal and professional research, and even take a behind the scenes tour!

Here’s a few things you might see if you stop by:

 

We’ll also display items from the University Archives, the International Archives of Women in Architecture, and maybe even a few speculative fiction magazines.

If you can’t join us in October, we’ll have two more open houses this semester: November 5th and December 2nd (both Tuesdays and both from 5-7pm), so be sure to mark your calendar. See you soon!

vtspecblogger About Special Collections and University Archives

Open House at Special Collections: Tuesday, September 3rd!!

The first of four open house events at Special Collections will be held on Tuesday September 3rd from 5:00PM to 7:00PM. Other open houses will be held on the first Tuesday of each month this fall, through December.

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If you’ve never taken the opportunity to explore the holdings of Special Collections—but perhaps you’ve never seen a first edition of James Joyce’s Ulysses, or always wondered about the relationship between cocktails and prohibition, or couldn’t believe that a 56 year old fellow from Wisconsin really did enlist in the Union Army in October 1861 . . . alongside his 12 year-old son—well, now would be a good time to start. We’ll have a representative sample of our holdings on display and staff members on hand who will be happy to answer your questions.

Selection of Civil War Diaries
Selection of Civil War Diaries
Two works by Langston Hughes: A New Song (1938; signed) and Scottsboro Limited (1931)
Two works by Langston Hughes: A New Song (1938; signed) and Scottsboro Limited (1931)

 

 

 

 

 

This is just a sample of what you’ll find when you visit Special Collections. Please do drop in this Tuesday, September 3rd or, if you can’t make it then, visit us for one of our First Tuesday Open House events this fall. Whether to support an interest or provide assistance for a research project Special Collections is here to offer a wealth of assistance and materials. Come see us!

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OpenHouseFlyer_A

archivistkira About Special Collections and University Archives, New Acquisitions

From the Donor to the Shelf: A Few Words on Acquisitions

One of the reasons Special Collections launched this blog was to show off some of our cool materials. We can talk about new acquisitions, new discoveries, and old favorites all day! (Curious, just come by and ask us!) Another reason, though, was talk a little about the who, what, where, and why of Special Collections. One of the questions we are frequently asked, in one form or another, is “How to you get stuff?” The short answer is that we acquire books, manuscripts, maps, photographs, and other materials in three major ways: donation, purchase, and transfer (this last is the least common, but is vital to our mission of preserving university history!). The much longer answer continues below…

I’m Kira Dietz (aka archivistkira), and since part of my job as Acquisitions and Processing Archivist is to work with donors & potential donors, book & manuscript dealers, university employees, alumni and more, I thought I might spend a post or two over the next couple months tackling the “How do you get stuff?” query. The best way to do that is to answer a few more specific question potential donors might have.

Culinary Pamphlet Collection, Ms2011-002
From the Knox Gelatine: Desserts, Salads, Candies, and Frozen Dishes (1933). This pamphlet is one of a collection of 92 items donated in 2011 that went on to form the basis of the Culinary Pamphlet Collection, Ms2011-002. This collection continues to grow through donations and purchases. http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00787.xml

Why donations?

While Special Collections does have a budget to purchase materials (more on that in a future post), we rely heavily on donations. We have just that–a limited budget. Donations make up more than half of our holdings and are the backbone of our manuscripts, university archives, and rare book collection. There are financial costs involved in the acquisition, processing, maintenance, and access of our collections, but donation of materials can help us save a little on the acquisitions part. Donations that come with a financial contribution can help us further reduce some of the processing costs. Basically, without donations, the University Libraries would never have acquired much of the materials that led to the creation of Special Collections, and we wouldn’t be here today!

Where do donations come from?

Donations can come from anyone! We receive materials from staff/faculty and departments on campus, from alumni of Virginia Tech, from community members and organizations, from current students, from professionals active in fields related to our collecting areas, from researchers and scholars, and from people around the world! Sometimes, donors already know who we are. Sometimes, they hear about us at an event or through word of mouth. Sometimes, they have an item or collection that they just want to be available to a wide range of researchers, scholars, and visitors, rather than keeping it in their attic.

John Newton Carnahan Letters, Ms2009-112
The John Newton Carnahan Letters, a series of Civil War letters by Carnahan to his family at home in Wytheville, Va., were donated to Special Collections in 2005. You can see a guide to the collection here: http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00485.xml

What kinds of donations do you want?

We’re always on the lookout for new items and collections! While an exhaustive list is tricky to provide, here are some general sorts of formats we seek: Correspondence, diaries, and manuscripts (preferably original documents), logbooks, ledgers, memorabilia, photographs, drawings, architectural collections, and other records of historical importance to the mission of the university and that support existing collections.

We are actively collecting materials in a 7 or 8 major subject areas at present. These include,but are not limited to, local history (SW Virginia and nearby parts of Appalachia), university history, the American Civil War, science and technology, speculative fiction, women & architecture, and food & drink history. You can see more about the kinds of collections we have in all these areas in the individual subject guides listed here.

What do you do with donations once you receive them?

One of the phrases you hear often in archives is, “it depends.” What we do with a donation once we receive it depends on a number of factors: what the donation consists of, how large it is, what condition it’s in, whether further donations may be expected, and more.

In general, the first thing we do is create a record of the donation in our database. Books and other publications that can be cataloged to the University Libraries’ Technical Services, then are returned to our Rare Book Collection. Manuscripts, photographs, drawings, maps, and mixed material collections are placed in acid-free boxes and added to our processing queue. If there are fragile or damaged items, we may do some preservation work like placing torn documents in polyester sleeves, unrolling and flattening rolled photos or documents, or photocopying acid paper. Preservation issues may also be addressed when a collection is processed at a later date.

Susana Torre Architectural Papers, Ms1990-016
This drawing of Garvey House, designed by architect Susana Torre, is part of the Susana Torre Architectural Papers, Ms1990-016. The collection includes more than 24 cu. ft. of correspondence, project files, articles, teaching notes, and designs. http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00175.xml

What do I do if I have something I want to donate?

Contact Special Collections! Whether your potential donation is a single item or lots of boxes, we’ll talk to you about what you have and how it might fit in with our holdings.We can also talk to you about how we process, house, and provide access to collections (I could write a whole series of posts on that subject, so I won’t cover it today). If you live nearby or are passing through Blacksburg and want to visit us, we’re happy to show you around the department, too.

If we all decide Special Collections is the right place for your donation, we’ll make arrangements to receive the material. It might mean a pick up, a drop off, or something being sent via the mail. As a record of your donation, we’ll ask you fill out and sign our “Deed of Gift” form. We’ll keep a copy and we send one to you, too. We also follow up with a thank you note from us.

On the whole, we try to keep our donation process as simple as possible for everyone.

What if Special Collections at Virginia Tech isn’t the right place for a collection?

That’s one of the main reasons we encourage you to talk to us about your donation. Sometimes, we just aren’t the right home for a book, a letter, or a diverse collection of materials. Whether or not you know it, though, there are LOTS of special collections, archives, historical societies, museums, and other institutions out there. All of them have different interests and collecting areas, and many of them accept donations. If we aren’t the right home, we’ll use our network of colleagues and resources to help you find an appropriate home.

William MacFarland Patton Papers, Ms1954-001
This bridge drawing comes from the William MacFarland Patton Papers, Ms1954-001, donated to Newman Library in 1954, years before Special Collections was born! Patton was a professor at VAMC (now Virginia Tech) from 1896-1905. http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00786.xml

I hope this is a helpful introduction to donations at Special Collections. There are plenty more questions I could try to answer here, but each potential donation is different. Each one has its own needs and poses its own challenges. If you have something else you’d like to know, feel free to post a comment below or contact Special Collections. I’ll give you the best answer I can!

vtspecblogger About Special Collections and University Archives, Architecture, History, Feature Items

Love, Life & Work: Advice and Art for the Ages

Title Pages from Love, Life & Work by Elbert Hubbard (East Aurora, NY: The Roycrofters, 1906.)
Title Pages from Love, Life & Work by Elbert Hubbard (East Aurora, NY: The Roycrofters, 1906.)

At the turn of the 20th century, America was in the throes of a remarkable transformation. The great agrarian society was quickly becoming a mechanically driven economy. Some, however, spoke out against the advances of industrialization, arguing that mass production subjugated workers to machines and that no machine could match the quality of craftsmanship that came from an artists hand. It was this reaction that gave rise to the Arts and Crafts Movement.

Elbert Green Hubbard (June 19, 1856 May 7, 1915) was an American writer, publisher, artist, and philosopher. Raised in Illinois, he met early success as a traveling salesman with a soap company but dropped out of this lucrative career to become a writer and soon discovered the idealized world of Arts and Crafts. Hubbard is most famous for founding the Roycroft artisan community in East Aurora, New York, an influential exponent of Arts and Crafts in the United States.

During his lifetime, Hubbard became well known throughout the nation as a writer, a philosopher and a lecturer. His eccentric and flamboyant style and seemingly non-conformist ideology endeared him to many readers. He was both a reflection of and a reaction to his times, taking center stage in American thought and becoming an icon of popular culture. Hubbard described himself as an anarchist and a socialist. He believed in social, economic, domestic, political, mental and spiritual freedom and his philosophies are clearly evident in his publication: Love, Life & Work; Being a Book of Opinions Reasonably Good-Natvred Concerning How to Attain the Highest Happiness for Ones Self with the Least Possible Harm to Others, a copy of which is held in Special Collections.

Although the text of this novella is readily available in ebook format, there is something special about examining the physical work. Virginia Tech is home to a first edition, published in 1906, bound in soft leather with the title embossed on the cover and representative of the simplified illustration style and handcrafted appearance that characterized the era.

Bookmaking played an important role in the Arts and Crafts Movement. Like other decorative arts, there was a rising concern over the detrimental effects of mass production on book design. Hubbard and his fellow Roycrofters sought to rectify this through their own private press, which emphasized high quality hand production: handmade papers, heavy inking, original typefaces, and designs that looked back to medieval illuminated manuscripts and incunabula and often included elaborate wood engravings.

The text itself is a compilation of thirty short essays on a variety of topics ranging from Mental Attitude to Love and Faith and although Hubbard makes many references to contemporary issues and personalities, a vast majority of his advice is still relevant in modern times. The following are just a few of the bits of wisdom and insight that Hubbard shares with readers:

Character is the result of two things, mental attitude, and the way we spend our time. It is what we think and what we do that make us what we are.

The world bestows its big prizes, both in money and honors, for but one thing. And that is Initiative. What is Initiative? Ill tell you: It is doing the right thing without being told.

To do your work well to-day, is the certain preparation for something better to-morrow. The past has gone from us forever; the future we cannot reach; the present alone is ours. Each day’s work is a preparation for the next day’s duties. Live in the present–the Day is here, the time is Now.

Members of the Virginia Tech community are invited to come visit us at Special Collections to examine Love, Life & Work, other influential texts by Elbert Hubbard, and additional examples of Arts and Crafts style printing and illustration.